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Find the relation between <e1>François Asselineau<\e1> and <e2>French<\e2>. François Asselineau (, born 14 September 1957) is a French politician and an Inspector General for finances. Asselineau was a member of the Rally for France (RPF) and UMP before creating his own political party the Popular Republican Union (Union Populaire Républicaine or UPR). His movement promotes France's unilateral withdrawal from the European Union, the Eurozone and NATO. Asselineau has been described as a souverainist but does n't self - identify as such. He identifies neither as right - wing nor left - wing. Arrêt sur images described his background as " typical of a right wing énarque, bordering on the far - right ". His views have also been described by many observers as conspiracy theories. Asselineau has had a troubled relationship with the media, which he has repeatedly accused of " censorship ". In his critique he includes French Wikipedia, which has considered him insufficiently noteworthy to justify a page in the encyclopedia. The activism of his supporters to try and increase media coverage of Asselineau and the UPR has been noted by some observers. He ran in the 2017 French presidential election, presenting himself as the “ Frexit candidate ”. He was eventually eliminated in the first round, earning only 0.92 % of the votes.

country of citizenship

Find the relation between <e1>Union Populaire Républicaine<\e1> and <e2>French<\e2>. François Asselineau (, born 14 September 1957) is a French politician and an Inspector General for finances. Asselineau was a member of the Rally for France (RPF) and UMP before creating his own political party the Popular Republican Union (Union Populaire Républicaine or UPR). His movement promotes France's unilateral withdrawal from the European Union, the Eurozone and NATO. Asselineau has been described as a souverainist but does n't self - identify as such. He identifies neither as right - wing nor left - wing. Arrêt sur images described his background as " typical of a right wing énarque, bordering on the far - right ". His views have also been described by many observers as conspiracy theories. Asselineau has had a troubled relationship with the media, which he has repeatedly accused of " censorship ". In his critique he includes French Wikipedia, which has considered him insufficiently noteworthy to justify a page in the encyclopedia. The activism of his supporters to try and increase media coverage of Asselineau and the UPR has been noted by some observers. He ran in the 2017 French presidential election, presenting himself as the “ Frexit candidate ”. He was eventually eliminated in the first round, earning only 0.92 % of the votes.

country

Find the relation between <e1>Rally for France<\e1> and <e2>France<\e2>. François Asselineau (, born 14 September 1957) is a French politician and an Inspector General for finances. Asselineau was a member of the Rally for France (RPF) and UMP before creating his own political party the Popular Republican Union (Union Populaire Républicaine or UPR). His movement promotes France's unilateral withdrawal from the European Union, the Eurozone and NATO. Asselineau has been described as a souverainist but does n't self - identify as such. He identifies neither as right - wing nor left - wing. Arrêt sur images described his background as " typical of a right wing énarque, bordering on the far - right ". His views have also been described by many observers as conspiracy theories. Asselineau has had a troubled relationship with the media, which he has repeatedly accused of " censorship ". In his critique he includes French Wikipedia, which has considered him insufficiently noteworthy to justify a page in the encyclopedia. The activism of his supporters to try and increase media coverage of Asselineau and the UPR has been noted by some observers. He ran in the 2017 French presidential election, presenting himself as the “ Frexit candidate ”. He was eventually eliminated in the first round, earning only 0.92 % of the votes.

located in the administrative territorial entity

Find the relation between <e1>UMP<\e1> and <e2>France<\e2>. François Asselineau (, born 14 September 1957) is a French politician and an Inspector General for finances. Asselineau was a member of the Rally for France (RPF) and UMP before creating his own political party the Popular Republican Union (Union Populaire Républicaine or UPR). His movement promotes France's unilateral withdrawal from the European Union, the Eurozone and NATO. Asselineau has been described as a souverainist but does n't self - identify as such. He identifies neither as right - wing nor left - wing. Arrêt sur images described his background as " typical of a right wing énarque, bordering on the far - right ". His views have also been described by many observers as conspiracy theories. Asselineau has had a troubled relationship with the media, which he has repeatedly accused of " censorship ". In his critique he includes French Wikipedia, which has considered him insufficiently noteworthy to justify a page in the encyclopedia. The activism of his supporters to try and increase media coverage of Asselineau and the UPR has been noted by some observers. He ran in the 2017 French presidential election, presenting himself as the “ Frexit candidate ”. He was eventually eliminated in the first round, earning only 0.92 % of the votes.

located in the administrative territorial entity

Find the relation between <e1>Union Populaire Républicaine<\e1> and <e2>France<\e2>. François Asselineau (, born 14 September 1957) is a French politician and an Inspector General for finances. Asselineau was a member of the Rally for France (RPF) and UMP before creating his own political party the Popular Republican Union (Union Populaire Républicaine or UPR). His movement promotes France's unilateral withdrawal from the European Union, the Eurozone and NATO. Asselineau has been described as a souverainist but does n't self - identify as such. He identifies neither as right - wing nor left - wing. Arrêt sur images described his background as " typical of a right wing énarque, bordering on the far - right ". His views have also been described by many observers as conspiracy theories. Asselineau has had a troubled relationship with the media, which he has repeatedly accused of " censorship ". In his critique he includes French Wikipedia, which has considered him insufficiently noteworthy to justify a page in the encyclopedia. The activism of his supporters to try and increase media coverage of Asselineau and the UPR has been noted by some observers. He ran in the 2017 French presidential election, presenting himself as the “ Frexit candidate ”. He was eventually eliminated in the first round, earning only 0.92 % of the votes.

located in the administrative territorial entity

Find the relation between <e1>Frexit<\e1> and <e2>France<\e2>. François Asselineau (, born 14 September 1957) is a French politician and an Inspector General for finances. Asselineau was a member of the Rally for France (RPF) and UMP before creating his own political party the Popular Republican Union (Union Populaire Républicaine or UPR). His movement promotes France's unilateral withdrawal from the European Union, the Eurozone and NATO. Asselineau has been described as a souverainist but does n't self - identify as such. He identifies neither as right - wing nor left - wing. Arrêt sur images described his background as " typical of a right wing énarque, bordering on the far - right ". His views have also been described by many observers as conspiracy theories. Asselineau has had a troubled relationship with the media, which he has repeatedly accused of " censorship ". In his critique he includes French Wikipedia, which has considered him insufficiently noteworthy to justify a page in the encyclopedia. The activism of his supporters to try and increase media coverage of Asselineau and the UPR has been noted by some observers. He ran in the 2017 French presidential election, presenting himself as the “ Frexit candidate ”. He was eventually eliminated in the first round, earning only 0.92 % of the votes.

located in the administrative territorial entity

Find the relation between <e1>Union Populaire Républicaine<\e1> and <e2>French<\e2>. François Asselineau (, born 14 September 1957) is a French politician and an Inspector General for finances. Asselineau was a member of the Rally for France (RPF) and UMP before creating his own political party the Popular Republican Union (Union Populaire Républicaine or UPR). His movement promotes France's unilateral withdrawal from the European Union, the Eurozone and NATO. Asselineau has been described as a souverainist but does n't self - identify as such. He identifies neither as right - wing nor left - wing. Arrêt sur images described his background as " typical of a right wing énarque, bordering on the far - right ". His views have also been described by many observers as conspiracy theories. Asselineau has had a troubled relationship with the media, which he has repeatedly accused of " censorship ". In his critique he includes French Wikipedia, which has considered him insufficiently noteworthy to justify a page in the encyclopedia. The activism of his supporters to try and increase media coverage of Asselineau and the UPR has been noted by some observers. He ran in the 2017 French presidential election, presenting himself as the “ Frexit candidate ”. He was eventually eliminated in the first round, earning only 0.92 % of the votes.

located in the administrative territorial entity

Find the relation between <e1>Nelly<\e1> and <e2>U.S.<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

country of citizenship

Find the relation between <e1>Fallin<\e1> and <e2>Alicia Keys<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

performer

Find the relation between <e1>Let Me Blow Your Mind<\e1> and <e2>Eve and Gwen Stefani<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

performer

Find the relation between <e1>Where the Party At<\e1> and <e2>Nelly<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

performer

Find the relation between <e1>Where the Party At<\e1> and <e2>U.S.<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

country of origin

Find the relation between <e1>Where the Party At<\e1> and <e2>Jagged Edge<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

performer

Find the relation between <e1>I 'm Real ( Murder Remix )<\e1> and <e2>Jennifer Lopez<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

performer

Find the relation between <e1>Eve and Gwen Stefani<\e1> and <e2>Best Rap/Sung Collaboration<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

award received

Find the relation between <e1>Billboard Hot 100<\e1> and <e2>U.S.<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

country

Find the relation between <e1>Nelly<\e1> and <e2>American<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

country of citizenship

Find the relation between <e1>Jagged Edge<\e1> and <e2>U.S.<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

country

Find the relation between <e1>Best Rap/Sung Collaboration<\e1> and <e2>U.S.<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

country

Find the relation between <e1>Jagged Edge<\e1> and <e2>American<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

country

Find the relation between <e1>Best Rap/Sung Collaboration<\e1> and <e2>44th Grammy Awards<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

instance of

Find the relation between <e1>Alicia Keys<\e1> and <e2>Fallin<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

notable work

Find the relation between <e1>Eve and Gwen Stefani<\e1> and <e2>Let Me Blow Your Mind<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

notable work

Find the relation between <e1>Nelly<\e1> and <e2>Where the Party At<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

notable work

Find the relation between <e1>Jagged Edge<\e1> and <e2>Where the Party At<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

notable work

Find the relation between <e1>Jennifer Lopez<\e1> and <e2>I 'm Real ( Murder Remix )<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

notable work

Find the relation between <e1>Jagged Edge<\e1> and <e2>U.S.<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

located in the administrative territorial entity

Find the relation between <e1>Jagged Edge<\e1> and <e2>American<\e2>. " Where the Party At " is a 2001 R&B ; song by American R&B ; group Jagged Edge, with guest vocals by American hip - hop artist Nelly. A number - one single, the song spent three weeks at number - one on the U.S. R&B ; chart, and was the group's highest - charting single on the U.S.Billboard Hot 100, spending five weeks at number three starting the week of September 15, 2001, stuck behind Alicia Keys' " Fallin' " and Jennifer Lopez's " I'm Real (Murder Remix) ". The song was nominated for Best Rap / Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's " Let Me Blow Your Mind ".

located in the administrative territorial entity

Find the relation between <e1>Peter Criss<\e1> and <e2>Kiss<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

member of

Find the relation between <e1>Kiss<\e1> and <e2>Peter Criss<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

has part(s)

Find the relation between <e1>Chelsea<\e1> and <e2>New York City<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

location of formation

Find the relation between <e1>Criss<\e1> and <e2>Kiss<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

member of

Find the relation between <e1>Lips<\e1> and <e2>Stan Penridge<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

has part(s)

Find the relation between <e1>Lips<\e1> and <e2>Michael Benvenga<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

has part(s)

Find the relation between <e1>Captain Sanity<\e1> and <e2>Pete Shepley<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

performer

Find the relation between <e1>Lips<\e1> and <e2>Criss<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

has part(s)

Find the relation between <e1>Peter Criss<\e1> and <e2>Kiss<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

part of

Find the relation between <e1>Stan Penridge<\e1> and <e2>Lips<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

part of

Find the relation between <e1>Michael Benvenga<\e1> and <e2>Lips<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

part of

Find the relation between <e1>Pete Shepley<\e1> and <e2>Captain Sanity<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

notable work

Find the relation between <e1>Criss<\e1> and <e2>Lips<\e2>. Chelsea was an early 1970s band from New York City, best known for being the band of drummer Peter Criss before he joined Kiss. They released one album, the self - titled album Chelsea in 1971 and then collapsed during the recording of their unreleased second album. In August 1971, the band became Lips (a trio consisting of Criss and his Chelsea bandmates Michael Benvenga and Stan Penridge). By the spring of 1973, Lips was just the duo of Criss and Penridge and eventually disbanded completely. Their sound has been compared to the Moody Blues and Procol Harum. In 1973, Pete Shepley & Mike Brand recorded an unreleased album which included post - Chelsea Michael Benvenga, a pre - Kiss Peter Criss, and on two songs Gene Simmons as session musicians. It was titled Captain Sanity.

part of

Find the relation between <e1>Raymond Watts<\e1> and <e2>KMFDM<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

member of

Find the relation between <e1>Bill Rieflin<\e1> and <e2>KMFDM<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

member of

Find the relation between <e1>Sascha Konietzko<\e1> and <e2>KMFDM<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

member of

Find the relation between <e1>Juke Joint Jezebel<\e1> and <e2>KMFDM<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

performer

Find the relation between <e1>KMFDM<\e1> and <e2>Raymond Watts<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

has part(s)

Find the relation between <e1>KMFDM<\e1> and <e2>Bill Rieflin<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

has part(s)

Find the relation between <e1>KMFDM<\e1> and <e2>Sascha Konietzko<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

has part(s)

Find the relation between <e1>Nihil<\e1> and <e2>KMFDM<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

performer

Find the relation between <e1>KMFDM<\e1> and <e2>Seattle<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

location of formation

Find the relation between <e1>Juke Joint Jezebel<\e1> and <e2>Nihil<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

part of

Find the relation between <e1>KMFDM<\e1> and <e2>Juke Joint Jezebel<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

notable work

Find the relation between <e1>Raymond Watts<\e1> and <e2>KMFDM<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

part of

Find the relation between <e1>Bill Rieflin<\e1> and <e2>KMFDM<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

part of

Find the relation between <e1>Sascha Konietzko<\e1> and <e2>KMFDM<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

part of

Find the relation between <e1>KMFDM<\e1> and <e2>Nihil<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

notable work

Find the relation between <e1>Nihil<\e1> and <e2>Juke Joint Jezebel<\e2>. Nihil is the eighth studio album by industrial rock group KMFDM, released on April 4, 1995 on Wax Trax!/TVT. Nihil was recorded in 1994 in Seattle, Washington, and marked the return of former band member Raymond Watts and the first appearance of journeyman drummer Bill Rieflin. The album was mostly written by band leader Sascha Konietzko, who emphasized a less guitar - driven sound for the release. Nihil's first single, " Juke Joint Jezebel ", is the band's most widely known song of all time, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best - selling album. After the original release went out of print, a remastered version was released in 2007.

has part(s)

Find the relation between <e1>Mario Pedrosa<\e1> and <e2>Partido dos Trabalhadores<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

member of political party

Find the relation between <e1>Manuel da Conceição<\e1> and <e2>Partido dos Trabalhadores<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

member of political party

Find the relation between <e1>Sérgio Buarque de Holanda<\e1> and <e2>Partido dos Trabalhadores<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

member of political party

Find the relation between <e1>Moacir Gadotti<\e1> and <e2>Partido dos Trabalhadores<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

member of political party

Find the relation between <e1>Lélia Abramo<\e1> and <e2>São Paulo<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

place of birth

Find the relation between <e1>Lélia Abramo<\e1> and <e2>São Paulo<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

place of death

Find the relation between <e1>Lélia Abramo<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Lélia Abramo<\e1> and <e2>Partido dos Trabalhadores<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

member of political party

Find the relation between <e1>Lélia Abramo<\e1> and <e2>Cláudio Abramo<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

sibling

Find the relation between <e1>Apolônio de Carvalho<\e1> and <e2>Partido dos Trabalhadores<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

member of political party

Find the relation between <e1>Cláudio Abramo<\e1> and <e2>Italy<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Lélia Abramo<\e1> and <e2>Italy<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Cláudio Abramo<\e1> and <e2>Lélia Abramo<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

sibling

Find the relation between <e1>Moacir Gadotti<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Lívio Abramo<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Apolônio de Carvalho<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>São Paulo<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country

Find the relation between <e1>Sérgio Buarque de Holanda<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Cláudio Abramo<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Manuel da Conceição<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Mario Pedrosa<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country of citizenship

Find the relation between <e1>Diretas Já<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country

Find the relation between <e1>Partido dos Trabalhadores<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

country

Find the relation between <e1>São Paulo<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

located in the administrative territorial entity

Find the relation between <e1>Partido dos Trabalhadores<\e1> and <e2>Brazil<\e2>. Lélia Abramo (February 8, 1911 – April 9, 2004) was an Italian - Brazilian actress and political activist. Daughter of Italian immigrants, Abramo was born and died in São Paulo, but lived in Italy from 1938 to 1950, suffering through the privations of World War II. Along with her brothers Cláudio Abramo and plastic artist Lívio Abramo she is part of one of the most prominent families in Brazilian history in both politics and the arts. She participated in the early foundation of the (Left Opposition in Brazil). Along with Mario Pedrosa, she has always been considered a sympathizer of trotskysm. Lélia Abramo was also a militant and was one of the founder of the Partido dos Trabalhadores (Worker's Party) along with Mario Pedrosa, Manuel da Conceição, Sérgio Buarque de Holanda, Moacir Gadotti and Apolônio de Carvalho. She was personally active in many different movements in Brazilian politics like Diretas Já. Abramo played in 27 telenovelas, fourteen films and twenty four plays, having acted with some of the great names of São Paulo theater, like Gianni Ratto and Gianfrancesco Guarnieri with whom she debuted on stage in the 1958 in (They do not use Black - Ties).

located in the administrative territorial entity

Find the relation between <e1>William Brown Maclay<\e1> and <e2>New York<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

place of birth

Find the relation between <e1>William Brown Maclay<\e1> and <e2>College of the City of New York<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

educated at

Find the relation between <e1>William Brown Maclay<\e1> and <e2>Democrat<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

member of political party

Find the relation between <e1>College of the City of New York<\e1> and <e2>New York<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

headquarters location

Find the relation between <e1>Thirty - sixth Congresses<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>New York Quarterly Review<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country of origin

Find the relation between <e1>Green - Wood Cemetery<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>College of the City of New York<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>New York<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>New York Quarterly Review<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>Brooklyn<\e1> and <e2>New York<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

located in the administrative territorial entity

Find the relation between <e1>Thirty - first Congress<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>Thirty - fifth<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>Brooklyn<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>William Brown Maclay<\e1> and <e2>Brooklyn<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

place of death

Find the relation between <e1>Thirtieth Congresses<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>Twenty - ninth<\e1> and <e2>United States<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

country

Find the relation between <e1>Twenty - ninth<\e1> and <e2>Twenty - eighth<\e2>. William Brown Maclay (March 20, 1812 – February 19, 1882) was a United States Representative from New York. Born in New York City, he received private instruction and was graduated from the College of the City of New York in 1836. He was associate editor of the New York Quarterly Review in 1836, taught Latin, studied law, was admitted to the bar in 1839 and commenced the practice of his profession in New York City. He was a member of the New York State Assembly from 1840 to 1842 and was elected as a Democrat to the Twenty - eighth, Twenty - ninth, and Thirtieth Congresses, holding office from March 4, 1843 to March 3, 1849. He was an unsuccessful candidate for reelection in 1848 to the Thirty - first Congress, and was elected to the Thirty - fifth and Thirty - sixth Congresses, holding office from March 4, 1857 to March 4, 1861. He was not a candidate for reelection in 1860 to the Thirty - seventh Congress, and in 1882 died in New York City. Interment was in Green - Wood Cemetery, Brooklyn.

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