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Christ Stopped at Eboli

2.7K

12

The title of the film and its source novel comes from an expression by the people of Gagliano who say of themselves, "Christ stopped short of here, at Eboli" which means, in effect, that they feel they have been bypassed by Christianity, by morality, by history itself-that they have somehow been excluded from the full human experience.,On the bus, the way Carlo holds the dog changes.,Luisa Levi: You'd need a woman here. Carlo Levi: Yes, I would. But it's not easy. Luisa Levi: Come on, don't exaggerate. Don't tell me that here even finding a cleaning lady is impossible. Carlo Levi: Here a woman wouldn't go in the house of a single man. Just spending time together implies sleeping together.,There are many versions ranging from 120 minutes to 222 minutes. The longest version available in the U.S. is 222 minutes and is available from the Criterion Collection on Blu-ray.,Featured in Il cineasta e il labirinto (2004),this movie did more than any other Italian film i've seen to interest me in italy itself--the people, the land, the culture. it also opened my mind to the intelligence of the uneducated among us--i loved that guilia was so real and right-n and so full of peasant superstition that in no way interfered with her ability to "get it." i have begun to travel in italy and having seen this film i am driven to see the south and visit the carlo levi house and museum. his paintings see into the object, to me, like a quality black and white study which i find the most expressive medium. as soon as i see the faces in the beginning of this film, i am drawn in. i found the melancholy music somewhat sentimental (like the music in truffaut's films) but a necessary comfort.,

Critters

39K

155

Corey Burton, who voices the Critters, also came up with their language, which he described in interviews as combining elements of French and Japanese.,When Ug transforms into Johnny Steele, you can see that when Ug reaches over to insert the "Earth Disc" prior to the transformation sequence that he is in human form already.,Critter 1: They have weapons Critter 2: So what [Critter 2 is shot off the porch] Critter 1: Fuck!,After the very end of the credits, once the theme has ended followed by the title, you can hear the sounds of alien critters laughing.,The DVD includes an alternative ending (hidden as an Easter Egg).,Edited into Critters 3 (1991),Power of the Night Written by Terrence Mann, Richie Vetter and Dodie Pettit Performed by Mann Produced by Richie Vetter for East Coast Productions, Inc.,At the start of 'Critters', somewhere in space, 10 'Crites' are being brought to custody, but 8 of them escape, so that 2 hunters have to get them back. Now, this sequence could have easily lasted 10 minutes in any other movie, but 'Critters' doesn't waste time: it takes about one minute. There is no explanation what these Crites are exactly, who the hunters are, or why the're all going to earth. They just do. That way, all the fun happens on the earth. The Crites come to earth nearby a farm in the middle of nowhere (where else really), where they attack the family living there. The usual scenes of the kettle eaten, the silly police chief and the village idiot/drunk who warned everybody this was going to happen are all thrown in, but the movie never loses pace and is pretty funny all around, and not that gruesome either. A nice 80's horror flick, worth watching. 6/10.,

Critters

39K

155

Corey Burton, who voices the Critters, also came up with their language, which he described in interviews as combining elements of French and Japanese.,When Ug transforms into Johnny Steele, you can see that when Ug reaches over to insert the "Earth Disc" prior to the transformation sequence that he is in human form already.,Critter 1: They have weapons Critter 2: So what [Critter 2 is shot off the porch] Critter 1: Fuck!,After the very end of the credits, once the theme has ended followed by the title, you can hear the sounds of alien critters laughing.,The DVD includes an alternative ending (hidden as an Easter Egg).,Edited into Critters 3 (1991),Power of the Night Written by Terrence Mann, Richie Vetter and Dodie Pettit Performed by Mann Produced by Richie Vetter for East Coast Productions, Inc.,At the start of 'Critters', somewhere in space, 10 'Crites' are being brought to custody, but 8 of them escape, so that 2 hunters have to get them back. Now, this sequence could have easily lasted 10 minutes in any other movie, but 'Critters' doesn't waste time: it takes about one minute. There is no explanation what these Crites are exactly, who the hunters are, or why the're all going to earth. They just do. That way, all the fun happens on the earth. The Crites come to earth nearby a farm in the middle of nowhere (where else really), where they attack the family living there. The usual scenes of the kettle eaten, the silly police chief and the village idiot/drunk who warned everybody this was going to happen are all thrown in, but the movie never loses pace and is pretty funny all around, and not that gruesome either. A nice 80's horror flick, worth watching. 6/10.,

Critters 3

13K

62

Leonardo DiCaprio's feature film debut, also the only sequel he's ever appeared in.,(at around 39 mins) When Annie's dad is hit for the first time by a spike of the critter, there is a spot on his hand where the spike is about to hit.,Rosalie: Hey, you got the elevator fixed, Frankie. Frank: Hey, not for you, Rosie. There's still a one-ton load limit.,No critters were harmed in the making of this movie.,Edited from Critters (1986),Well if you don't have that much money, you kind of have to. This was done simultaneously with part 4 - with the cumulative budget of what they had for the very first movie. So two movies for the price of one. Which is I guess a byproduct of the failure of Critters 2 at the box office at least back then. There is a nice story about the boxoffice in the audio commentary on the disc of part 2 or in the hour long documentary. Back to this though, which continues the "tradition" of having people that later were involved in the Titanic movie. In this case we have a very young Leonardo DiCaprio. I can't imagine him talking to anyone publicly about this movie of course, but it is one of those curiosities. So this plays out in a relatively close space - with at least one familiar face coming back to help the humans - if they can be helped of course. And again we have a PG-13 rating, but still violence and blood included,

Critters 4

8.1K

67

All external space scenes and many sets are lifted from one of Don Keith Opper's earlier films, Android (1982).,(at around 1h 25 mins) All the Critters from earlier movies have the infamous green-goo instead of red blood, but at the climax of the movie when Ethan kicks the frozen Critter into the wall you can mostly only see red frozen blood parts fall off of the Critter - no green-goo.,Al Bert: Like my ex-wife. Anything I say, she does the opposite.,Absolutely no Critters were harmed in the making of this motion picture.,Edited from Android (1982),The "Critters" sequels are awful and didn't lead up to the fun of the first one, but this sequel lives up to it and is even better. It has a good story, nice visual effects, and a quick pace. The cast are very good in their parts as well, it was especially good seeing Angela Bassett before she became a big name. The ending is pretty pathetic, but it still is a lot of fun and is worth a rent.,

Crocodile

113K

166

"'Crocodile' Dundee" was the second-biggest box office hit of 1986.,When Sue goes down to the water to fill her canteen, the reptile that lunges forward is not a crocodile, but a large American alligator, it's evident by the roundness in the snout and the placement of the teeth when its mouth is closed.,Michael J. "Crocodile" Dundee: Well, you see, Aborigines don't own the land.They belong to it. It's like their mother. See those rocks? Been standing there for 600 million years. Still be there when you and I are gone. So arguing over who owns them is like two fleas arguing over who owns the dog they live on.,The end credits has the cast listed separately, listing the actors from Australia and the actors from New York City.,The UK theatrical version was uncut though video releases were edited by 23 seconds for a '15' certificate by the BBFC to remove shots of a man snorting cocaine and Sue's referral to the drug as "a buzz" during the party scene. These cuts were waived in 2002. However all UK releases feature the US print which replaces 'stickybeak' with 'busybody' and overdubs one of the pimp's 2 uses of 'fuck' (replaced with 'screw') which were made to secure the film a US PG-13 certificate.,Edited into Terror Nullius (2018),Different World Performed by INXS Written by Andrew Farriss (as A. Farriss) and Michael Hutchence (as M. Hutchence) Produced by Andrew Farriss (as A. Farriss) Engineered by D. Nicholas Copyright 1986 Tol Muziek,As well as being loaded with every satisfying cross-cultural gag you would hope for, Crocodile Dundee also contains many heartwarming messages about what's important in life. Also, having lived in Australia for the last decade, I can confirm that Paul Hogan's character is more fact than fiction and that bushtucker grub does indeed taste like s**t.,

The Crocodile

Crocodile Dundee

113K

166

"'Crocodile' Dundee" was the second-biggest box office hit of 1986.,When Sue goes down to the water to fill her canteen, the reptile that lunges forward is not a crocodile, but a large American alligator, it's evident by the roundness in the snout and the placement of the teeth when its mouth is closed.,Michael J. "Crocodile" Dundee: Well, you see, Aborigines don't own the land.They belong to it. It's like their mother. See those rocks? Been standing there for 600 million years. Still be there when you and I are gone. So arguing over who owns them is like two fleas arguing over who owns the dog they live on.,The end credits has the cast listed separately, listing the actors from Australia and the actors from New York City.,The UK theatrical version was uncut though video releases were edited by 23 seconds for a '15' certificate by the BBFC to remove shots of a man snorting cocaine and Sue's referral to the drug as "a buzz" during the party scene. These cuts were waived in 2002. However all UK releases feature the US print which replaces 'stickybeak' with 'busybody' and overdubs one of the pimp's 2 uses of 'fuck' (replaced with 'screw') which were made to secure the film a US PG-13 certificate.,Edited into Terror Nullius (2018),Different World Performed by INXS Written by Andrew Farriss (as A. Farriss) and Michael Hutchence (as M. Hutchence) Produced by Andrew Farriss (as A. Farriss) Engineered by D. Nicholas Copyright 1986 Tol Muziek,As well as being loaded with every satisfying cross-cultural gag you would hope for, Crocodile Dundee also contains many heartwarming messages about what's important in life. Also, having lived in Australia for the last decade, I can confirm that Paul Hogan's character is more fact than fiction and that bushtucker grub does indeed taste like s**t.,

Crocodile Dundee

113K

166

"'Crocodile' Dundee" was the second-biggest box office hit of 1986.,When Sue goes down to the water to fill her canteen, the reptile that lunges forward is not a crocodile, but a large American alligator, it's evident by the roundness in the snout and the placement of the teeth when its mouth is closed.,Michael J. "Crocodile" Dundee: Well, you see, Aborigines don't own the land.They belong to it. It's like their mother. See those rocks? Been standing there for 600 million years. Still be there when you and I are gone. So arguing over who owns them is like two fleas arguing over who owns the dog they live on.,The end credits has the cast listed separately, listing the actors from Australia and the actors from New York City.,The UK theatrical version was uncut though video releases were edited by 23 seconds for a '15' certificate by the BBFC to remove shots of a man snorting cocaine and Sue's referral to the drug as "a buzz" during the party scene. These cuts were waived in 2002. However all UK releases feature the US print which replaces 'stickybeak' with 'busybody' and overdubs one of the pimp's 2 uses of 'fuck' (replaced with 'screw') which were made to secure the film a US PG-13 certificate.,Edited into Terror Nullius (2018),Different World Performed by INXS Written by Andrew Farriss (as A. Farriss) and Michael Hutchence (as M. Hutchence) Produced by Andrew Farriss (as A. Farriss) Engineered by D. Nicholas Copyright 1986 Tol Muziek,As well as being loaded with every satisfying cross-cultural gag you would hope for, Crocodile Dundee also contains many heartwarming messages about what's important in life. Also, having lived in Australia for the last decade, I can confirm that Paul Hogan's character is more fact than fiction and that bushtucker grub does indeed taste like s**t.,

Crocodile Dundee II

60K

94

Alec Wilson appears in this film as 'Denning', a local Australian hired goon for the drug lords. 13 years later he appeared in the sequel Crocodile Dundee in Los Angeles (2001) as 'Jacko', a long time Australian friend of Mick.,When the bats are attacking, the camera shows Rico firing his gun. Right after he fires, you can see one of the fake bats "fly" by and the wire is clearly noticeable.,Fuji: [speaking about 'Crocodile' Dundee] Do you know who that was? Cato: No. Fuji: Clint Eastwood.,At the very end of the credits you can hear "Dundee" say: "Are you ready to go home now" for a second time.,UK cinema and video versions were cut by a second to briefly shorten the scene in Colombia where Rico shoots a man in the head. The footage was restored for the 2003 DVD release.,Featured in Siskel & Ebert: Funny Farm/Rambo III/Big/Call Me/Crocodile Dundee II (1988),Walk Don't Run Written by Johnny Smith Performed by The Ventures,When I saw the low rating this movie received, I was flabbergasted and knew I had to comment. What on earth does it take to entertain people these days? The Australian outback's Mick Dundee is surely one of the cinematic world's most charismatic characters and amusing adventurers. Here he's back in a sequel that's every bit as fun as the original tale. The previous movie begins in Australia and then moves to New York. By contrast, as this film opens, Mick is settled in New York with his beautiful journalistic girlfriend, Sue Charlton. However, Sue's ex husband is murdered in Colombia after taking pictures of a drug cartel's dealings. He has sent these photos to Sue, resulting in her being kidnapped by Rico and the other drug hoodlums. Mick must come to her rescue and the pair then head for safety to HIS terrain Down Under, naturally pursued by the gangsters. As in the original, there's plenty of fun in the sequel. Mick's assault on the drug kingpin Rico's house, assisted by a likable but very amateur young gang, makes for some pretty entertaining scenes. Once Down Under, it's non stop pranks cooked up by Mick as he & his 'sheila' traipse around his own bush 'estate', with the urban villains hot on their trail (and often vice versa!). Suffice it to say, some of Mick's crazy antics almost make you feel sorry for the bad guys! Sue Charlton (played by actress Linda Kozlowzki) always looks lovely and perfectly groomed, whatever the bush conditions! Once again, the chemistry between her and Mick sizzles throughout the tale. Mick's bumbling but totally endearing sidekick, Wally, is back and there's also a couple of amusing aboriginal characters. As for Mick himself (actor Paul Hogan), he still has the same charm and affability as in the original. This time he's really having the time of his life with the villains. Don't listen to the naysayers, it's a highly entertaining yarn. The next sequel, Crocodile Dundee in Los Angeles, is definitely watchable...I can never resist Mick...though not quite up to the same standard.,

Crocodile Dundee in Los Angeles

26K

134

Paul Hogan had requested sole writing credit on the film for his rewrite but the Writers Guild of America awarded the credit solely to Matthew Berry and Eric Abrams, the writers of the initial script.,When Mikey spots the skunk on the freeway, Mick slams on the brakes causing the wheels to lock up and squeal. He's driving a 2001 Subaru Outback, a car which has an Anti-Lock Brake System (ABS), so this should not have happened.,Mick "Crocodile" Dundee: [just before leaving curator's office, he notices a painting] Who painted this? Curator: Pablo Picasso. Mick "Crocodile" Dundee: I'm a drinkin' man myself, but I've never been *that* wasted.,Featured in Siskel & Ebert: Freddy Got Fingered/The Body/Crocodile Dundee in Los Angeles/The Center of the World/Keep the River on Your Right (2001),Boys from the Bush Performed by Lee Kernaghan Written by Lee Kernaghan and Garth Porter Courtesy of ABC Records (Australia) / Garth Porter Productions,CD in LA is not a classic, but doesn't aspire to be, and if you're simply looking for a fun, light-hearted comedy, then this is the movie for you. The plot is relatively simplistic and predictable, but there are more than enough funny scenes and enjoyable characters to counter that. If you enjoyed the first 2 CD movies, than you'll probably enjoy this. Note: I actually wanted to give this move 6.5, but there is no way to do that, so I gave it the benefit of the doubt and gave it a 7.,

Cromwell

Cronos

33K

120

In an interview included on the Criterion edition of this movie, Ron Perlman talks about how Angel was meant to speak Spanish fluently. Ron Perlman tried this, but Guillermo del Toro found his reading to be completely unusable. So, the character was changed to an expatriated American who so hates being in Mexico, that what little Spanish he speaks is deliberately spoken poorly.,When Jesús searches for Aurora after she has taken the Cronos, as he walks through two doors, he stops. Behind him, reflected in the glass of the door, is crew and equipment.,[discussing why Deiter wants the Cronos] Jesus Gris: He thinks it will help him live longer. Angel de la Guardia: [laughs] That fucker does nothing but shit and piss all day, and he wants to live longer?,Some explicit nudity was added in the US video release. While the primary American theatrical version contains a prologue and patches of dialogue in English, a secondary market version will be entirely in Spanish.,Featured in Masters of Horror (2002),Die Schöne Müllerin Franz Schubert Arreglov: Charlotte Georg (as Lee Ashley) BMI Editor: Software Music BMI Cortesia de Capitol Productions Music - Ole Georg,Severely underrated on this website, Cronos is an engaging tale that captivates the viewer for the entirety of its duration. Guillermo Del Toro's first ever film is a thoughtful, heart-wrenching story which above all manages to be fresh, intriguing and unique while managing to captivate the feel of horror films in the same mould as The Shining, whereby it is a film about family first, and a horror film second. Cronos is most definitely not associated with the slasher end of the horror market and nor is it anywhere near the filthy attack on the sense provided by goreography. What Cronos manages to achieve is an attack on the mind and the soul, the essence of what a horror film must succeed in doing if it wishes to leave a lasting impression. Given this I can, to an extent, see where the mediocre rating has derived from, it's not a blood fest it doesn't provide a scare a second and nor does it have gratuitous scenes of eyes being gauged out by rusty pick axes, but as every true horror fan knows is these are merely sideshow attractions to the superior horror films like The Shining, like The Fog, and Cronos if not completely at the top, is very close indeed. There are three things which notably stand out about this film and make it undoubtedly worth watching. The most subtle is the commentary on US-Mexico relations that Guillermo Del Toro has littered throughout his film. It provides an interesting portrayal into how he, and undoubtedly many Mexicans, feel about their encounters with the US, that they are always trying to be dominated and they must stand up on their own, to strive to succeed. The most obvious is that of the highly notable Christian references and intentional name play. Our protagonist, the antique dealer, is named Jesus for simple reincarnate issues, but there a great deal of "my God", "my Lord" and more comments of that ilk in the film, there is undoubtedly a side plot on the directors behalf of pointing out the good that still emanates from our protagonist. Jesus' granddaughter and wife are named Aurora and Mercedes respectively, and by knowing the meanings of their names which are "the dawn or first light" and "mercy" provides the films finale with a sense of completion. Lastly of note is the acting on the part of Federico Lupi and Tamara Shanath, who provide the necessary gravitas even in motion if not through vocals to convey the deep emotional tie between grandfather and granddaughter which when all else is removed is the main driving force of this story, and the one that will have you coming back for more. It's innocence is soul-wrenching, yet Aurora's ability to see what is happening with unclouded eyes, provides the cornerstone for the emotional drama to take hold. One critic in 'The Daily Telegraph' claimed this to be as "scary as hell", and to be honest he is wrong. This film isn't scary in the 'popping out from behind the bushes with a meat cleaver' manner, this film is an attack of that which makes us, and indeed Jesus, human. It is a cerebral assault which plucks at your heart strings and confuses the soul, and for it is severely likable and very watchable while occasionally disconcerning. Cronos is human drama at its most wonderful, emotional and chilling and more importantly a wonderful debut by a director who will build in stature and promise greater things, but this is a debut with bite to it, and once it grabs hold of you, it's very difficult to get it off.,

The Croods

227K

295

Chunky the "Macawnivore" started out as a bit of a joke in the art department. Artist Leighton Hickman was bored with the drab colors intended for creatures in the desert scenes, and painted the saber-tooth tiger with bright "parrot" colors. The filmmakers liked the look for the "Macawnivore" so much that it made it to the final film.,At the end of the movie when Grug rescued Douglas, he knew his name, but in fact Thunk found Douglas in Grug's absence and lost him before Ugga and Grug returned.,Guy: Once upon a time, there was a beautiful tiger. She lived in a cave with the rest of her family. Her father and mother told her: "You may go anywhere you want, but never go near the cliff, for you could fall." Grug: And die. Good story. [the others start to leave but Guy goes on and they sit back down] Guy: But when no one was looking, she'd go near the cliff, for the closer she came to the edge, the more could she hear, the more could she see, the more she could feel. Finally, she stood at the very edge. She saw a light. She leaned out to touch it... and she slipped. Grug: And she fell.,At the end of the closing credits, three prehistoric elephant-mice appear and play a tune on their trunk-like trumpets.,Also shown in a 3D version.,Featured in Owl City & Yuna: Shine Your Way (2013),Tusk Written by Lindsey Buckingham Performed by Alan Silvestri and the USC Trojan Marching Band Arthur C. Bartner (as Dr. Arthur C. Bartner), Music Director,This movie is very entertaining for viewers of all age groups. 3D effects are awesome. Kids will love it and so will parents. Some scenes may remind of the beauty of Pandora in Avatar. Overall a great movie that will make you laugh and make you fall in love with characters. The animals are out of the world and scenes are very colorful. Its a story of survival in midst of danger. It shows the emotions and challenges that families face today in cave man's life. The movie shows the life of prehistoric humans. The movie also sheds light on relationships and bonds in family ties.,

Crooked Arrows

2.1K

19

Brandon Routh's ancestry is part Native American - he has distant family links with the Kickapoo tribe.,During one game, the scoreboard was inaccurate. After the Arrows scored a goal the scoreboard was seen to change: from 7-4 to 7-5. Then the Arrows were shown making TWO more scores. Then the scoreboard showed another change: from 7-5 to 7-6. This should have been 7-7 or one of the goals was shown too early in the game.,Crooked Arrow: No arrow flies straight. There's nothing wrong with a crooked arrow. As long as it follows its own path, it will find its way.,Referenced in It's Always Sunny in Philadelphia: The Gang Squashes Their Beefs (2013),Dream Big performed by Emmanuel Kelly written by Alex Geringas, Amy Powers, Deanna Colon & Emmanuel Kelly,Clunky acting and an unbelievably predictable plot,

Crooked House

27K

182

This was one of Agatha Christie's favourite of the novels that she'd written.,Charles gave the car repairman a starter cable, which he had obviously removed himself, and claimed this is the reason the car would not start, however, when he tried to start it, the starter worked perfectly, but the engine would not fire. This implies that it was the ignition system that he tampered with, not the starter motor.,Josephine: The murderer is never the one you initially suspect.,References The Last of Mrs. Cheyney (1937),See See Rider Written by Ma Rainey Performed by Donald Byrd By kind permission of Verve Records,As a Christie fan who was not familiar with this particular story, this feels much bleaker than the average novel by Dame Agatha. It's a competent whodunit, well-cast, well-performed. The second act feels a little slow, all the more because nearly every character is sour, bitter and miserable; they lack a certain variety in tone which could have made the dialogue more lively. Still, it's a solid effort and I was genuinely surprised by the denouement, which I won't spoil. 6,5/10,

Crooklyn

11K

60

The "disorienting" view when the family is in the country was created by shooting in widescreen without anamorphically adjusting the image.,In the store, Troy buys a bag of chips, lemon heads, bazooka gum, licorice, fireballs and Boston baked beans. When she gets home all of the boys pull out all of the candy from the bag and Troy is seen eating a candy necklace, obviously something she did not buy.,Carolyn: Damn it, Woody, you bounced another check. Woody: I thought we had it covered. I'll get some money. Carolyn: When? Woody: When? What do you think I'm doing right here? Gem, Let me just finish this music. Carolyn: That's what I've always done. The problem is your music's not bringing anything into the house but music. Woody: Gem, the money will come.,The closing credits play over old footage of several episodes of "Soul Train".,Featured in Siskel & Ebert: That's Entertainment III/3 Ninjas Kick Back/Being Human/Dream Lover/Kika (1994),People Make the World Go Round Written by Thom Bell and Linda Creed Used by permission of Warner-Tamerlane Publishing Corp. Performed by The Stylistics Courtesy of Amherst Records, Inc./PolyGram International Music B.V. By arrangement with Original Sound Entertainment/Celebrity Licensing Inc.,I always had a thing for this movie; it's just all-around entertaining and fun and hilarious, then heartrendingly sad... all of that in this cooler-than-cool atmosphere of '75 Brooklyn. Any movie that will make you laugh and cry as hard this one is a perfect film experience to me. It is at times uneven and glaringly annoying, but that's easily overrided by so many great qualities like those kids and the acting by everyone. I'm seventeen but I wish I lived in 1975 Brooklyn 'cuz it looked like the richness of life!,

Crooks Anonymous

688

15

Film debut of Julie Christie.,When Fosdyke (Leslie Phillips) is left alone after being taken to Manderville Hall he falls into the trap of opening a safe behind a picture. In the first shot he is suddenly interrupted by Senior Brother (Wilfrid Hyde-White) and closes the picture over the safe, but when it is reopened the handle is at right angles to where it was before.,Babette La Verne: Show me one thing. Just one thing in this room that you've come by honestly. Dandy Forsdyke: [He looks and looks and, after some difficulty, takes a frame from the mantle which has a photograph of Babette] Well, um, Well, there must be something. What about this, eh? [And then he explains],References The Yogi Bear Show (1961),I Must Resist Temptation (uncredited) Music by George Martin and Muir Mathieson Lyrics by Brian Innes Sung by Leslie Phillips [Played during opening title card and credits],March 2022 British comedies coming out at this time all seemed to be so good, as this is no exception, yet another winner. It features many of the likeable stars from the period such as Leslie Phillips and Stanley Baxter as well as Julie Christie in her film debut. Good interesting story and funny with it its a winner 8.5 out of 10.,

The Crop

94

3

Cropsey

9K

40

Was awarded Hammer to Nail's Grand Jury Prize for best documentary at 2009's Tribeca Film Festival.,Joshua Zeman: Growing up on Staten Island, Barb and I had often heard the legend of Cropsey. For the kids in our neighborhood, Cropsey was an escaped mental patient who lived in the tunnels beneath the old Willowbrook mental institution, who would come out late at night, snatch children off the streets. Although we didn't know each other as children, Barb and I had both shared versions of the Cropsey legend, as it filtered through our separate neighborhoods, and seeped into our collective fears. Sometimes Cropsey had a hook for a hand, other times he wielded a bloody axe, but it didn't matter, Cropsey *was* out there lurking in the shadows, waiting to get us.,Features Willowbrook: The Last Great Disgrace (1972),Realizing the urban legend of their youth has actually come true. Two filmmakers delve into the mystery surrounding five missing children and the real-life bogeyman linked to their disappearances. Nothing really new here, but it puts everything together in one place. Goes on a bit long. The filmmakers try to suggest the killer was supplying kids to devil worshipers to to a group of abusers. The killer denies everything of course even though he was the last person seen with all the victims. I would have preferred way more information on the killer than just random conversations with cops and residents trying to remember what happened 20+ years ago. So net net is the documentary could have been way better than it is. And the fact that they could not get an interview with the killer sort of creates a big dud.,

Cross Creek

2K

31

The fiddle tunes Rip Torn's character plays, and the style in which they are played, are authentic to the region and era. They are based closely on recordings of Cush Holston, an old time fiddler who was from rural north Florida and recorded at an advanced age at a folk festival in 1960. The tune Torn sings is Holston's "Coon Dog," and the instrumental he plays before this is also from Holston, "Have a Good Time Tonight." The actual playing for the film was done by a Florida old time musician who had studied and researched the music of Holston.,[last lines] Marjorie Kinnan Rawlings: [voiceover] I had become a part of Cross Creek. I was more than a writer. I was a wife, a friend, a part of the earth. Who owns Cross Creek? The earth may be borrowed, not bought, may be used, not owned. It gives itself in response to love and tenderness, offers its seasonal flowering and fruiting. Cross Creek belongs to the wind and the rain, to the sun and seasons, to the cosmic secrecy of seed, and beyond all, to time.,Featured in The Oscars (2020),'Cross Creek' (1983) The story of Marjorie Kinnan Rawlings and her life in the backwoods Florida town of Cross Creek after moving there from New York in the 1930's to continue her writing. I have been a visitor to her home in Cross Creek and even today the area looks like it probably did 60 years ago. Mary Steenburgen does a nice job as the independent, hard drinking Rawlings and Peter Coyote is fine as Norton Baskin, who eventually became her husband. Nicely photographed with a lovely musical score, 'Cross Creek'is a slow, easy going movie and the viewer will enjoy the people in Ms. Rawlings life, particularly the always steady Rip Torn and the late Dana Hill. An enjoyable experience.,

Cross of Iron

28K

200

Filmed in Yugoslavia with money put up by a West German porn producer.,The Soviet planes that bomb the German trench system are actually U.S. Navy Vought F4U Corsairs. You can even see the U.S. military markings on them.,Colonel Brandt: What will we do when we have lost the war? Captain Kiesel: Prepare for the next one.,The End Credits in the North American BETA/VHS & DVD versions contain the quote: "Don't rejoice in his defeat, you men. For though the world stood up and stopped the bastard,The bitch that bore him is in heat again." Bertolt Brecht,VCD (Video CD) by Ocean Shores is 133 minute R Rated version. Featuring some extra profanity and brutality.,Featured in Breakthrough (1979),Hänschen klein (uncredited) Traditional,"Cross of Iron" was Sam Peckinpah's only war movie. It deals with a company of German soldiers retreating through Russia at the close of Hitler's ill-fated Russian campaign. Unusual for a war film, the story is told from the German point of view. Being a Peckinpah film there are explosions and blood-spurting bodies a-plenty. The rough terrain and cramped quarters that the soldiers have to deal with lend well to the declining German fortunes in Russia. As in his other films, notably "The Wild Bunch", Peckinpah utilizes his now famous slow-motion technique to illustrate the violence and show the effects of the destruction. James Coburn stars as the battle wise Sgt. Steiner who has survived the war thus far by his wits. Maximillian Schell plays his aristocratic Captain whose main goal is the pursuit of the Iron Cross, Germany's highest decoration and who will go to any lengths to get it. James Mason is the Company commander and David Warner is his adjutant. Coburn is excellent in the lead who continues to do his duty in spite of the inevitability of impending defeat. Schell is suitably ambitious and cunning as the chief villain and Mason and Warner convey the hopelessness of the situation while maintaining stiff upper lips. "Cross of Iron", in it's uncut version (132 minutes) ranks as one of the greatest of all WWII films in my opinion. One of Peckinpah's best.,

A Cross the Universe

532

1

Crossed Lines

1.2K

4

The movie is a remake of 2005 American film Derailed.,Remake of Derailed (2005),The Train, incidentally, is an unapologetic, shameless rip-off of the Clive Owen-Jennifer Aniston thriller Derailed, and this desi version's been directed by Hasnain Hyderabadwala and Raksha Mistry who last plagiarised the Tom Cruise starrer Collateral to give us The Killer. Now the thing about The Train is that although it faithfully follows the blueprint of the original film, it does so lethargically at an almost snail-like pace, killing you slowly with its misplaced sense of morality.In a nutshell, the film's about a married man and the price he must pay for adultery. Emraan Hashmi is the man in question, newcomer Sayali Bhagat his wife, and Geeta Basra the other woman. The story's set in Bangkok, although till the end of the film I couldn't figure out why they needed to go outside our very own Filmistan Studio because the directors don't exploit the city to lend character to the story. The basic flaw with The Train is its own inability to understand what story it wants to tell. The screenplay plods along wearily and what's meant to be the big turning point in the plot is so predictable, you've guessed it a good forty minutes before you actually see it happen on screen. Then there are those terrifying performances by Aseem Merchant playing the bad guy, and leading lady Geeta Basra – who's so buried under make-up you can't even see her expressions. Put it all together and you've got a recipe for disaster.The reason The Train fails and so miserably so is because the filmmakers' conviction is so clearly missing in the film. You can't just rip off a Hollywood film frame by frame and expect your film to turn out exactly like the original – no, that's not going to happen. Look at some successful rip-offs – Murder and Kaante…You'll notice both of these films had clearly developed characters and a fairly solid screenplay, even if the screenplays weren't entirely original. The Train sadly has neither, and that's why it's such a royal bore. It's true what I said in the beginning; Emraan Hashmi isn't half as bad as he usually is. He's having a bad hair day and looks a bit like a lost lamb, but that aside, it's an earnest attempt. Not that it helps actually because the film itself is just very difficult to sit through. Hasnain Hyderabadwala and Raksha Mistry's The Train is loose and it's weak and if you ask me honestly, this train's going nowhere, so get on at your own risk.,

Crossed Swords

2.1K

33

Mark Lester's last acting role. He gave up acting due to the film's poor reception. It was widely rumoured, beginning around 2010, that he would return to acting in a portrayal of King Harold II in a film called "1066". Reports of this project faded toward the end of the 2010s without the film being made.,After Miles Hendon fights with John Canty & his neighbors, Hendon lies apparently dead on the ground. One of Canty's neighbors warns Canty: "...The police'll beat on ye, even if no one else does..." The term "police" did not exist in England until the eighteenth century. He should have said watchmen or constables. This is a mishearing; Nipper says, "the priest'll peach (inform) on you if no-one else does." The priest has just examined the seemingly lifeless body of Miles Hendon and shouted "murderer!" at John Canty.,Tom Canty: If you think the food may be poisoned, why not feed it to a dog, or a plumber?,Featured in The Making of 'The Prince and the Pauper' (1978),Nice adaptation from Mark Twain's classic also titled ¨Crossed Swords¨ with a top-of-the range cast . It's a Richard Fleischer's gorgeous film plenty of action , costumed adventure , humor , swashbuckling and lots of entertainment . The movie is very amusing and funny , capturing the flavor of the old times . On the same day two boys cross their fates : the pauper Tom and prince Edward (Mark Lester in double tole) . As a street beggar, Tom flees from pursuers and sneaks into the palace garden and meets the King Henry VIII (Charlton Heston) . Later on , the pickpocket Tom meets prince Edward VI , they change clothes with each other but the guards discover them and throw out the prince, since they are almost identical. Nobody believe them when they try to tell the truth and the young prince has trouble reclaiming his crown. Soon after, the old king dies and the prince will inherit the throne. The young prince turned beggar is aided by a swashbuckling soldier-of-fortune ( Oliver Reed who steals the spectacle as intrepid adventurer ) . The flick deals about the Prince Edward VI ,son of Henry VIII of England, who's replaced by a beggar and vice versa . The film mingles comedy, adventures, humor, tongue-in-check and history. The starring boy is excellent and Oliver Reed as the preceptor is sublime. Also are splendidly, the supporting roles : Rex Harrison , Harry Andrews , Charlton Heston , Ernest Borgnine , David Hemmings , George C Scott , all are magnificent , including Raquel Welch. In the movie appears several historical characters, such as Henry VIII, Edward VI , Duke of Norfolk , and Lady Jane, princess Elizabeth , both of whom will be queens. Colorful and evocative cinematography by Jack Cardiff . Imaginative score by Maurice Jarre who includes sensible chores . Direction by Richard Fleischer is very good . This is still one of the best versions along with the starred by Errol Flynn. This entertaining movie should satisfy young and old . Other adaptations about this vintage story dealing with mistaken identity between a prince and a child from the London slums are the following : The classic rendition ( 1937) by William Keighley with Errol Flynn , Claude Rains ; Disney version by Don Chaffey with Guy Williams , TV take on ( 2000) by Gilles Foster with Aidan Quinn ; furthermore , several versions on cartoons .,

Crossfire

11K

57

After brief bookings in New York City and Los Angeles on August 10, 2012, the film went quickly to video on August 21.,Malo: What's the worst thing you ever did, Joe? Joe Sarcone: The worst thing I ever did was trust the wrong man. Malo: How do you know when you're trusting the wrong man? Joe Sarcone: You're questioning me? Huh, you lttle shit? I always make my decision with my hed, not my heart. I got to where I am in this world by taking advantage of people's trust, and I'm not ashamed of that. There's a Maldonado seed. You hungry?,Referenced in Bad Movie Beatdown: Set Up (2013),Street Life Performed by Booke & Swaggalee Written by D. Dixon, B. Booker, T. Scott, Produced and Arranged by David Dixon & Mike Burns Published by Burnmore Music (ASCAP) (c) 2011 Burnmore Music,CROSSFIRE wasn't quite the dog of the film I was expecting but it's certainly no classic and it only barely gets there as an average and acceptable watch. There are two major problems with this production which drag it down and the first of those is lead actor Curtis Jackson, better known to the world as rapper 50 Cent. Jackson is no actor and is as wooden as they come, so watching him attempting to convey any emotion apart from the most basic happy/sad expression is a real chore and quite embarrassing in places. The second problem is the familiarity of the material. CROSSFIRE feels like a Frankenstein's Monster of a movie, made up of bits and pieces from TRAINING DAY, RAMPART, STREET KINGS, and at least half a dozen others. Heck, Forest Whitaker is here and playing nearly EXACTLY the same role as he essayed in STREET KINGS. Despite these problems, CROSSFIRE is occasionally thrilling in places and there's a lot of involved material to fill up the running time. Robert De Niro is barely in it but at least he doesn't embarrass himself and there's a nice minor part for Dana Delany. While I enjoyed CROSSFIRE in places I do feel that with a better lead actor and story it could have been something truly great rather than just average.,

Crossing Delancey

4.8K

62

The hot dog place that Izzy goes to on her birthday (where lady walks in and sings "Some Enchanted Evening") is Papaya King located at 179 E 86th Street, New York, NY 10028.,The synopsis of Anton's new book, visible when he signs an autograph, is clearly a summary of the story of this film (or the original play), mentioning Isabelle, her job, her grandmother, etc. If that was indeed the story of that book, Isabelle would have had some stern comments for Anton when she read it.,Marilyn Cohen: And I'm sitting there, and my *face* is starting to hurt. And I'm thinking, Christ, I got 45 minutes to show this guy how loving, smart, supportive, funny, independent, and sexy I am. And all I can really think about is how I'd rather be sitting home watching the baseball game.,Featured in Siskel & Ebert: Moon Over Parador/Eight Men Out/Running on Empty/The Thin Blue Line/Crossing Delancey (1988),Come Softly to Me (Opening title) Written by Gretchen Christopher, Barbara Ellis and Gary Troxel Performed by The Roches,This is my favorite movie of all time with an unbelievable cast of great character actors. I remember a New York reviewer at the time calling Amy Irving's performance "lukewarm" and I could not disagree more. Irving's performance and character epitomize the thirty-something single New York working woman trying to move up in the world. Irving's character is completely enraptured by the experience of being the book manager of a very prestigious uptown neighborhood book store and falls for the good-looking, European writer who is completely enraptured with himself! Riegert is the nice "pickleman" who any girl knows would make a great husband but the fireworks just don't go off for the girl. Any woman can definitely relate to the dilemma of being attracted to the charming, good-looking rogue but when you get right down to it, it is the everyday "picklemen" who stay true and truly make the world go round. And I must say that this film captures the city better than any movie I have yet to see complete with crazy singing woman in crowded narrow hot dog joint, midage man struggling to play handball in local park, elderly women learning self-defense at community Y. Classic New York stuff! I could go on and on but do note far out performances by Sylvia Miles as the tacky matchmaker and Rosemary Harris, the great English actress, in a cameo near the end.,

The Crossing

1.1K

10

Nicolas Cage shaved his head for the film, which is the first time for Cage to be bald in a movie.,A close up as Miller lights his pipe in the first saloon scene shows that Nicholas Cage has used 3 matches at once, likely for a bigger flame on-camera.,Referenced in Amanda the Jedi Show: This Movie was Shockingly Terrible - Best and Worst of TIFF 2022 (2022),The funniest scene in a movie that was certainly meant not to be funny happened when the owl rotated his head to avoid seeing the old man being punched to death by the buffalo skinner. The message this movie tried to come across with was to let viewers know how greedy the buffalo hunters were in their avarice. The senseless mass killing of buffalo for rugs and capes with no regard to their own personal safety or accountability just for the sake of making a small fortune probably has many parallels in the world, especially with elephants. Viewers should have known this movie was going to be grisly.,

The Crossing Guard

14K

83

According to editor Jay Cassidy, Sean Penn allowed Jack Nicholson to make editing choices for two weeks without Penn's involvement, trusting Nicholson's eye for filmmaking, being a director himself.,When Freddy gives John Booth three more days he marks it on the calendar in red and the square he draws is not even, later when he crosses the day in the calendar the square drawn is perfect.,Freddy Gale: Now you pity me. You pity me. You know, this is funny... Mary: Whatever you are doing Freddy, stop it. Freddy Gale: "Whatever you are doing Freddy, stop it". I hope you die. I hope you FUCKING die.,Clyde is Hungry Watchdog - Dr Edward Katz,Featured in Siskel & Ebert: The American President/Ace Ventura: When Nature Calls/Kicking and Screaming/Carrington/Total Eclipse (1995),Missing Written and Performed by Bruce Springsteen Courtesy of Columbia Records,A powerful and compelling story, filmed well and with some great performances. Sean Penn seems to have managed to level the actors here, with David Morse, Anjelica Huston and Jack Nicholson putting in great performances and none of them stealing the scenes from the other. I found this very surprising as I expected Nicholson to flood the screen, as he so often does with such little difficulty. However, the emotion between Huston and Nicholson in the latter half of the film during the coffee shop scene is so powerful to watch. Huston is such a wonderful actress, and Nicholson shows some emotional depth that I haven't seen before, or rather, not felt with his performance before. The story is written and planned extremely well, with tension rising slowly and almost imperceptibly, until the final day. I found myself caught from the opening scenes of the counselling session cut with the drunken, partying Nicholson, right through to the pivotal moments of the main characters lives. It is a fantastic way to address this subject. To examine it from both sides, and keep each side with its own sympathies and understandings. Cleverly your sympathies and hatred are swapped throughout the story. I hope there's more to come like this.,

Crossing Over

24K

80

Director Wayne Kramer's original cut was 140 minutes long, but despite having the right to final cut, this film's producer agreed to be involved in editing the film down to two hours when Harvey Weinstein allegedly threatened to release the film straight to DVD, and bypass theatrical altogether (Kramer had nothing to do with the re-editing).,Near the beginning of the movie, there is a scene where Harrison Ford's character is booking a prisoner into a detention center for illegal immigrants. In this scene, the booking officer is incorrectly wearing the uniform of a CBP Enforcement Officer instead of an ICE Immigration Enforcement Agent.,Special Agent Howell: You see what's interesting, Miss Shepard, is we ran a check on your name. A Claire Shepard arrived on a B-2 visitors visa seven months ago, and then, just two days ago, she has her status adjusted to an EB-1 green card for persons of extraordinary ability. According to The Internet Movie Database, the only Claire Shepard that matches your spelling, age and place of birth has two credits on little known Aussie TV shows. Walk on roles. She hasn't won any national or international awards,The closing credits start rolling on a "roll out" view of the Mexican family's living room and kitchen.,There were two edits made. According to Wikipedia: "Although the film was shot in 2007, it was not released until 2009, and even then only in a limited theatrical run. The film's original running length was 140 minutes, but the film's producer (who had final cut privilege) was convinced to edit the film down to 113 minutes when Harvey Weinstein threatened to release the film straight to DVD and bypass a theatrical release altogether. In many countries outside of the US, the film went straight to DVD anyway.",Featured in Siskel & Ebert: Jonas Brothers: The 3D Concert Experience/Street Fighter: The Legend of Chun-Li/Crossing Over/An American Affair/Bob Funk/Echelon Conspiracy (2009),Mistake the Enemy Written and Performed by Jim Sturgess Produced by Brian Ross,This ensemble multi-ethnic cast turns in solid performances in this formulaic treatment of the everyday dramas faced by the hard working folks at Immigration and Customs Enforcement. Mexican, Chinese, Palestinian, Australian and Persian plots carom off each other like Olympic Billiards as Harrison Ford, (whose obviously impending retirement is thankfully never mentioned), his heart bleeding from frame one to the credits, leads a solitary existence in an apartment at what has to be the Alimony Arms Hotel. There is no attempt to patch over the Crash/Babel formula; the film embraces it and comes up with some fine set pieces like a gripping intervention (Cliff Curtis and Justin Chon) during a convenience store robbery/shootout. The aerial views of L.A. will make natives want to freeze-frame future DVDs to ID where we are. The climax (NO SPOILER) is played against an attenuated rendering of the National Anthem and packs a punch. Unfortunately, there has to be another five minutes of Tying Up Loose Ends. Does it sound like I didn't like this much? On the contrary, it was 113 minutes well spent and shouldn't have been relegated to the Purgatory of February. April, maybe?,

Crossover

9.3K

36

This is widely considered one of the worst basketball films ever made.,When Vaughn and his girlfriend were talking at his club, plates are on the table. When they got up from the table, the plates are gone.,Tech: 100 singles looks like a lot more than it is,Featured in Siskel & Ebert: Hollywoodland/This Film Is Not Yet Rated/The Quiet/Crossover/Lassie/Factotum (2006),Last Night Written by DeYon Dobson, Jeffrey Freeman, Tim Owens Performed by Sue Ann Carwell Courtesy of Yon Ti Entertainment,This movie was a Crossover that is for sure. I broke my ankle on purpose just to try and get through the painful story line and horrible streetball action. If you want to see streetball just rent the And1 Mix Tape tours, even though they are a jumble of random moves, they are still better action then Crossover. This acting was not good either. The character development and personalities are cliché. And why now is Wayne Brady trying to get this tough guy persona. Ever since the Chappelle show appearance he is now all of a sudden more sinister. All in all this was not a good movie, I guess you can tell from my vote 1 out of ten, and that is 1 is just because there is nothing lower.,

Crossroads

42K

598

Anson Mount was initially reluctant to accept the role of Ben - finding the script to be "cheesy" and "lame" - but was encouraged by Robert De Niro, with whom he was working at the time on City by the Sea (2002). De Niro turned out to be a huge Britney Spears fan. They went over scenes from 'Crossroads' on breaks from 'City by the Sea,' with Mount reading his lines and De Niro reading Spears'.,After Lucy finds out she is a mistake, she and Ben walk out of the bathroom to go talk to Mimi and Kit. In that scene, Mimi's shirt is lifted a little, revealing the white, fake pregnant stomach she was wearing.,[last lines] Lucy Wagner: This time, we didn't make any wishes for the future. We said goodbye to our past. Now, none of us has any idea where life's gonna take us, 'cause what we have is now. And right now, we have each other.,During the closing credits, Britney performs "Overprotected" and clips of bloopers are shown while Britney sings.,Featured in Siskel & Ebert: John Q/Maryam/Hart's War/Crossroads/Metropolis (2002),Open Your Heart Written by Madonna, Gardner Cole & Peter Rafelson Performed by Madonna and Britney Spears (uncredited) Engineered and Mixed by Michael Verdick Courtesy of Sire Records By Arrangement with Warner Special Products,There are some weaknesses. No, MANY weaknesses. However, the movie has some good quality as well. First, this movie is for Britney and Britney(album). In early 2000s, Britney Spears can have and deserves promotional 'movie'. Three songs in Britney's third album 'Britney' are featured in the movie. Also, supporting roles are trying so hard for Lucy to tell her story that they look like tools not actors. For example, when Kit and Mimi leave the place to make a room for Lucy and Ben's romance to bloom, their excuses are awfully unrealistic. Second, the storyline is very simple and linear just like their road trip. But, doesn't all teen or coming-of-age movies have simple storyline? Lastly, the chemistry between Lucy & Ben and Lucy & friends make up for somewhat tedious story. Some say Britney was a bad actor, but that's because she acts 'this 'naïve, innocent, and nerdy virgin who writes poems' which is the very opposite of a shiny, cute pop star who she actually is. Audience also had prejudice on Britney Spears before coming to the theater. Three girls seem to have genuine connection and to really care for one another on the screen. 'Crossroads' and Britney Spears do not deserve this much ridicule.,

Croupier

23K

163

Sat on the shelf for two years before release.,When Jack has a job interview at the London casino his father recommends him for, the manager (Mr. Reynolds) at one stage asks him the current count at the Blackjack table. Jack insists it is -9, the manager insists it is -8 to which Jack confides smugly to himself "It had taken him 45 minutes but Jack now had Mr. Reynolds number. The man couldn't count." Neither Jack or Mr. Reynolds can count. The count is actually at +2.,Jack: Hang on tightly, let go lightly.,Featured in Siskel & Ebert: What Lies Beneath/I'm the One That I Want/Croupier/Loser/Time Regained (2000),Mike Hodges' film 'Croupier' tells the stark story of Jack Manfred, a writer who sells his soul to work in a casino. As might be expected from the director of 'Get Carter', the acting is deadpan throughout, and the plot is likewise understated: the point is less what happens than the fact that Jack can deal with it. Yet this (short) film is oddly compelling: although we actually get only a brief insight into the workings of the casino, there's something very addictive about the way it is presented, the film has the smack of authenticity and one watches transfixed, as if one was being shown it all for real. Also effectively communicated is the mixture of alienation and exhilaration that comes to possess and drive an increasingly dehumanised Jack. 'Croupier' is not the best film ever made, but it never oversells itself and holds one's attention throughout. A highly effective and distinctive thriller.,

The Crow

195K

690

Although he was not at fault for the death of Brandon Lee, Michael Massee stopped acting for a year because he was so traumatized by the incident. (His next film was a small role in Se7en (1995).) Up until his death in 2016, he had never watched the film.,(at around 1h 29 mins) Shelly is shown being defibrillated while fully-clothed. Defibrillators are used only on bare skin.,[last lines] Sarah: [voiceover] If the people we love are stolen from us, the way to have them live on is to never stop loving them. Buildings burn, people die, but real love is forever.,The end credits opened with the message "For Brandon and Eliza".,Two different work prints are available. One is 122 minutes long and other is 103 minutes long. Some scenes that were cut for R rating are uncut in both of the work prints.,Featured in Siskel & Ebert: That's Entertainment III/3 Ninjas Kick Back/Being Human/Dream Lover/Kika (1994),Burn Performed by The Cure Courtesy of Fiction Records Ltd. (worldwide), Elektra Entertainment (in U.S. and Canada), Warner Music (Australia and New Zealand) and Polydor Records (all other territories) Written by Robert Smith, Simon Gallup, Boris Williams, Perry Bamonte Produced by and Bryan 'Chuck' New,I approached this film after reading the hype and controversy surrounding its making and release, not really expecting very much. Surprised to find it an intelligent, beautifully-filmed, engrossing and touching thriller. I'd recommend it to anyone who has a fondness for weird gothic mythological stories. I didn't find the horror aspect overdone - in fact it was believable, and the script was superior to other films of this genre I've seen. As for Brandon Lee, this really was a superb performance and it is a terrible tragedy that his life ended so abruptly. This film is a fitting memorial to what could have become a major star.,

The Crow

195K

690

Although he was not at fault for the death of Brandon Lee, Michael Massee stopped acting for a year because he was so traumatized by the incident. (His next film was a small role in Se7en (1995).) Up until his death in 2016, he had never watched the film.,(at around 1h 29 mins) Shelly is shown being defibrillated while fully-clothed. Defibrillators are used only on bare skin.,[last lines] Sarah: [voiceover] If the people we love are stolen from us, the way to have them live on is to never stop loving them. Buildings burn, people die, but real love is forever.,The end credits opened with the message "For Brandon and Eliza".,Two different work prints are available. One is 122 minutes long and other is 103 minutes long. Some scenes that were cut for R rating are uncut in both of the work prints.,Featured in Siskel & Ebert: That's Entertainment III/3 Ninjas Kick Back/Being Human/Dream Lover/Kika (1994),Burn Performed by The Cure Courtesy of Fiction Records Ltd. (worldwide), Elektra Entertainment (in U.S. and Canada), Warner Music (Australia and New Zealand) and Polydor Records (all other territories) Written by Robert Smith, Simon Gallup, Boris Williams, Perry Bamonte Produced by and Bryan 'Chuck' New,I approached this film after reading the hype and controversy surrounding its making and release, not really expecting very much. Surprised to find it an intelligent, beautifully-filmed, engrossing and touching thriller. I'd recommend it to anyone who has a fondness for weird gothic mythological stories. I didn't find the horror aspect overdone - in fact it was believable, and the script was superior to other films of this genre I've seen. As for Brandon Lee, this really was a superb performance and it is a terrible tragedy that his life ended so abruptly. This film is a fitting memorial to what could have become a major star.,

The Crowd

161K

206

Graham Linehan was inspired to create the series after a PC tech with questionable interpersonal skills paid a house call.,During the animated intro, while Moss is smashing the keyboard with a cricket bat, his wrist watch is on his right arm. When they fall down the ventilation shaft, the watch is on his left hand. After the fall, he raises his arms and his watch is gone.,Roy: [repeated throughout the series] [answering the phone] Roy: Hello, IT. Have you tried turning it off and on again?,Featured in The British Comedy Awards 2006 Live (2006),Like Father Ted and Black Books before it this show is packed with great comedy. There are real gems in here (as well as some stuff we've seen before). Katherine Parkinson does a fine job as Jen, the voulnerable but strong IT manager (who doesn't do IT!),this is particularly satisfying as many Female characters don't fare well in comedy and can quickly fall into the 'say line to the camera, move off screen' rubbish we see so often. Chris O'Dowd is great as Roy and although he provides many of the 'stock comedy moments' this is mixed with new material and isn't detrimental to the overall piece. Richard Ayoade as Moss is another great character, to see how he peels an Orange is worth the DVD price alone. It is worth noting that this is already being traded on Ebay.,

The Crowd Roars

1.4K

29

Stock footage was temporarily removed from this one to be used in the remake, Indianapolis Speedway (1939); when it was replaced back into this film's negative, some of the "Indianapolis Speedway" footage got mixed in with it, so that you now see 1939 footage in a 1932 film, including shots of a late 1930s ambulance and automobiles as well as racing announcers Wendell Niles, John Conte and Reid Kilpatrick, who did not appear in the film as it was originally released.,A Santa Fe Railroad car is being shown unloading in Indianapolis, Indiana. That railroad only operated as far east as Chicago, Illinois.,Lee Merrick: You're somebody who thinks all you have to do is win a race and bring home a trophy and first prize money and I'm satisfied. But you're wrong. When you get back from a race or when I see that checkered flag, I'm glad and I'm happy. Not because you've won! But, because I've got you back. You're safe. Oh, Joe, why you go on anyway? Risking your life for nothing. Grinding away. Little money. A few cups. Crowd yelling in the grandstand. A lot of people watching for wrecks or roaring for blood. All they want to see is a car turned over a half a dozen times and hold their breathe. When the ambulance takes away what's left of you, they point to it and say, "Oh, isn't it awful. They're taking him away." That's why I want you to quit driving. That's why I wished you'd stop drinking too. If you'd stop, maybe you'd listen to reason.,Originally at 85 minutes, the only available prints of "The Crowd Roars" have a running time of only 70 minutes. Even Warner Brothers only offers the 70 minute version for sale. The oddest gap in the plot in the 70 minute version, is how Joe Greer (James Cagney) suddenly ends up behind the wheel of his brother Eddie's car in the big race after Eddie got hurt and couldn't finish the race, when last we saw Joe he was down and out in girlfriend Lee's (Ann Dvorak) apartment.,Alternate-language version of La foule hurle (1932),THE CROWD ROARS (Warner Brothers, 1932), directed by Howard Hawks, is a fast-pace drama revolving around auto racing at the Indianapolis speedway as indicated prior to the opening credits with racing cars speeding down the track as one goes out of control, causing the crowd at the grand stand to rise from their seats and, hence the title, the crowd roars! Starring James Cagney, whose gangster/tough guy image emerged with his ground breaking title role as THE PUBLIC ENEMY (1931), continues to play a tough guy, this time from behind the wheel aiming for the finish line. The story, written by its director, with screen adaptation by Kubec Glasmon, John Bright, Seton I. Miller and Niven Bush, finds Joe Greer (James Cagney), a three time Indianapolis driving champion, returning to his home town by train to meet with his kid brother, Eddie (Eric Linden) and Pop (Guy Kibbee), whom he hasn't seen in four years. Although loved by his mistress, Lee Merrick (Ann Dvorak - in her Warner Brothers debut), and much to her resentment, Joe intends on keeping their relationship a secret. However, Eddie, who hero worships Joe, wants to be a race car driver just like him. At first Joe tries to discourage him, but eventually paves the way for him in the racing game. Their relationship as brothers falters when Eddie encounters Lee's best friend, Ann Scott (Joan Blondell), a woman with a reputation. Going against Joe's orders, Ann goes after Eddie in spite, but instead, falls in love and marries him. During one of their races, Spud Connors (Frank McHugh), Joe's relief driver and best friend, tries to prevent the feuding brothers from going against each other on the track by driving between them, but is killed in the process, causing Joe to hit the skids while Eddie takes Joe's former title as championship racer. Regardless of how he put her aside, Lee makes every effort to locate Joe, who has disappeared from view. Also appearing in the cast are Charlotte Merriam (Ruth Connors); Ronnie Cosbey (Mike Connors); and Edward McWade (Tom Beal), whose roles go without credit. Guy Kibbee, who seems to have appeared in every Warner Brothers production at that time, is seen only during the film's initial 10 minutes, by which then his Pop Greer character drifts out of the story and never seen or mentioned again. THE CROWD ROARS has the great distinction for having its racing scenes filmed on location at Indianapolis at Ventura and Ascot race tracks rather than rear projection from inside of the studio, as well as having actual auto drivers, William Arnold, Ralph Hepburn, Leo Nomis, Stubby Stubblefield and Shorty Cantlon, appearing briefly as themselves, some whose scenes are handicapped by their weak acting. As much as the leading actors work well together, particularly the conceded Cagney along with the weakling kid brother-type, Linden. it seems a pity that the individual dramatic scenes enacted by Ann Dvorak and Joan Blondell were not handled on a more natural or convincing level. Their emotional screeching outbursts (Blondell's repeated lines to Cagney, "Tell him!") weakens what what might emerged as one of the film's strong points. This sort of "over-the-top" acting might have been common practice at the time, considering how director Hawks worked the same method on Dvorak's emotions opposite Paul Muni in the crime drama, SCARFACE (United Artists, 1932). Later in 1932, Dvorak appeared in possibly her finest performance captured on film in THREE ON A MATCH opposite Joan Blondell, while Blondell and Linden would re-team again in the rarely seen BIG CITY BLUES, where Linden was the central character. In 1938, Metro-Goldwyn-Mayer produced a film titled THE CROWD ROARS starring Robert Taylor and Maureen O'Sullivan, which was not a remake but another well made sports theme revolving around professional boxing. However, Warners did remake its own CROWD ROARS as INDIANAPOLIS SPEEDWAY (1939) starring Pat O'Brien, Ann Sheridan, Gale Page, John Payne in the Cagney, Blondell, Dvorak and Linden roles, with Frank McHugh playing "Spud" Connors once again. Comparing both films, whenever presented on Turner Classic Movies, the remake, being 15 minutes longer than the original's 70 minute length, plays better acting wise by its actresses, though the earlier version is better served due to the charisma of Cagney, which explains why the original played longer on commercial television in the New York City area up to the mid 1980s than INDIANAPOLIS SPEEDWAY, which ceased TV circulation around the late 1960s. Besides some good racing sequences and cast of familiar Warner Brothers stock players, THE CROWD ROARS is rather ordinary material made good by Cagney's dynamic appeal. (***),

Crowhaven Farm

987

48

Mercy Lewis, a character in the film, is also the name of a character in Arthur Miller's The Crucible, a play about a witch hunt.,In the film, Jennifer's character has the mark of the devil on her right shoulder, but in the book that Maggie reads, Jennifer's mark is on her left shoulder.,Featured in Friday Suspense Theatre: Crowhaven Farm (1975),While Crowhaven Farm was not the BEST made-for-TV chiller of its era, it does rank up there with the dozen or so that tend to stand out in the minds of baby boomers raised during TV's golden age. Forget the special effects that seem so essential to the success of today's horror movies; this one forces you to rely strictly on your imagination (remember that thing in your head???) to understand its premise. This movie was made in 1970, during the final season of "The Ghost and Mrs. Muir", and, like several typecast actresses of the period, Hope Lange attempted to "break away" from her sitcom character much like Elizabeth Montgomery did in "The Victim" (remember THAT one???) and did it quite effectively. Crowhaven Farm is simply chilling, with the grainy film grade and squealing violins in the soundtrack adding to the unsettling feel of the film. This genre of film will probably never see a comeback, due to the all the computer-technology wars in horror films made today, but at least we'll always have them to look back on. EIGHT STARS.,

Crown Heights

2.8K

25

The parole hearing scene was pulled almost completely from the transcripts of Colin's real parole hearing.,Just To Get a Rep (uncredited) Written by Guru and DJ Premier Performed by Gang Starr,Once again, the enormous weaknesses of a country's judicial and prison system are demonstrated. Once again, it is clear the level of poverty and misery of several black families, which survive as means of drug distribution in many cases. According to a statistic that appeared at the end of the film, there are more than 2.5 million convicts in the United States, of whom an estimated 120,000 are innocent. Imagine an innocent sentenced to life imprisonment, who returns the life lost in prison? That, if it is finally proven innocent, which does not always seem very likely. The plot of this film is a sharp nail to assimilate for those who proclaim the existence of another pleasant and unreal environment. Tyrannies and dictatorships without mercy are condemned, something very fair, but criticism of the imperfections of the so-called democracy is not accepted, it is scary to speak about it when it comes to gross violations of human rights. Congratulations to the director and the rest of the team that made this movie.,

Crown Vic

8.1K

152

Outside of the U.S., where the Crown Vic vehicle is prominently produced and used by law enforcement, the producers behind the film decided to give the film different names in foreign countries who would be unaware of the title's meaning. Therefore in Australia, the film is titled "Protect and Serve", in Germany the film is called "In A Web of Violence" and in the UK the film is called "Bulletproof".,According to the time codes flashed on screen, Ray gets in his car at 2157, but when the first arrest is made several minutes later, the time code is 2127--which is 30 minutes EARLIER than 2157.,Ray Mandel: Can't trust a man with no vices. Nick Holland: My old man used to say bad habits were the only thing keeping sane men from going off the deep end.,References Dazed and Confused (1993),Acting, writing, cinematography, directing: all better than I expected. Ridiculous if you know anything about actual police procedure but like a lot of shows it is quite entertaining in an intense sort of way if you put your critical thinking in a drawer before you watch it. I didn't feel like turning it off after the first 20 minutes and it held up until the end.,

Crowned and Dangerous

481

11

This pageant movie definitely lives up to it's title. It is one of the premiere of campy and catty pageant movies.....and a whole lot of fun too!! It definitely is successful in it's pursuit as the tongue in cheek/drama that it is attempting to be. Yasmine Bleeth and Cassidy Rae play their roles to the hilt as catty, feuding pageant contestants. Jill Clayburg is also great as Yasmine's nutty pageant stage mother. George Eads from the TV show CSI plays the man they are feuding over. I enjoyed this film much more than a similar film entitled Beauty's Revenge which stars Cortney Thorne-Smith. With the silly Dairy Queen premise Beauty's Revenge left me "udderly" bored.,

Crows Explode

1.6K

13

Based on manga series "Crows" by Hiroshi Takahashi (published by manga magazine Monthly Shonen Champion from 1990 to1998),Follows Crows Zero (2007),I am a big fan of this series and in fact have treasured the copies of first two movies as If it is my personal goldmine. I had waited patiently for the third movie for years. The last movie came out in 2009 and now its 2014 so imagine how long has it taken for the movie franchise to come out with a sequel but was it worth waiting this long? Absolutely not First of all we have to deal with the absence of its original star casts like Shun Oguri as Takiya Genji and Takayuki Yamada as Serizawa Tamao. They had immortalized their characters and the entire franchise with their power packed fists and acting. The new release on the other hand does not have an impressive star cast. The franchise which is known for its action is what is lacking in this movie primarily. If I am watching a movie from the crows series, I need to see some action but sadly the only action in this movie is right about at the beginning and at the very end and that too for a very brief second and long gone before you can even feast your eyes. Masahiro Higashide as Kaburagi Kazeo is good with acting but bad with action. He does not impress with his action skills but Yuya Yagira as Goura Toru was still impressive and so was the character black dynamite (only for action). Kento Nagayama as Fujiwara Hajime has a meaty role in the movie but that is what is bothering me. It felt as if the whole plot deviation just took out the essence of the basic movie. A recurring character Rinda man was totally wasted with barely there presence The movie franchise which entirely sprouted from its action sequences forgot that basic element in its new movie and instead diverted with a somewhat lukewarm performances and plot, totally disappointing the fans who have been dying for the sequel for a really long time.,

Crows and Sparrows

299

3

This film was started before the Communist take over and complete under the watchful eyes of the Nationalists. Although it was filmed as originally scripted (and now seen on video), it was censored of its more politically sensitive material, although the overall message of the film wasn't pro-communist. Briefly, the film explores the societal problems of the corrupt Nationalist regime of post-WWII China. It takes place in a house that has been commandeered by a corrupt, albeit minor, Nationalist official. The former owner, a well-meaning elder man, has been pushed into a small room in the front. The two other residents, a teacher and his family, and the family of a street merchant (selling American goods) also live under the whims of the greedy and ugly nationalist and his knaiving mistress. While not directly siding with the Communists, the film does portray the Nationalist party as a plague and any revolutionary change as good change. It even goes so far as to stay in touch with the current fighting at the time, with the defeats against the Nationalists playing a role in the film's progress, something the Nationalist government was undoubtedly upset by. For the casual viewer, its a very old fashioned film that looks and feel much like any other film in the early 40's era -only with a slight change in scenery and culture. Its very watchable, the acting is quite good. The best feature was its frank expression of human greed as the weakness of society (its solution must have found favor in the eyes of the Communist officials).,

The Crucible

40K

148

Sir Daniel Day-Lewis met his wife Rebecca Miller, the daughter of Arthur Miller, while shooting the film.,When John Proctor and Elizabeth are having their private conversation towards the end of the movie, his teeth look normal. However once they return to judge and Rev. Hale, his teeth look rotted and decayed. When he his hanged (the same day) his teeth are normal again.,John Proctor: Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them you have hanged! How may I live without my name? I have given you my soul; leave me my name!,Featured in Siskel & Ebert: 101 Dalmatians/Hype!/The Crucible/Palookaville/Ridicule (1996),The Yanvalou Chant Provided by Shakmah Winddrum,Sometimes, movies that are designated as "classic" suffer from a strange sort of reverse- discrimination. That's probably the reason why it took me so long to actually see this version of "The Crucible", as I thought of it as "old" or "not exciting enough". What I quickly discovered, however, is that Arthur Miller's tale here is truly one for the ages. It's a shame I waited this long to see it! For a basic plot summary, "The Crucible" is a story set during the Salem Witch Trials of 1692. Abigail Williams (Winona Ryder) and a number of her teenaged female friends are screwing around in the woods one night (typical teenage rebellion kind of stuff) when they are discovered and charged as witches. What Abigail and the gang quickly discover is that in front of Judge Danforth (Paul Scofield), "acting the part" of witches gives them a great deal of attention and power. Things get ugly fast and pretty soon the entire community is in an uproar over who may or may not be a witch. Enter John Proctor (Daniel Day-Lewis) and wife Elizabeth (Joan Allen), a common sense-driven couple who seemingly have the best chance to put an end to this madness. Yet, with John having a shady history with Abigail, they all ended up sucked into the lies and deceit, forcing difficult choices to be made regarding character and honesty. Not being as much of a theater enthusiast as I am of film/TV, this was just the second Arthur Miller work that I had seen ("Death of a Salesman" with Dustin Hoffman being the first). That playwright has an incredibly keen sense of universal human themes and how to manipulate them to create high drama. Though "Crucible" is set hundreds of years ago, I can confidently say that it will endure (in some form or another) for hundreds of years more. The characters, emotions, and plots feel like they could happen today or tomorrow. This film touches on such common, deep-seated issues as: -The power of religion (both good and bad) -The effect of mass hysteria on an uneducated community -The propensity of one lie to be followed by more -The lengths humans will go (or the shortcuts we may take) to preserve our names and honor -The conflicting romantic notions of both teenagers and adults So, despite carrying a reputation that can get a little "weighty", "The Crucible" is really quite a simple film, concocting a plausible scenario and then letting human nature take its course. I recently saw the film "The Witch", a movie that shares much in theme with this earlier effort, and feel that the two measure up to each other quite well. If you enjoyed one, I think you will feel the same for the other. Overall, I was blown away by the simple, yet spectacular, quality of the writing and acting in "The Crucible". It will stimulate a lot of deep thought on the part of the viewer without getting overly complex or confusing. I think that there will be more Arthur Miller stories in my future!,

The Crucified Lovers

4.8K

20

The movie is based on a play by the classic Japanese author Monzaemon Chikamatsu (1653-1725). The original title "Chikamatsu monogatari" means "A Tale From Chikamatsu".,Osan: No matter what happens to us, I never want to leave your side.,Edited into Origins of the 21st Century (2000),I saw this over 20 years ago and I remember it well. Superb photography. Great acting by the 2 leads. How things were different in that era compared to today in Japan. This is probably very hard to find on video if it exists at all. But you may see it in art houses like I did. Another Mizoguchi classic. If you like his work, I recommend The Human Condition, the greatest film ever made.,

The Crucifixion

9.3K

89

Insipred by the alleged true story of the Tanacu Exorcism, that happened in 2005, in Romania.,At 51:02 the female lead is awoken by a noise and her night shirt is open, exposing part of her breast. The camera angle switches to the door and back, but at 51:07, her shirt is clearly buttoned all the way up.,Referenced in Minty Comedic Arts: 10 Things You Didn't Know About RAD (2021),What the hell is this crap? What happened here? This is so by the numbers, so bland, so boring. Check it out: every single jump scare in this movie, which is pretty much every single "scare", is accomplished with an ear piercingly loud sound. Seriously. Every time. A car horn. A dogs bark. A bang on a door. And the sound is so ridiculously loud, while the talking is super low. Man I was just so effing angry. It pains your ears. And the sound is not even accompanied by scary imagery! Most of the times it's just a fake scare. With SUCH loud noise. JEEEZ. The best thing about the movie is Sophie Cookson. She does the best she can with a very uninteresting and boring script. There is very little gore, the little there is is OK. There are a couple of effects, they also work. But all in all it's just very tame. The story, I think, leans on being "true". Unfortunately it's still boring. I should probably give this a lower score, but if my mood were better I think I might have enjoyed it more. Also, the movie does have some qualities, it's just all to by the numbers.,

Crude

1.4K

21

Julie Christie and Karen Black turned down the role of Lena.,Mason: You don't like men much, do you? Lena: No. Mason: Maybe you're the kind who prefers women. Lena: No. Women are even worse; they try to be like men, but they can't cut it. I'd like to be a member of a third sex. Mason: Third sex? Mmm-hmmm. Well, which article would you have - the one that goes in, or the one that goes out?,Featured in Discovering Film: Faye Dunaway (2015),Send a Little Love My Way Music by Henry Mancini Lyrics by Hal David Sung by Anne Murray [Played over the opening titles, opening credits and end credits. It is also played as background music when Mase is trying to sleep in his leaky tent during the rainstorm.],Dismissed by critics as one of Stanley Kramer's later flops, OKLAHOMA CRUDE is not bad. It does, however, suffer from an identity crisis. Is it a comedy? Is it a drama? Is it a western? It's not really any of those. Nor, thankfully, is it one of Kramer's social issue epics. Faye Dunaway gives it her all as a demented wild-catter trying to get oil from a lone well while keeping the big time oil companies off her land. She's helped out by her ne'er do well father John Mills and a hapless drifter played by George C. Scott. Scott and Dunaway have great chemistry and Kramer wisely downplays any love story. However, although they make a scrappy team, they're not particularly likable. In fact, none of the characters in this film is very pleasant, therefore there's nobody to really root for. Kramer, like his contemporaries Billy Wilder and Otto Preminger, seemed to have lost his way by the 1970s. OKLAHOMA CRUDE doesn't click as comedy or drama. The actors are poorly directed: Dunaway is completely humorless, while Scott plays his part as if he's in a broad farce. Jack Palance, as the villain, appears to be spoofing his own clenched jaw persona.,

Crude Oil

56

1

Director Wang Bing originally planned a 70-hour film, with ten hours to be shot every day over a period of one week. It was reduced to 14 hours after Wang was forced to leave the location due to altitude sickness, leaving his crew to complete the film.,Not least because of rarely scheduled appearances, there is good reason why Wang Bing's Crude Oil has generated extremely little writing on it, online or elsewhere. It almost goes without saying that much commentary offered about it will be revelatory of the different kinds of mental strategies employed to overcome the total experience of it, rather than recording one's surrender to it. Its 14 hour length alone unequivocally demands no less than that, and explicitly signals Wang's intention for the project as documentary installation art — strictly encountered in a gallery or dedicated space — rather than via conventional film, video or digital monitor presentations, which fail to transcend limitations of the passive consumer experience. Outside the safety of those largely capitalist-designated parameters, his presentation is devised to provide a devastatingly intimate entrée into the conditions of human working life (here, at a remote oil rig in China's Gobi Desert), while implicitly asking: what does it mean to watch images not designed for hedonic consumption? My experience of Crude Oil took place at the Brooklyn media space Light Industry, during a 2009 limited five-day run. It was a rather overwhelming encounter with Wang's work to say the least, seeing separate presentations of his (then) newest work Coal Money, and his panoramic 9-hour masterpiece, West of the Tracks. My three successive daily visits had a life-changing impact akin to being on a retreat; the factory loft was a temporary space, and with a small heating unit among the few chairs, benches and floor mats that didn't do much to dispel a November chill, it was far from producing a passive experience. Having missed the first two hours, remaining for the rest was ordeal enough in itself (even split over two days and 6-hour sessions), demanding determination and confidence in Wang's enterprise, mostly made possible by his ethical sensibility. To describe the overall impact, even separating out these extra conditions, is difficult because Wang's approach is so simple and yet uncompromising in itself. The individual shots are massive in length, important for establishing one as visitor (not just viewer), and his camera angles are largely from real or potential perspectives of his subjects, who remain unselfconscious throughout, hence effectively negating any sense of voyeurism. The recording sound was intentionally set at a naturalistic level, and scenes where the workers spend time indoors in the bare recreational living room register effectively. But when we're moved outside to the rig platform itself, with the relentlessly active workers, the deafening maelstrom of machinery sound engulfs one, and for an indefinite amount of time. A key scene indicative of Wang's simple yet powerful sound design: two workers share a smoke break well away from the rig, trying to relax in the sun and the immense desert surrounding them. When we follow alongside as they return to work, the faint sounds of the machinery gradually grow louder until we begin to tighten up, thinking we've assessed the limit and preparing to hunker down for the duration of the shot, but the sonic assault continues, becoming truly devastating. As one begins to numb in order to accommodate, even trying to take refuge in movement by walking around the gallery to avoid becoming pinned down by the roar, the realization of Wang's intentions becomes more piercing — and one probably elusive to those who think a more conventional access (e.g., a bootleg DVD trip modulated with remote control) can provide the same result, while fast-forwarding beyond the meaning which can only come through a direct head-on engagement with Wang's setup. The challenges which were implicit in one's original intention to bear witness become activated from moment to moment in multi-fold; many realizations arise, and not merely of one's discomfort as potentially one of many Western subjects who endlessly consume vast amounts of oil and commodities, at a great distance from their source. Wang confronts us existentially, forcing us to relinquish our comfort zones as the prerequisite for a further inquiry into reality of work, how our political views are incomplete and even suspect if they do not encompass a direct witness of what work itself actually means to us — what is its true cost, not just economically for those who benefit the most from the labors of others, but the emotional, psychological and the extreme physical cost for those whose labor is exploited. This is the direct head-on view of what such exploitation looks like — moment by grueling or boring moment (even the workers' down-time doesn't exactly feel like relief) — in the course of one day, a day like many other endless days for them. The longue durée of this exposure, in which our witness becomes alternately more embarrassing, more frustrating, more numbing, more claustrophobic, the longer we submit to it — ultimately provides us with an unparalleled ethical reckoning well beyond our normally posited limits of engagement or resistance. Questions around how much mediation occurs in the filmmaking process itself eventually disappear, as one becomes simultaneously swallowed up by time, as well as a product of it, and through actual witness even its accomplice. Wang has commented on the difficulty of capturing or attaining "truth" in his art — although in this work, perhaps he may have realized that "truth" becomes transparent to context, to what is taking place… simultaneously on-screen and off, within our experience… in the encounter arising between the meaning-potentials discerned and our willingness to make ourselves available for their discovery to change our life. With Crude Oil, Wang Bing has not turned out something anyone could be comfortable with, clearly demonstrating that film buffs need not apply, and reminding that Kafka once said we should only read the books that wound us... What do you see? How do you see?,

Cruel Intentions

201K

808

For legal reasons, writer and director Roger Kumble had to ask all of the actresses auditioning for Cecile how old they were, because of a sex scene between the character and Sebastian in the movie. "So we were bringing in all of these people", he recalled to Cosmopolitan, "and they were all good, but I remember Selma (Blair) came in and I said, 'How old are you?' And she goes (in Cecile's bratty voice) 'How old are you?' And she was so obnoxious, and I couldn't get it out of my head.",Cameraman and crane visible in the front windshield of Sebastian's car while driving with Annette.,Sebastian: You amaze me. Kathryn: Eat me, Sebastian! It's okay for guys like you and Court to fuck everyone. But when I do it, I get dumped for innocent little twits like Cecile. God forbid, I exude confidence and enjoy sex. Do you think I relish the fact that I have to act like Mary Sunshine 24/7 so I can be considered a lady? I'm the Marcia fucking Brady of the Upper East Side, and sometimes I want to kill myself. So there's your psychoanalysis, Dr. Freud. Now tell me, are you in... or are you out?,There was a line of dialogue cut from the US version which appears in the UK cut. After Kathryn views the videotape of Cecil and Ronald she comments: 'F*ck her already',Edited into Cruel Intentions: Deleted Scenes (1999),Every You Every Me Written by Brian Molko, Stefan Olsdal, Steve Hewitt (as Steven Hewitt) and Paul Campion Performed by Placebo Courtesy of Elevator Music Ltd./Virgin Records America Inc. Published by Famous Music Corp. and Island Music Ltd./Mukka Music,If you want to introduce classic literature to a teen audience, movies like this are a great way, a good adaptation of a classic, not up there with '10 things I hate about you' or 'Romeo + Juliet' but still good enough to elicit interest in the classics from the audience.,

Cruel Intentions

201K

808

For legal reasons, writer and director Roger Kumble had to ask all of the actresses auditioning for Cecile how old they were, because of a sex scene between the character and Sebastian in the movie. "So we were bringing in all of these people", he recalled to Cosmopolitan, "and they were all good, but I remember Selma (Blair) came in and I said, 'How old are you?' And she goes (in Cecile's bratty voice) 'How old are you?' And she was so obnoxious, and I couldn't get it out of my head.",Cameraman and crane visible in the front windshield of Sebastian's car while driving with Annette.,Sebastian: You amaze me. Kathryn: Eat me, Sebastian! It's okay for guys like you and Court to fuck everyone. But when I do it, I get dumped for innocent little twits like Cecile. God forbid, I exude confidence and enjoy sex. Do you think I relish the fact that I have to act like Mary Sunshine 24/7 so I can be considered a lady? I'm the Marcia fucking Brady of the Upper East Side, and sometimes I want to kill myself. So there's your psychoanalysis, Dr. Freud. Now tell me, are you in... or are you out?,There was a line of dialogue cut from the US version which appears in the UK cut. After Kathryn views the videotape of Cecil and Ronald she comments: 'F*ck her already',Edited into Cruel Intentions: Deleted Scenes (1999),Every You Every Me Written by Brian Molko, Stefan Olsdal, Steve Hewitt (as Steven Hewitt) and Paul Campion Performed by Placebo Courtesy of Elevator Music Ltd./Virgin Records America Inc. Published by Famous Music Corp. and Island Music Ltd./Mukka Music,If you want to introduce classic literature to a teen audience, movies like this are a great way, a good adaptation of a classic, not up there with '10 things I hate about you' or 'Romeo + Juliet' but still good enough to elicit interest in the classics from the audience.,

Cruel Intentions 2

16K

146

Sebastian says "God, we sound like a canceled television series" and that's exactly what happened.,When Sebastian's father is on the phone to his "accountant" and Sebastian walks in, to the right hand side of the screen above the sofa his father is sitting on, you can see the head of a crew-member in the whole shot.,Sebastian: [as they are kissing] You do realize you're my step sister. Kathryn: You know what they say about incest. Sebastian: Is there any line you won't cross? Kathryn: Only one... never in the butt. Sebastian: That's a good line. Kathryn: The Bradys never had it so good.,The original pilot episode and most of the first two episodes of the original shot footage were included in the movie but here are the major differences from the TV series to actual movie: Sarah Thompson's character was actually called Annette Hargrove but is now called Danielle Sherman. Keri Lynn Pratt's character was actually called Cecile Caldwell, but is now called Cherie Claymon.,Featured in Rodney Carrington: Show Them to Me Fan Music Video (2006),Weed Written by Greg Lattimer Performed by Thin Lizard Dawn,This one, like the teeny-bop remake of DANGEROUS LIAISONS, is populated by fragile, pasty teens whose sex scenes are vapid and unimpressive, unless you're an easily turned-on adolescent. Utterly cute in the worst sense of the word and, sadly, lacking any prurient interest.,

Cruel Intentions 3

8.6K

39

Elizabeth McDonald's debut.,At the very end of theatrical trailer where it show the names of the crew, it says 'Cruel Intentions 2'.,Jason Argyle: If you want to be so much like Kathryn, then let me be your Sebastian.,Scott Ziehl directed scenes that were shot over a year later (for the cable TV version) in a police station where Kristina Anapau and Nathan Wetherington characters describe separately what happened. Melissa Yvonne Lewis character makes a non-speaking appearance in the police station as well. These scenes were edited into the movie to make it longer.,Featured in Beyond Clueless (2014),Love, Love, Love Written by Linda Good and Laura Good Performed by The Twigs Courtesy of Whirl-i-gig Records (by arrangement with Crusty Old Timer, Inc.) (Performer - Linda Good (I) - uncredited),Cruel Intentions (1999) was a masterpiece, one of those unexpected movies that comes along and truly blows you away. A modern adaptation of Les liaisons dangereuses it was spellbinding, but certainly a standalone film. But Hollywood executives disagreed and decided to milk it with not one but two more films. The second followed some of the same characters but recast and with a dreadful cashgrab story. This is a separate movie with nothing to do with the original material and is more a thriller with loosely similiar themes. Starring Dawsons Creek/Final Destination star Kerr Smith it tells the story of two men who engage in bets that involve seducing and sleeping with women. Of course you have the female equivalent in there for good measure and plenty of twists and turns. The twists however are very predictible and the "Turns" lack the intelligence or originality of the first movie. Is this better than the second? Absolutely! But it's yet another cashgrab sequel that simply should never have been made. The Good: Has its moments The Bad: Not as clever as it thinks it is Simply shouldn't exist Things I Learnt From This Movie: If I tried half the stuff in this film that they did I'd be arrested,

The Cruel Sea

5.3K

79

Jack Hawkins wrote in his 1973 autobiography "Anything for a Quiet Life" regarding this film, "All of us in the film were sure that we were making something quite unusual, and a long way removed from the Errol Flynn-taking-Burma-single-handed syndrome. This was the period of some very indifferent American war movies, whereas 'The Cruel Sea' contained no false heroics. That is why we all felt that we were making a genuine example of the way in which a group of men went to war.",Some depth charges are clearly labelled "INERT FILLED.",Watts: [repairing the engine] Come to see the fun, sir? It won't be long now. Morell: Fine, chief, but the captain's a little worried about the noise. Could you do anything to... tone it down a bit? Watts: Pretty well finished now, sir. We're just flabbin' up the nuts. Could you hear the hammerin' up top? Morell: Hear it? There were U-boats popping up from miles around complaining about the racket.,Featured in Haie und kleine Fische (1957),The Chestnut Tree or "The Spreading Chestnut Tree" (uncredited) Author unknown, perhaps traditional song Sung by the sailors in the raft to keep awake,I first read this book when I was 14 (and had my father take it back from me when I had to ask "what's 'urinate' mean, dad?"). Monserrat is a master at the depiction of men at war - from his extraordinary technical knowledge to his ability to convey the fatigue, the cross feelings living in close quarters, the bitterness, the moments of triumph or relief. This film does Monserrat justice. This movie is the opposite of the "boys' own adventure" sorts of movies. There are no striking heroics - just the very real feeling of people performing onerous often dangerous duties as well as they're able - which is heroic itself. The movie does not skimp on the danger either - the shocking losses of ships in convoys that the corvette "protects", the extreme difficulty of finding and sinking U-boats, almost gives one the feeling, "what's the point of convoys?" (Imagine all surgeons operating with an average 3% survival rate - well, 3% recovery is better than none - but imagine the wear on the surgeons). The film is gritty, and just has the feel of the 1940s in its bones. The sounds, the movement, the look of cities and harbors, the clothes - it's as if one's uncles' tales have all come to life. Jack Hawkins and Donald Sinden are wonderful - almost always (and necessarily in wartime) stiff upper lip. The movie's moral dramas (bearing upon decisions the captain must make) are wonderfully conceived and executed. This is truly a superb movie - a great credit to all who worked on it - a memorial to many. It's a completely different - and superior - genre to such movies as Pearl Harbor. I even prefer it to its natural rival, In Which We Serve - good though the latter is.,

Cruel Story of Youth

Cruel and Unusual

809

20

Tom Berenger playing a serial killer! That's something new and since I'm a huge fan of this underrated actor I was very eager to get my hands on this flick. Did it disappoint? Not really, but it's far from being anything special. Berenger plays a homicidal drifter who assumes the identity of his latest victim, a professor, and heads to a small community where he gets involved with a local woman and her brother. As his relationship with the woman progresses her brother becomes more and more suspicious of him and it's only a matter of time before things get nasty. A semi well written character study of a psychopath which sadly doesn't delve too deeply into his motivations, and thus, leaving the viewer wanting more. Berenger, as always, does well with his role but the fact is it's an underdeveloped one and therefore doesn't have the intended impact. The end conclusion is mostly satisfying but overall the film is long-winded, has stereotypical supporting characters, particularly the brother, and ultimately fails mostly in the suspense department along with being very predictable. In the end Berenger elevates the film with his performance and one is left with the impression that this film could have been so much better. Sadly it's just average.,

Cruella

255K

2K

Glenn Close, who played the first live-action Cruella DeVil in 101 Dalmatians (1996) and 102 Dalmatians (2000), serves as executive producer for this movie.,Cruella crashes a car into an old-fashioned British red phone box, which buckles on impact. These phone boxes were made of cast iron which would, with sufficient force, break, not bend.,Cruella de Vil: They say there are five stages of grief. Denial, anger, bargaining, depression, and acceptance. Well, I'd like to add one more. Revenge,There are scenes in the closing credits: Anita and Roger receive a gift of two Dalmatians (one each) from Cruella. The dogs are named Pongo and Perdita, the parent dogs from 101 Dalmatians. Roger then starts to play the Cruella de Vil song from One Hundred and One Dalmatians (1961).,Featured in AniMat's Crazy Cartoon Cast: D23 Expo 2019 Extravaganza (2019),Bloody Well Right Written by Rick Davies (as Richard Davies) and Roger Hodgson Performed by Supertramp Courtesy of A&M Records Under license from Universal Music Enterprises,Can you make an entertaining film by blending features from the Joker's girlfriend Harley Quinn in "Birds of Prey," a successful heist film like Oceans Eleven, the daring of a Bond film, a swath of "The Devil Wears Prada," and meld it with the 1970's London punk fashion story of designer Vivienne Westwood? Can you do all that as a backstory for a six-decade old, animated Disney feature film? Can you sew all those different fabrics and parts into one cohesive garment? Apparently, you can. There is so much brilliant writing, over-the-top performance, and spot-on production brilliance packed into this movie that it must simply be seen to be appreciated. I've never seen a movie like this and I don't think there's a written explanation that can do it justice. If you love all sorts of films like the ones listed above, you'll love this film.,

Cruising

27K

193

Two of the notorious gay bars featured in the film - Mine Shaft and Eagle's Nest - eventually barred William Friedkin.,The medical examiner discusses the serrations in the wounds of a murder victim but the killer did not use a serrated knife on him.,Steve Burns: Hips or lips?,The film only opens with the title in large letters, across the screen. It is only at the end where the filmmakers are credited.,UK cinema and 1987 video versions were cut by 54 secs by the BBFC. The 1997 Maverick Directors video release was cut by 39 seconds to remove subliminal shots of anal sex during the murder scenes (one of which appears in the film though heavily darkened) and to edit a pan shot of a gay bar interior and shots of a knife being traced over a bound victims body. Although the uncut version was shown by Sky TV the film was resubmitted to the BBFC in 2003 for a FilmFour showing and many cuts were restored apart from a 1 sec edit to remove the subliminal shots. For the initial release on UK DVD in 2008 all the cuts were waived.,Featured in Sneak Previews: The Last Married Couple in America/Cruising/Just Tell Me What You Want/Hero At Large/Saturn 3 (1980),Three-Day Moon Performed by Barre Phillips,Crusing is a very dark psychological thriller from acclaimed director William Friedkin and leading man Al Pacino. Based on true events where a serial killer preyed on gay men part of the S+M gay leather scene in NYC, pre AIDS, where casual sex or cruising was a big thing in that scene. Al Pacino goes deep undercover to attempt to bring down the killer. This film only shows one side of the gay community, which was controversial and brought a polarizing reaction in the gay community in that time. The gay S+M clubs, parks and other areas of NY are the backdrop to this sleazy, violent and downbeat thriller. Al Pacino is excellent, as is the support cast of Paul Sorvino, Joe Spinell and Karen Allen as Pacino's girlfriend. The film is similar in a lot of ways to the Italian giallo films and it seemed to borrow some of its ambiance and style. While most of what happens in the film is pretty ambigious, it seems that as the film progresses Al Pacino seems to identify more with the gay community. This film is very well done and very much in the 70's style, gritty, suspenseful and uncompromising in its presentation. Crusing certainly will not appeal to everyone, but for those that like this kind of film, it is very well done.,

Crumb

21K

114

When he was trying to raise funds for the film, Terry Zwigoff encountered Terry Gilliam whom he knew had worked with Robert Crumb in the late 60s. Approaching Gilliam, Zwigoff asked for some help with the budget. Gilliam reached into his pocket, handed over a nickel and then walked away.,"San Francisco" is misspelled in the closing titles. The caption reads: "Max Crumb still lives in San Francicsco".,Robert Crumb: Jesus. Fuckin' raging, epithet music comin' out of every car, every store, every person's head. They don't have noisy radios on, they got earphones; like, "motherfuckin', cocksuckin', son of a bitch. Lot of aggression. Lot of anger, lot of rage. Everybody walks around, they're walkin' advertisements. They've got advertisements on their clothes, you know? Walking around with "Adidas" written across their chests, '49'ers on their hats. Jesus. It's pathetic. It's pitiful. The whole cultures' one unified field of bought-sold-market researched everything, you know. It used to be that people fermented their own culture, you know? It took hundreds of years, and it evolved over time. And that's gone in America. People now don't even have any concept that there ever was a culture outside of this thing that's created to make money. Whatever's the biggest, latest thing, they're into it. You just get disgusted after a while with humanity for not having more, kind of like, intellectual curiosity about what's behind all this jive bullshit.,Featured in Siskel & Ebert: Boys on the Side/Highlander: The Final Dimension/In the Mouth of Madness/The Secret of Roan Inish (1995),Ragtime Nightingale Composed by Joseph F. Lamb Performed by David Boeddinghaus,After reading the couple of negative reviews of "Crumb" on IMDB I re - viewed the movie one more time just to make sure that the many times when I had seen this movie before, on the silver screen and on video, I have not been in a state of delusion. With the movie fresh in my mind I want to put out this message to all the people who have made depreciating statements such as "what is Crumb moaning about, he's famous now", "the Sixties weren't really like that", "it was just two hours of whining, rambling and unjustified complaining" etc. etc.: go back to your Kevin Costner, Tom Hanks, Tom Cruise big budget Oscar winners, and stop smearing dirt on one of the best documentaries ever made. So frigging what if it's shot with a hand - held camera and without studio lighting? "Crumb" is the real thing, it does not need any trickery or gloss. Basically it shows Robert Crumb, the artist famous for "Keep On Truckin'", "Fritz The Cat" (though he does not like to be associated with either of them) and "Mr. Natural", telling the story of his life through his wife and brothers, with a few scenes of him at a vernissage and a comic book store (etc.) thrown in for good measure. Call it a modern - day version of the van Gogh - story, or a look at the darker (or even just the non - Warner - Brothers) side of the flower - power generation, the human condition, the power of art, the battle of the sexes, a case history of mental illness, psychotic families, whatever. The story, and with it the film, is amazing and totally captivating. I have watched it many times and intend to watch it many times over. Give it a miss only if you expect some good, clean, family entertainment, but do so at your loss.,

The Crusades

81

6

In Leo Milano's THE CRUSADES we experience a semi-autobiographically tale, told through the director's personal and artistic lens of what it was like to come of age at private all boys school in Chicago. Those with similar backgrounds and experiences will surely resonate on a deeper level, while all audiences will take joy in seeing such a unique and personal perspective of high school brought to life in uncompromising style. As a female viewer, I appreciate getting a ticket to ride a male coming-of-age rollercoaster that's chock full of the usual jokes and hijinks, but also emotional depth. While the film is set in all-male spaces and perspectives, it refreshingly avoids "male fantasy" tropes and offers more complex, authentic, and bittersweet takes on coming-of-age milestones. Rather than paint over his past with happy endings and easy triumphs, Milano offers up the insecurities, neuroses, mistakes that are the true tenants of adolescence. Any confidence, personal growth, or female adoration that protagonist Leo (an irresistible Rudy Pankow) is able to cultivate for himself, is true to life: messy and hard-earned. It's a testament to the beauty of indie film and this team in particular, that THE CRUSADES brilliantly avoids the sense of entitlement and self-indulgence that oozes from so many films in this category. Even more commendable is the fact that the filmmakers seem to genuinely care about including all audiences along for the ride. The movie manages to hit high-stakes antics and big comedic swings while also using the storytelling to give us thorough understandings of the characters and their journeys. Fans of Superbad, Everybody Wants Some!! And Ferris Bueller's Day Off will all be satisfied by this artfully told, unapologetically fun, coming-of-age chronicle and refreshed by a narrative that properly honors the rough patches of growing up.,

The Crush

22K

101

When the movie was edited for TV, Alicia Silverstone's character's name changed from Darian Forrester to Adrian. Screenwriter and director Alan Shapiro had based the film on actual events that happened to him and ended up being sued by the girl he wrote about, who had the same name as his "fictional" character.,Color of Alicia's underwear as she walks out of the bathroom. When she is in the bathroom they are a beige/nude color full cut underwear. However when she gets to the bedroom a few steps later they are blue bikini bottom style. Then without pause she walks in front of the closet and removes the top and has nothing underneath it.,Adrian Forrester: So, this is what it takes to finally get you up here? Nick Eliot: What're you doing? Adrian Forrester: Fixing things. Nick Eliot: Where's Cheyenne? Adrian Forrester: You wanna do her, too, is that it? I'm not good enough for you? Nick Eliot: Where is she, Adrian?,After the fade out, Darian's face is visible until a few seconds after the credits start.,TV versions feature additional footage: Darian spying on Nick through a wooden gate; Darian getting a ride from Nick to practice while all the other girls stare at her; Nick talks briefly to Amy about the babysitter Amy says "What could she know?" and for him to call her with any information; Darian calls Nick at 2:30 in the morning and says "Am I your first call?"; Nick scares Amy who is taking a shower; Nick's boss yelling at him in a bathroom about his fight with Darian; and Nick in a limo going to see Levansky; Amy and Nick chatting and her saying "Have you ever heard the expression Don't kneed your meat where you lay your bread?"; extra few seconds of Nick helping Cliff get the boxes up to the attic; Nick calling Levansky's babysitter; Nick watching The Forrester family getting their possessions from the house; a foggy bathroom mirror.,Featured in Beyond Clueless (2014),MY HOUSE Performed by Christopher Kowanko (as Chris Kowanko) EMI Blackwood Music Inc./Walk Rudy Music Courtesy of Morgan Creek Records,Good acting from Alicia silverstone at such a young age & Cary Elwes. Both showing off their good looks in an interesting 90s film. I liked that they played on a woman being the seductress and villain as i feel like in this modern day and age women are never set as the villain. If anything i'd have liked the film / ending to be more sinister, happy endings do tend to be forgettable.,

Crush

Crush and Blush

572

7

Yang Mi-sook: But when I saw his wife she's so past menopause and no match for me.,This is a refreshing black-comedy with a interesting story and narrative that got my attention from beginning to end. The plot is about a social outcast since her school days and has a chronic blushing problem falls for her teacher, who accepted her for who she is. Later she becomes a teacher and tries to get into a love relationship with him although he is married. Soon she teams up with the daughter of the teacher she is in love with, cause the daughter thinks her father is cheating on her mom. The intriguing premise is what got my attention, and enjoyed just about every part of this black-comedy. Although most of the comedic value comes from adult humor, it's nothing really to complain about. I didn't particularly liked the ending, mainly cause the character Yang Me-Sook who is in love with the male teacher didn't win my sympathy over at the end. Overall it offers a solid script and some great performances, most definitely worth watch, especially for fans of black-comedy. 7.9/10,

Cry of the Banshee

2.8K

68

Celebrated as the 100th film of Vincent Price's career. The cast attended a party to celebrate this, according to an interview with Sally Geeson given on Talking Pictures TV.,One of the characters sees a piebald rabbit, which turns into a gray rabbit when it is picked up. When it is returned to the ground and it runs away it has reverted to the original rabbit.,Roderick: Winter's coming in and the wolves coming with it.,The end credits are divided into "The Establishment, "Witches", and "Villagers".,The original US release from AIP was a re edited and cut version. AIP created a new title sequence (dumping the Terry Gilliam animated titles) and removed some violence and nudity, as well as shuffling a few scenes around. This version was rated PG and was also released on VHS on the HBO / Thorn label as well as to TV in a version with even more cuts. In 1995, Orion released an EP speed VHS tape and went back to the original negative, releasing the original UK version, seen for the first time in the US. The DVD version is also uncut and has been rated R by the MPAA.,Featured in Deadly Earnest's Nightmare Theatre: Cry of the Banshee (1978),The setting is 16th century England, where obsessions with superstition and sorcery rule the day. Lord Edward Whitman (Vincent Price) is a harsh magistrate punishing any and all people who come under scrutiny for being witches. After a mass killing, he earns the wrath of a witch named Oona (Elisabeth Bergner). You guessed it: she places a curse on him and his whole family, summoning a sadistic demon. Cult director Gordon Hessler takes a so-so script by Christopher Wicking and Tim Kelly and gives it plenty of flavorful period atmosphere. The story may not be that strong, but all the bells and whistles of this A.I.P. production help to make up for that. One can hardly fail to notice that it's not entirely unsympathetic to the witches, and portrays "the establishment" as a crass and foul bunch of people. Whitman and his entourage will amuse themselves by manipulating and embarrassing their victims in their opulent castle. The pacing is mostly effective, and the "banshee" of the title is appreciably kept as mysterious as possible; it's never very well lit. It also builds up a decent body count, and dishes out some pretty gory violence. Price delivers a solid performance, refraining from becoming overly theatrical for the most part. Essy Persson is very good playing the unfortunate, ill-fated wife. Hilary Heath, Carl Rigg, Stephan Chase, Marshall Jones, Andrew McCulloch, Michael Elphick, and Patrick Mower comprise an excellent supporting cast. Bergner is good, if also unmemorable, as the antagonist, and Hugh Griffith makes the most of his regrettably minor role, as a grave digger and corpse robber. "Cry of the Banshee" is not a great horror film, but it is good fun. Trivia item: the opening title sequence was animated by Terry Gilliam. Available in both an A.I.P. theatrical version and a director's cut. Seven out of 10.,

Cry of the City

3.6K

68

The theme music over the opening and closing credits by Alfred Newman, named "Street Scene" is the same as that played in the earlier Henry Hathaway movie, The Dark Corner (1946), and many others since it was originally written for Street Scene (1931).,Phantom Bullet: During the struggle in his office, Niles fires his gun, missing Marty but killing the woman eavesdropping outside the frosted glass door. Yet the glass does not shatter, nor is there a hole in the surrounding woodwork or plaster...as if the sound alone killed her.,Martin Rome: I had enough of that when I'm a kid. Crummy tenements, no food, no clothes. Lt. Vittorio Candella: Oh, save it for the jury, Marty. Who do you think you're kidding? l was brought up in the district too. I've heard that dialogue from you poolroom hotshots ever since l was ten years old. Get hip... only suckers work... don't be a square... stay with the smart money. Let the old man get the calluses digging the ditches. No food... no clothes... crummy tenements. You're breaking my heart, Marty.,Edited into American Cinema: Film Noir (1995),Baby Face (uncredited) Music by Harry Akst Played during the scene in the bar,In New York, when the cop killer Martin Rome (Richard Conte) arrives in the hospital badly wounded, the lawyer W.A. Niles (Berry Kroeger) unsuccessfully tries to convince him to confess the robbery of a collection of jewels and the death of the owner. Along the night, Martin's girlfriend Teena Riconti (Debra Paget) sneaks and visits him. Later Niles threatens Martin telling that he would catch Teena to force her to assume the other crime. When Martin escapes from the hospital, Lieutenant Candella (Victor Mature), who is an old friend of the Rome family, investigates the case and has to chase Martin. "Cry of the City" is a moralist police story, with the fight between good, represented by Lt. Candella, and evil, represented by Martin Rome. Both characters have the same origins in the lower class neighborhood, but follow different paths of law: while Candella accepts to earn a low salary and "sleep well at night", the manipulative Martin uses people and prefers to taste the pleasures of life whatever the final price is. Their duel has a predictable and corny conclusion, but the story is engaging and supported by a beautiful black and white cinematography and good acting. My vote is seven. Title (Brazil): "Uma Vida Marcada' ("A Marked Life") Note: On 20 Dec 2018, I saw this film again. Now my vote is eight.,

Cry Danger

2.7K

48

In an interview with Tom Weaver, Jean Porter said the film was "directed by Dick Powell, and he wasn't given director credit. Dick gave Robert Parrish the director's credit, but Dick did all the directing.",As Rocky drives away after dropping Nancy off at work, the cameraman and camera are reflected in the car's rear window glass.,Darlene LaVonne: You drinkin' that stuff so early? Delong: Listen, doll girl, when you drink as much as I do, you gotta start early.,Edited from Crack-Up (1946),Cry Danger Music by Hugo Friedhofer Lyrics by Leon Pober,Dick Powell is pardoned for a crime and searches for justice in post-war Los Angeles. Powell moves into a seamy trailer park on a hill overlooking the downtown (there is a great film shot of this) and teams with a disabled ex-marine. Powell confronts a gangster named Castro, played by William Conrad. Castro is definitely bad news for everyone around him. The plot is not exceptional and certainly does not transcend B-movie standards, but the film is visually good and somehow the characters and the setting create a milieu which draws in the viewer. Definitely worth watching.,

A Cry in the Dark

17

Cry Freedom

14K

64

The filmmakers intended to shoot in South Africa as early as October 1986, with permission from select prominent figures, including Oliver Tambo and Winnie Mandela. After interviewing Mandela, the production crew was placed under surveillance by the South African security police and followed everywhere. They were eventually forced to leave South Africa. Also, the South African Broadcasting Corp. (SABC) deliberately misinterpreted producer/director 's decision to shoot the movie in October, and instead broadcast the "news" of his starting a revolution sponsored by Russia.,When the Woods family are on the beach planning their getaway (supposedly the beach close to East London, South Africa) the "sea" has vegetation growing out of it (trees, branches etc.). No filming could take place in South Africa at the time, so this scene was filmed at Lake Kariba, Zimbabwe.,State Prosecutor: But your own words demand for DIRECT CONFRONTATION! Steve Biko: That's right, we demand confrontation. State Prosecutor: Isn't that a demand for violence? Steve Biko: Well, you and I are now in confrontation, but I see no violence.,Preceding the final credits is a list of other detainees who died in the custody of the South African police. Steven Biko's name appears on the list.,On certain versions, the list of detainees who died in custody (see "Crazy Credits") is followed by a message: "Since the re-imposition of Emergency Regulations on 11th June, 1987, no further information regarding political detainees has been forthcoming.",Featured in The Eleventh Hour: Biko: Breaking the Silence (1987),Nkosi Sikelel' iAfrika Music by Enoch Sontonga,I show this film to university students in speech and media law because its lessons are timeless: Why speaking out against injustice is important and can bring about the changes sought by the oppressed. Why freedom of the press and freedom of speech are essential to democracy. This is a must-see story of how apartheid was brought to the attention of the world through the activism of Steven Biko and the journalism of Donald Woods. It also gives an important lesson of free speech: "You can blow out a candle, but you can't blow out a fire. Once the flame begins to catch, the wind will blow it higher." (From Biko by Peter Gabriel, on Shaking the Tree).,Two-time Oscar winner and Hollywood icon Denzel Washington has over 60 acting credits spanning six decades. Find out which of his movies IMDb users rate highest.,

Cry Macho

32K

689

There had been multiple attempts to get this project made prior to Clint Eastwood's adaptation, as the project remained on a shelf for about 30 years. In 1991, production on an adaptation began in Mexico with actor Roy Scheider in the lead role, but the project was scrapped soon after. Another attempt was made in 2011 with Arnold Schwarzenegger in the lead role. It would have marked his return to acting after his term as California Governor, but like the Scheider version, the project was canceled before production could get very far.,One of Marta's Spanish only speaking daughters uses ASL instead of the Mexican standard LSM when she signs "thank you".,Rafa: His name is Macho, like me. Very strong rooster. Miko: Whatever. Rafa: What's wrong with that? Miko: Nothing. Guy wants to name his cock Macho, it's Okay by me.,The Warner Brothers logo is in black and white and lacks the studio animation.,Referenced in AniMat's Crazy Cartoon Cast: Next Year Will Be Quacked Up (2020),Find a New Home Written by Mark Mancina Performed by Will Banister Produced by Marlon Espino (as Marlon E. Espino),You have to be a die hard fan of Clint Eastwood, very very die hard buff of this icon of the movie industry to really appreciate this film where there is no surprise at all, unless you have never seen a movie with Eastwood as an actor. The directing and acting, of course, as usual with him, are flawless, I would say awesome, but sooo predictable. You can also see it as a kind of testament feature, as if he knew that it would be his last performance, at the age of 91. A kind of summary of his life and career. Some poignant moments between him and the young boy, no one could deny it. But for me it remains a film with, for and only about Eastwood. I will never say it's a bad film, no, but that's exactly what I was afraid of. Because I have never liked this actor, nearly always the same kinds of characters; ALWAYS. But he is a legend, a myth of the movie history. And an awesome director too, gifted, sensitive, unique.,

Cry Me a River

642

1

Cry of a Prostitute

691

21

The original title of this film, Quelli che contano, roughly translates to "Those That Matter," but it was far too subtle for the U.S. distributor. When Joseph Brenner released the film stateside, it became the easier to sell Cry Of A Prostitute, with a lurid roughie style ad campaign focused on the battered and bloody visage of supporting player Barbara Bouchet.,Even for the split second it's exposed in it's unnaturally lurid green, the customs officer in the opening scene should have recognized the sick "child" the smugglers are carrying with them is actually a clothes mannequin, which should have become all the more clear to the police and doctors in the next scene, gathered around the table where it was laid out and cut open.,Tony Aniante: [in response to Margie's having thrown herself at him] Let's cut right through the bullshit. We both know what you are. Margie: [with drunken enthusiasm] A whore! That's more than obvious. I was a hooker when Rico got me in the Bronx. 3 bucks a pop and 2 bucks a handjob , in a car. You think that stops me from being a woman, huh?,Referenced in Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s (2012),A strong italian¨Poliziottesco" about a lonely killer vs. Bloody killers with thrills, chills , erotic scenes , crossfire and lots of violence . The picture deals with the turbulent times when the dangerous mobsters organizations dominated the Italian environments by committing terrible crimes , kidnaps and massacres in order to carry out their black market currency and illicit drug traffic businesses . Italian thriller with plenty of action , crisply edition , tension , intrigue , suspenseful , plot twists and loads of violence with reminiscent to ¨Charles Bronson¨ films . As the Mafia war between the Sicilian families results to be the principal character in the yarn . This is a thrilling and twisted flick about the political scene in Italy at the time of the thunderous Seventies . It starts with car accident with three fatalities and a child on board that had been dead for several days ago . And police discovering that the child's body cavity had been used for transporting heroin . It is the spark causing a lot of deaths and it will soon destroy the old mobster equilibrium , giving the way to an escalation of violence , as the powerful gansters are determined to a relentless Sicilian vendetta . The senior Don Coscemi hires misogynistic crook Tony (Henry Silva) to go after the perpetrators of the ominious criminal acts . As the matter escalates and rival band members kill each other , and the hit-man gets caught in the mafia war between two families : Cantimo and Scannapieco . Along the way, he's seduced by a former prostitute (Barbara Bouchet) , a supposedly innocent victim, now married to one of the mob boss (Fausto Tozzi). When the mobster chief learns the treason , he turns the tables and making him his next target. "For a lousy twenty-five bucks some people think they can do anything!¨. "She Left Prostitution only to find Murder!¨. This is an intriguing Crime Thriller that contains noisy action , betrayals , suspense , sleaziness , twists , turns , and anything else . This film results to be one of the best among the whole saga of Italian thrillers or Poliziottesco sub-genre that had its splendor in the Seventies and early Eighties , concerning a contract killer who manipulates two mobster families into believing he is on their side and eventually all hell breaks loose . It is an acceptable movie that takes place in ups and downs with surprises and plot twists , but also with unfortunate and unpredictable events . Everything revolves around the unstable highly charged criminal environment : in the thunderous Italy during those days of civil unrest during the 1970's with the Mafia ruling Sicily island. The picture depicts perfect and violently those nasty criminal times . Although failing on occasion to balance the thin line it establishes between perception and reality , offering a semi-realistic look at the priorities and lives of heinous mobsters . Nail-biting and moving Italian Poliziesco in lurid roughie style with enjoyable acting , the film is interesting enough , though it has some flaws , gaps and shortfalls . The base plot structure regarding a battered killer bears remarkable resemblance to Sergio Leone's A Fistful Of Dollars . Stars two-fisted Henry Silva , as he is nice in his usual way by playing a contract killer who stumbles into a mafiosi war with fateful consequences and the gorgeous Barbara Bouchet as the nymphomaniac wife , she steals the spectacle by showing some nudism . Henry Silva sports his inimitable and cold style as a hired murderer gets himself in the middle of a feud between two mafia families while shooting and killing . He plays efficiently a cold-blooded killer , a 'mob hitman' sent to Italy to pacify rival gangs impeding on Mafia operations . Silva was born in Brooklyn , New York , and called to Hollywood, he played a succession of heavies in films, including The Bravados (1958), Green mansions (1959), Manchurian Candidate (1962) and Johnny Cool (1963). An Italian producer made Henry an offer he could not refuse--to star as a hero for a change--and he moved his family overseas . As he emigrated to Italy where perfomed Spaghetti Westerns as The Hills Run Red (1966) and White Fang to the Rescue (1975) , but Silva's turning-point picture was Poliziescos sub-genre by playing usually misogynist and cold-blooded psychopaths causing wreak havoc , such as : Razza violenta, Napoli spera , Fatevi vivi, la polizia non interverra, Milano odia: la polizia non può sparare , which made him a hit box office commodity in Spain, Italy, Germany and France . His popularity was enhanced by a gift for languages. He speaks Italian and Spanish fluently and has a flair for the kind of gritty, realistic roles that also catapulted Charles Bronson to European stardom . Returning to the United States, he co-starred with Frank Sinatra in the film Contract on Cherry Street (1977), then signed on as Buck Rogers' evil adversary Kane in Buck Rogers, among others. It displays an atmospheric , appropriate musical score by composer Romitelli. Likewise, an evocative and adequate cinematography by Carlo Carlini ,shot on location in Andora, Savona, Ventimiglia, Imperia, Liguria, Guidonia Montecelio, Rome, Lazio, Italy and Incir De Paolis Studios, Rome, Lazio, Italy . The motion picture was professionally directed by Andrea Bianchi . He was an Italian director expert on explotiation movies . He made all kinds of genres with penchant for terror , thriller and erotic genre , such as : Malabimba , Strip Naked for your Killer , The Big Shots , Maniac Killer , Dangerous love , Massacre , Commando Mengele , Treasure Island , Night Child and several others . Being his most successful movie : Zombi Horror also titled Burial Ground or The Nights of Terror . Rating Quelli che contano (1974) : 6.5/10 , better than average. The picture will appeal to explotiation fans and Italian thriller lovers .,

Cry of the Werewolf

1.2K

49

This was the first solo directorial assigment for Henry Levin, who went on to enjoy a long and surprisingly varied career as a director, encompassing such diverse titles as Journey to the Center of the Earth (1959) the original 1960 version of Where the Boys Are, two Pat Boone musicals (Bernadette and April Love) and two of Dean Martin's 1960s Matt Helm spy spoofs (Murderer's Row and The Ambushers).,In order to get the wolf to snarl and gnash it's teeth for the camera, a clearly visible rubber band was placed around it's upper jaw and snout. It is most easily seen in the footage running behind the opening credits.,Opening Titles: The ancient belief is still held by many that anything that happens in the world is never lost. No sparrow falls unnoted ~~ no tree crashes in the forest unheard. The sorrows, the joys, the loves and the hates of past generations live on in people's memories, in their legends and their stories. Perhaps our story is something that has lived on in a person's memory or perhaps it is just a legend ~~,Featured in Creature Features: The Mummy's Curse/Cry of the Werewolf (1970),This film when werewolf films are discussed gets a bad rap, and even though there are no " Special Effects", film is effective.It uses elements from two classic 1940's horror films " The Wolf Man" (1941) and " Cat People" (1942)and uses them well.Well made and acted apart from leading man Stephen Crane who acts like he is reading from cue cards.Overall this film is a nice surprise, i went into this not expecting much but thought it a good film, not that far behind the two classics already mentioned.,

A Cry in the Wild

1.1K

41

The star of this movie, Jared Rushton, co-starred with David Moscow in the movie Big (1988). David Moscow also co-starred in the sequel to this movie, White Wolves: A Cry in the Wild II (1993).,51 minutes into the film, when the bear walks past Brian's camp at night, an inverted reflection of the campfire appears, rising up and then floating in mid air at center screen.,Rescue plane pilot: Hey, I picked up your emergency transmission. Who are you? Brian Robeson: I'm Brian Robenson. Want something to eat?,Followed by White Wolves: A Cry in the Wild II (1993),This movie completely missed the spirit of the book, which was about adapting to and living in harmony with nature. To be fair, the inner transformation and thoughts of Brian were going to be difficult to show on the big screen, but it feels like they didn't even try. They could have at least showed a physical transformation and used more scenes where Brian has to persist with a problem to solve it. The story is set around a boy who is ditched into deep wilderness on his own, after a small plane crash. With no choice but to adapt, Brian has a hard time just finding food and shelter. In the book the experience is essentially one of growth and becoming a real man through tribulations. In the movie they have taken a less philosophical approach and have gone for straight action with little regard for character development. The scenes involving the bear are particularly ridiculous. I cant imagine Gary Paulsen the author would be very happy with this adaptation of his classic young teens novel.,

Cry Wolf

8.6K

68

In real life, Farley Mowat's research in the Caribou changed the way humans understand the wolf species.,The lead claims the wolves eat mice, which he proceeds to eat, but they are voles, not mice (which don't occur in the arctic).,Rosie: We're all of us prospectors up here, eh, Tyler? Scratchin' for that... that one crack in the ground. Never have to scratch again. I'll let you in on a little secret, Tyler: the gold's not in the ground. The gold's not anywhere up here. The real gold is south of 60 - sittin' in livin' rooms, stuck facin' the boob tube, bored to death. Bored to death, Tyler.,Featured in The Making of 'Never Cry Wolf' (1983),The researcher Tyler (Charles Martin Smith) is assigned by his government to travel to the Arctic to study the wolves that they believe are responsible for the reduction of the caribou population. The reckless pilot Rosie (Brian Dennehy) takes him to the wilderness and he is left alone with his supply in an extremely cold spot. He is saved by the local Ootek (Zachary Ittimangnaq) that is traveling with his dog sledding. He builds a shelter for Tyler and organizes his supplies. Tyler finds two wolves that he calls George and Angeline and their three offspring and he examines his excrement to learn what they eat. Soon he discovers that the wolves eat only mice and Tyler decides to do the same to prove to the government that the wolves do not eat caribous. Ootek returns with his friend Mike (Samson Jorah) that speaks English and translates what Ootek say. The trio stays together and Tyler learns that Mike is a hunter. Mike travels with Ootek by canoe to see a herd of caribou that is attacked by a pack of wolves. Tyler examines the bones and finds that the animal was diseased, proving that the wolves are responsible for keeping the caribou strong as told by Ootek. Tyler finds Rosie with two hunters planning to explore the area with tourism and Tyler has an argument with the pilot and returns to the camp. He finds the three offspring but the wolves are missing. Tyler initially suspects of Rosie but when he sees the nervous Mike, he finds that he killed the animals. "Never Cry Wolf" is a wonderful film with magnificent cinematography and beautiful story based on the biography of the Canadian Farley Mowat. Presently the film gives the sensation of a National Geographic movie but it was very impressive and unique in 1983 when it was released. Maybe this is the best role of Charles Martin Smith, performing a scientist living in the wilderness alone for a long period and understanding the behavior of wolves. Last but not the least, the ecologic concern of this film is ahead of time. My vote is seven. Title (Brazil): "Os Lobos Nunca Choram" ("The Wolves Never Cry"),

Cry Woman

15

Crying Freeman

13K

80

Julie Condra and Mark Dacascos met and co-starred in this film, and then they married in real life.,Yo is clearly naked when he approaches Emu's bed, but after the love scene he suddenly has a white jockstrap on.,Shido Shimazaki: "The Sons of the Dragon" exist! And so does the Freeman!,Leaves Wrangler: insert unit, Los Angeles - Gilles "James" I,Referenced in Fulltime Killer (2001),Active Lion Performed by the Fung Hang Orchestra Courtesy of Fung Hang Record Ltd.,Some spoilers may follow. "Crying Freeman" is one of my favorite movies ever. I can watch it again and again many times. This movie is first of all a work of art. It is uncanny beautiful, in every small detail. Almost each episode I can watch through as if it were a picture of a talented artist. Graceful, elegant, very aesthetic - CF is a masterpiece of visual art. I fell in love with it when I first saw the starting credits: a wonderful katana sword turning and revealing the title in a flash: "Crying Freeman". And the rest of the credits, no less beautiful. I thought that if the creators of this movie could make the opening title so stunningly beautiful, then the movie itself would not disappoint me as well. And it didn't. But besides visual beauty, CF has a marvelous plot, actors and... Well, I'll simply say the whole blend of all things that make a movie is perfect in the "Crying Freeman". And again, when I try to describe my impression from some part of the movie, I can think of only one word - beautiful. No, even "fair". Yo Hinomura, deadly and elegant, as a katana blade. Beauty of death. And his another side - soft and artistic. Beauty of art and poetry. Emu O'Hara, fair and tender. Beauty of peace and modesty. Lady Hanada. Even she has the beauty - of pride and honor. Beauty can be found in every detail. And deep layers that accompany each Christophe Gans' movie... You might watch "Crying Freeman" a hundred of times and on the hundred and first you'll something you haven't seen before. I am very grateful to all the people that made the creation of "Crying Freeman" possible.,

The Crying Game

59K

200

This was Jaye Davidson's theatrical film debut.,A sub-machine gun is fired at officials entering a car. Several officials on both sides of the car are hit, but none of the cars have broken windows or other damage.,Jody: ...and as they both sink beneath the waves, the frog cries out, "Why did you sting me, Mr. Scorpion? For now we both will drown!" Scorpion replies, "I can't help it. It's in my nature!",Featured in Boy George: The Crying Game (1992),When A Man Loves A Woman Composed by Cameron Lewis and Andrew Wright Published by Pronto Music Inc./Quinvy Music Publishing Co./Warner Tamberlane Publishing Corp. By Kind Permission of Warner Chappell Music Ltd. Performed by Percy Sledge Recording Courtesy of Warner Music UK Ltd.,This wonderful movie is even better on the repeat viewing after the secret was out because you'd pay more attention to the smallest details and enjoy the brilliant storytelling and acting by everyone. Besides Rea, Whitaker, and Miranda Richardson, I'd like to mention Jim Broadbent as a sympathetic bartender Col. For me, though, the absolutely stunning, one of the very best debuts in the movie history was Jaye Davidson who had no movie experience. You know, there are not many characters that I keep thinking about after the movie is over - where did they come from, how their life would turn after the final credits, how would this cruel world treat them, would they be happy? And I want them to be happy. Dil (Davidson) is one of them - what a marvelous creature, how vulnerable yet dignified she is, what a combination of dry remote coolness and quiet tenderness. No wonder, Fergus (Rea) (as Whitaker's Jody before him) fell under her spell even after he found out that nothing is what it seems. Great movie - makes you think, makes you feel, makes you talk about it, makes you want to see it again. 9.5/10,

Crying Out In Love

30

Crying Out Love in the Center of the World

30

Cryptids

Cryptozoo

2.1K

28

The film took 4 years to animate, between 2016-2020, in Richmond, Virginia.,Referenced in AniMat's Crazy Cartoon Cast: Across the Crazy-Verse (2021),Cryptozoo is one that fascinated me even before watching. Cryptozookeepers try to capture a Baku, a dream-eating hybrid creature of legend, and start wondering if they should display these beasts or keep them hidden and unknown. The movie is entirely animated in an interesting style in a way the story couldn't be told any other way. As creative as an idea Crytozoo may be, the final product didn't always work out the way it should. Of course, the animation is the stand-out of it all. It's very unique and has moments that are just beautiful. Specifically the end of the second act and most of the third happen to be the most interesting visually and story-wise. Most of the movie is based on how strange it is so we lose the characters and why the stakes are so high. One character named Phoebe is the only one that I really connected with. She's a cryptid so we get her point of view on the subject. There are many themes of zoos and animal cruelty which is a good aspect to think about. Also, symbolism and ideas from well know stories - like Adam and Eve - are prevalent throughout. Even though the most striking aspect of the movie is animation, I wonder if the animation were "better animated" the effect would be different in some cases, but that really isn't an issue. This is quite an entertaining watch solely based on curiosity of it all. Most people are divided on this, but it seems they like it more than they didn't like it. I will revisit this in the future to see if the feeling is still the same. Overall, it's alright but should've been better.,

Cthulhu

2.2K

62

In the scene at the dock, watchful viewers will notice the stern of the U.S. Coast Guard Cutter 'Alert' as the camera pans toward Russ and Zadok. The Alert just happened to be docked where the scene was shot, and the cinematographer lined up the shot so the name of the boat was visible, but no one noticed until editing that the name of the cutter was the same as the ship in H.P. Lovecraft's story 'The Call of Cthulhu'.,Singer: Passing white daisies...,The end credits say "The Automobile Associaton of America (AAA) is Congress' and the states' largest and most powerful organization lobbying for roads and sprawl and against environmental protection, mass transit and auto safety. If you are a member of AAA they are using your money to pursue this agenda. The Better World Club provides roadside service, towing and insurance at rates which match Triple A's. They did not pay us to say so. www.betterworldclub.com,Referenced in Lovecraft: Fear of the Unknown (2008),I really wanted to like this movie. I'm a big fan of the Cthulu mythos, and the preview actually looked pretty good. Unfortunately, this is yet another disappointing release from HERE TV. The frustrating thing is that the movie almost works. There are a lot of wonderfully creepy little details: the bizarre check out girl who passes the protagonist a warning note, the strange kids saying "I knew you'd be back", the crazy things being reported on the news. Unfortunately, the film never really gels. I never felt scared, or even particularly interested in what was going to happen to the main character. About half way though the film, the plot breaks down almost completely and weird random events seem to take over everything. The film was at least mildly interesting in a "what sort of weird stuff will they throw out next" sort of way, but never really worked as a story. Cinematography varies from some very nice shots of the ocean to some very amateurish hand held stuff.,

Cthulhu Mansion

934

33

Shot in six weeks.,Edited into Slipknot: Spit It Out (2000),i rented this movie because i wasn't feeling well and was looking for bad yet amusing or inspiring (either/or, bad doesn't always mean awful) horror to pass the time. this movie has nothing to do with lovecraft in any way, and the only thing i found amusing was one character's over-acting of the horror movie staple line "what have you done to my brother (mother, sister, aunt, hand, etc....)." hilarious, that. for evil supernatural forces, you would do better to look at the evil dead series, for lovecraftian horror look to the reanimator, which is modernized but still excellent and retains some of ol' h.p.'s touches. leave this dog alone.,

Cuba

The Cuban

Cuban Rebel Girls

312

14

The last film of Errol Flynn. He died from a heart attack two months before it was released.,The American Correspondent: [final scene in hotel room] Well... I guess this about winds up another stage in the fight to rid Latin America of tyrants, dictators. But the spirit started by this handful of wonderful rebels is spreading and growing stronger every day. And to all you men and women fighting for political freedom and your own beliefs everywhere - I wish you good luck.,In opening credits: Our thanks to the New Army of Cuba, whose help in creating this picture was invaluable.,Edited into The Sin Syndicate (1965),It's sad that Errol Flynn did not get as a screen farewell with one of his three previous pictures before Cuban Rebel Girls. The Sun Also Rises, Too Much Too Soon, or The Roots Of Heaven were decent films of varying quality, but all showed Flynn as the actor he longed to be acclaimed for. This film which looks like it was shot with a Kodak home movie camera was both a tax write-off for Flynn and a lame attempt at propaganda for Fidel Castro. Ironically enough in 1957 Flynn had done another Cuban based film, The Big Boodle shot in Havana with the cooperation of the government that Flynn was now saying was corrupt. It was nothing that the Motion Picture Academy would have paid any attention to, but next to Cuban Rebel Girls, The Big Boodle looks like Citizen Kane. Done in a semi-documentary style, Cuban Rebel Girls has Errol playing himself as a war correspondent covering the revolution against Fulgencio Batista led by Fidel Castro. A little more than 20 years earlier Flynn in his salad days did something similar covering the Spanish Civil War from the Loyalist point of view. But Warner Brothers did no documentary about his adventures there, in fact Jack Warner was mighty bent out of shape. The story of one girl from the USA intrigues Flynn. His teenage mistress at the time, Beverly Aadland played a young woman who goes down to Cuba with a girl friend who is a Cuban national who is bringing laundered cash for the revolution. Her boyfriend John MacKay is a mercenary who is fighting for Castro and Flynn assures us there were many Americans in those ranks. Poor Aadland, even if Errol had lived I doubt she would have had much of a career. She was one of the worst actresses I've ever seen, reading her lines with no conviction whatever. She came off as a super dumb Valley Girl. But in fairness to her, the only professional in the cast was Errol Flynn, the others were equally as bad. And Flynn hardly summoned any conviction to even playing Errol Flynn. This is such a sad ending for a screen legend that Flynn's legion of fans should do like Sam Goldwyn said and stay away in droves.,

Cube

243K

914

Director Vincenzo Natali deleted a final moment from the film in which it's shown what is outside the cube. He said when he was paring the film down in the editing room it was the first thing he removed.,When Leaven first checks the rooms' set of numbers for primes, she has to think for a few seconds for each set. The first set of numbers she checks ends in 5; the second set ends in 2. Numbers ending in 2 or 5 (other than 2 and 5 themselves) by definition cannot be prime. Someone proficient at math, as Leaven is, wouldn't need to think about the numbers; she'd register they were multiples of 2 and 5 and move straight to the last number.,Rennes: No more talking. No more guessing. Don't even think about nothing that's not right in front of you. That's the real challenge. You've gotta save yourselves from yourselves.,Featured in Siskel & Ebert: Shaft/Boys and Girls/Jesus' Son/Titan A.E./Pop and Me (2000),Distorted Reality (music samples) by Mark Korven,Quentin wakes up in a square room with exits on each wall. Soon he is joined by other people, strangers, who also have no idea where they are. Looking around they find that each room leads to another one that looks just the same. One of the group is the famous prison escape artist Rennes, who realises that some of the rooms are booby-trapped but that he thinks he has got the solution. With no other ideas the group follow him and try to evade the traps and stay alive – all the time with absolutely no idea of why they are here or who has imprisoned them. I heard about this film years ago but only recently managed to find it on television to watch. It is hard to think that it is almost a decade old now but that it is still effective and a regular cult movie that people will still talk about. Its power is in its simplicity – every room is the same and every next room could be safe or could be a trap; there is no reason for any of it and there appears to be no way out. Usually this sort of stuff makes for a great pitch but not always a good movie because the idea can't stretch beyond a catchy gimmick, however here it does it and makes it look easy. The whole film is our characters trying to work their way through the rooms without getting horribly killed. This in itself is gripping and at times unbearable to watch – horror fans may be disappointed that long periods go by without a lot of gore but personally I prefer tension to the delivery. At the same time we also get the characters feeding the mystery of the cube, building the tension and the sense of hopelessness without ever really solving anything. It answers questions with more questions and keeps things moving well. The development of the characters is better than I expected and I liked the way that the film played with the characters, changing them as the film went along. It isn't a fantastic character piece but again it is just something that helps keep the film moving and I suppose it was interesting to see the nature of people come out. In that regard I was also impressed by the cast. I had expected poor performances from a low budget film but actually they were all quite good. Wint is best but towards the end his performance became a bit too simplistic. Hewlett underplays and probably has the least character to deal with but is still good. De Boer was effective and interesting. Robson was a nice distraction. Guadagni was a good counterweight for Wint and played well to develop him and herself at the same time. Miller was good and the pace of the film helped distract from him basically doing a Rain Man impression. Overall an impressive low budget thriller that works because it sticks to the simple idea while building side issues with the characters and the cube around it but never actually solving anything. Perhaps it is better not to over praise it because I thought it was at its best because I didn't know what was going to happen.,

Cube

243K

914

Director Vincenzo Natali deleted a final moment from the film in which it's shown what is outside the cube. He said when he was paring the film down in the editing room it was the first thing he removed.,When Leaven first checks the rooms' set of numbers for primes, she has to think for a few seconds for each set. The first set of numbers she checks ends in 5; the second set ends in 2. Numbers ending in 2 or 5 (other than 2 and 5 themselves) by definition cannot be prime. Someone proficient at math, as Leaven is, wouldn't need to think about the numbers; she'd register they were multiples of 2 and 5 and move straight to the last number.,Rennes: No more talking. No more guessing. Don't even think about nothing that's not right in front of you. That's the real challenge. You've gotta save yourselves from yourselves.,Featured in Siskel & Ebert: Shaft/Boys and Girls/Jesus' Son/Titan A.E./Pop and Me (2000),Distorted Reality (music samples) by Mark Korven,Quentin wakes up in a square room with exits on each wall. Soon he is joined by other people, strangers, who also have no idea where they are. Looking around they find that each room leads to another one that looks just the same. One of the group is the famous prison escape artist Rennes, who realises that some of the rooms are booby-trapped but that he thinks he has got the solution. With no other ideas the group follow him and try to evade the traps and stay alive – all the time with absolutely no idea of why they are here or who has imprisoned them. I heard about this film years ago but only recently managed to find it on television to watch. It is hard to think that it is almost a decade old now but that it is still effective and a regular cult movie that people will still talk about. Its power is in its simplicity – every room is the same and every next room could be safe or could be a trap; there is no reason for any of it and there appears to be no way out. Usually this sort of stuff makes for a great pitch but not always a good movie because the idea can't stretch beyond a catchy gimmick, however here it does it and makes it look easy. The whole film is our characters trying to work their way through the rooms without getting horribly killed. This in itself is gripping and at times unbearable to watch – horror fans may be disappointed that long periods go by without a lot of gore but personally I prefer tension to the delivery. At the same time we also get the characters feeding the mystery of the cube, building the tension and the sense of hopelessness without ever really solving anything. It answers questions with more questions and keeps things moving well. The development of the characters is better than I expected and I liked the way that the film played with the characters, changing them as the film went along. It isn't a fantastic character piece but again it is just something that helps keep the film moving and I suppose it was interesting to see the nature of people come out. In that regard I was also impressed by the cast. I had expected poor performances from a low budget film but actually they were all quite good. Wint is best but towards the end his performance became a bit too simplistic. Hewlett underplays and probably has the least character to deal with but is still good. De Boer was effective and interesting. Robson was a nice distraction. Guadagni was a good counterweight for Wint and played well to develop him and herself at the same time. Miller was good and the pace of the film helped distract from him basically doing a Rain Man impression. Overall an impressive low budget thriller that works because it sticks to the simple idea while building side issues with the characters and the cube around it but never actually solving anything. Perhaps it is better not to over praise it because I thought it was at its best because I didn't know what was going to happen.,

Cube Zero

42K

175

The exit machine is a slightly reworked, old Moviola film editing machine with a couple of raw speakers and a YES/NO button added.,When Haskell is activated, they turn on "pain suppression" as one of his attributes. If so, he wouldn't have felt anything when Rains kicked him in the groin.,Eric Wynn: Do you believe in God? It all hinges on that? Dodd: Look, I just ask the questions and push the buttons, ok? Eric Wynn: What happens if you push yes? Dodd: I don't know... No-one's ever said yes.,Zero the fish as himself,Featured in WatchMojo: Top 10 Horror Movie Prequels (2018),Message From Buddha Performed by Norman Orenstein Written by Norman Orenstein Published by Norman Orenstein Music (Socan),The cube movies are the most inventive and satisfying creations in budget horror films today. The first film is still in my top ten list and is a destined to be classic. I was a little disappointed by the second film which took a much more of a sci fi turn. But this film returns to the grittiness of the first. Also being that we get to see the observers of the cube more, many connections (mostly to the first film) and secrets are revealed. Many people say that they didn't like this because it jumps around out of the cube so you can't really get connected with the people in the cube. But honestly, that story has already been done, to perfection in the first cube film. This film is more about the button men who work at the cube. This movie is awesome and is a perfect sequel to the original, and far more superior than the first sequel.,

Cuckoo

10K

108

Tamla Kari (Rachel) was replaced by Esther Smith at the start of Series 2.,Featured in The Wright Stuff: Episode #17.190 (2012),Did you really just muck up 4 seasons of greatness with the joke that is season 5? Dale's just "gone". Really? So, basically no one could be bothered to come up with a creative story as to why a major character left. The script writing has been ok for season 5 at parts, but it's very unrealistic and over-the-top for some of the scenes in comparison to the usual Cuckoo that the fans once loved. Yeah, like everyone would coincidentally be at some random mansion at the same time for their own reasons. Totally believable...smh. Please fix what you have broken before people the show sinks into a complete mess.,

The Cuckoo

1M

1.1K

Many extras were authentic mental patients.,In the "Voluntary/Involuntary" scene, McMurphy goes from having a "five o'clock shadow" to being clean shaved, then back to having stubble.,McMurphy: Jesus, I mean, you guys do nothing but complain about how you can't stand it in this place here and you don't have the guts just to walk out? What do you think you are, for Chrissake, crazy or somethin'? Well you're not! You're not! You're no crazier than the average asshole out walkin' around on the streets and that's it.,The cast is credited in alphabetical order in the end credits, except for Brad Dourif, who is listed last as follows: "and introducing / Brad Dourif as Billy Bibbit".,Edited into Tell Me Love Is Real (2016),Charmaine (1926) (uncredited) Music by Lew Pollack and Erno Rapee Played on a record Reprised in the score near the end,It's tough to really judge this movie. Is it Milos Forman's greatest directorial masterpiece or Jack Nicholson's best performance. Tough to say, but the marriage between both director and actor are quite phenomenal. From the first time we see Jack Nicholson to the sad, yet uplifting ending, one cannot escape the sheer power of the film. When a film is parodied as many times as this one has been, typically, greatness can be associated. Well, greatness was achieved, and let's hope this one never falls through the cracks.,

Cujo

50K

224

Lions, and tigers, and ... alligators? Check out our list of some of the greatest "When Animals Attack" movies.,The dogs featured in the film would often have their tails tied down to their legs because the dogs would be enjoying themselves so much that they would wag their tails during filming. This tactic was missed once in the editing where they show Cujo from behind ready to attack and his tail is wagging energetically.,During the first night that Cujo has Donna and Tad trapped in the car, Cujo becomes enraged by the ringing phone and crashes through the window to attack it. When the phone stops ringing, Cujo remains in the window, and you can see the trainer's hand come up and pull the dog down from the window.,Donna Trenton: Fuck you, dog.,The film's title appears out of a pool of swirling blood.,The original VHS release of the film, as well as the television version, omitted some early scenes in the film establishing the characters. Among the scenes cut are a scene of Vic Trenton and Steve Kemp playing tennis, a scene where Vic picks up Tad from daycare, and a scene where Donna and Steve are in bed and Steve starts playing a trombone while Donna gets up and goes to dress in the next room. This last scene replaces the more subtle scene of Donna and Steve making love that is featured in the VHS release.,Edited into Doggiewoggiez! Poochiewoochiez! (2012),I definitely should not have seen this when I was younger. This is a horror movie in the sense it could somewhat really happen. Those movies are almost the scariest. The pacing is great as is the acting and Cujo will terrify you.,

The Cup

842

10

This film had one of the longest production schedules in Australian cinema. It received the green light in 2003. The final race scenes were filmed in 2006.,During the 2002 AFL season, North Melbourne did not play West Coast in a match in Melbourne. During that season the two teams met twice with the matches being played in Perth and Canberra.,Sir Michael Smurfit: I hear you're taking Vinnie to Australia? Dermot Weld: Actually, Michael, I'm taking both. Sir Michael Smurfit: Media Puzzle? I thought we decided he was headed for the knackery? Dermot Weld: Hm, it's taken him eighteen months to build his nerve back, but believe me, it's back. He is flying.,Featured in The Making of 'The Cup' (2011),West Coast Eagles Theme Song - We're Flying High Composers Ken Walther Publishers 'Control' (Ken Walther) Courtesy of Australian Football League,"Remember anything can happen, it's the Melbourne Cup." This is a movie based on the true story of the 2002 Melbourne Cup horse race in Australia. After winning the best jockey award for the 4th year in a row Damien Oliver (Curry) surprises everyone, including his brother in announcing he will race for the hated Irish trainer Dermot Weld (Gleeson). After tragedy strikes during the qualifying races for the cup Damien must decide if racing is still for him and if he can regain the spark. I may have to rethink the way I feel about certain movies. I was not interested in seeing "Seabiscuit" because it was about horse racing and I really enjoyed that movie. I was still not looking forward to "Secretariat" and that movie blew me away with how good it was. For the third time I was really reluctant to see this movie and again I was shocked at how good it was. The movie is pretty cheesy in parts and even the tragedies are kind of glossed over but this is still very much worth watching. Whether you are a horse racing fan or not this is still a very good movie that is very entertaining and a very good watch. I highly recommend this. Overall, pretty cheesy and acting is iffy at best but the fact that this is a true story helps overcome those short-comings and makes it very much worth watching. I give it a B+.,

Cupid Angling

50

Curdled

5.5K

37

The Gecko brothers from From Dusk Till Dawn (1996) are depicted as fugitives on a crime TV show spotlighting the "Blue Blood Killer".,Early in the movie, one of Paul's victims writes his name on a tile floor just before she dies. The penmanship changes from shaky and faint, to steady and thick.,Gabriela: Do they talk? Paul Guell: What? Gabriela: The heads. Paul Guell: What do you mean? Gabriela: When you cut them... Paul Guell: No. It's the face. It's in their eyes.,SPOILER At the very end of the credits, after the copyright notice, there is a scene showing Gabriela driving a car, with Eduardo, playing the tape she recorded with Paul's voice saying her name after his death.,Originally, the film ended with a slow motion shot of geese flying south as the main character did a voice over but director Reb Braddock decided to save that for his next film, "When fun goes south with the geese.",Featured in Tarantino's Mind (2006),OBSESSION Performed by Slash and Marta Sanchez Courtesy of Geffen Records,This is a very typical early 90's black comedy which menas that it's jarringly aware of it's own cleverness, shares the same faded primary colors as "Natural Born Killers" or "Freeway", and involves a serial killer. Frankly for anything like this to work it would need some basis in reality and the fact that William Baldwin kills women without using gloves avoiding touching things or even getting rid of his fingerprints immediately annoyed me. Nothing in this movie is real enough or gruesome enough to actually be funny or disturbing. The director poars on the stage blood but every murder is done in a clean emotionless tarantino type of way and all the crime scenes just contain neat little pool of blood. haven't they ever read that after a week you have to wear thigh length boots to prevent maggots from crawling up your legs or that you wear air masks when cleaning up these places or that most of it is done with an ultrapowful wet-dry vac? realistic details such as these would have helped this film. After reading that this was a short I could believe it because the entire film feels like it was very thinly stretched.,

Cure

21K

90

Martin Scorsese said Cure was Kiyoshi Kurosawa's "most terrifying movie.",(at around 51 mins) In Japan, they drive on the left side of the road and the steering wheel is on the right side of the car. In every scene in this picture that's the case - except one. When the detective leaves in his car to go to the hospital because Mamiya has turned up there, the steering wheel is on the left and he drives on the right side of the road.,Kunio Mamiya: All the things that used to be inside of me... now they are all outside.,There are no opening credits, with the exception of the movie's title.,Edited into Cure: or How to Be Happy While Saving the Species (2017),I saw CURE at the San Francisco Film Festival in around 1998, and like many, I found the concept and craftsmanship arresting. A number of audience members stayed around afterwards to discuss it - it's a psychologically complex tale of hypnotism and the seductions of altered consciousness. Koji Yakusho (DORA HEITA, 13 ASSSASSINS, etc.) is at his acting peak as a detective who tries to solve a series of murders that don't seem to relate to common logic. Recently, I saw the DVD version of the film - and it's clear that the film had been cut severely. Most viewers have only seen the US DVD version, so they're not even aware of the problem. A few of the more graphic sequences were cut, important portions of the narrative set in an old sanatorium were excised, and the violent finish was excised entirely. (The US DVD concludes with the suggestion of a further killing; the theatrical Japanese version is more powerful and unambiguous.) In some cases, a later, recut version may be better than the original; however, that's not the case here. There's scant online text relating to the differences between the two versions. It speaks well for director Kiyoshi Kurosawa that he took a low-budget police procedural and made an innovative thriller out of it. Most of the scenes are under-edited and shot at a distance, to extract the most from the hypnotic storyline; the longer, hypnotic sequences are several minutes long, with no edits. Because the film uses medium-distance shots to give a sense of hypnotic disassociation, viewers with larger screens will gain an advantage. I strongly recommend seeing it - but would suggest you seek out the original, uncut theatrical print if you can. The differences are striking. I'd rate the original print as 10/10; the cut/domestic DVD is maybe 7/10. This film would profit from a Criterion reissue, but that doesn't seem to be in the works.,

The Cure

10K

77

The opening credits feature the track 'My Great Escape' by Marc Cohn. A prelude is also heard later in the movie. However, this track was not released on any medium other than the movie itself.,When Dexter's mum is asking Erik about his girlfriend, he has a tea towel in his hand. In the next shot, the tea towel has disappeared altogether.,Dexter: Suppose you kept going another 18 billion light years, what if there's nothing out there? Suppose you kept going another trillion times further, so far out you see nothing. The light from the universe would be fainter than the faintest star. Infinitely cold. Infinitely dark. Sometimes if I wake up and it's dark, I get really scared, like I'm out there and I'm never coming back. Erik: Here, hold onto this when you sleep. And if you wake up and you're scared, you'll say, "Wait a minute. I'm holding Eric's shoe. Why the hell would I be holding some smelly basketball shoe a trillion light years from the universe? I must be here on earth, safe in my sleeping bag, and Eric must be close by.",Renée Humphrey's character was named 'Angel', although her tattoo was misspelled as 'Angle', so she's credited as the latter instead of 'Angel'.,Features 2001: A Space Odyssey (1968),My Great Escape Written and Performed by Marc Cohn,I had seen The Cure when I was a kid and I loved it then. Now, years later, I got a hold of a copy almost by accident, and watched it again. Being a kid, you don't really have the ability to procure things for yourself that you want, that is usually a prerogative of your parents - but when I watched it again now I felt sorry that I did not do more to get a copy of this movie back then, and consequently almost forgot about it until today. This really is a beautiful movie. It tells the story of the unlikely friendship between a hard-edged, misfit kid - who takes his cues from his horrible, abusive mother - and his neighbor, a slightly younger boy who has AIDS. Right, you say. Another one of "those". A tear jerker. A bucket movie. A morality tail. Yeah, I know, I hate those too. Only this one isn't. It is one of the very few movies among those many I have seen that pulls off a very rare trick: it conveys a truly sad story (and yes, a morality tale) but without a single moment where it feels cheesy, forced or in any other way "hollywoody". It shows a REAL relationship between two REAL boys, who interact as REAL kids do. And through that interaction the good-natured, loving character of the older boy, Eric, starts to shine through his "tough-guy" persona, as he takes on a kind of big-brotherly care for Dexter, his HIV-positive younger neighbor. Together, they embark on an adventure to find a cure - which to Erik seems to be just around the corner - so that all this silly AIDS thing will go away and they can be friends forever. The production is top notch. But, of course, what really carries this movie, is the performances of the two leads - Brad Renfro and Joseph Mazzello. Especially Mazzello, who is simply stunning - he does convey a sense of frailty needed for an ailing boy, but at the same time he manages to make Dexter a truly energetic and determined character. He shines at the scene where the boys confront Pony: his impulse to protect his older friend lunges him forth, drives him to say what he says - and only afterwards, the horror is depicted on his face, as he realizes that what he himself said is true: his blood is poison... Renfro also has his moments, in particular the scenes with his mother: he depicts perfectly how this macho, street-wise kid is left completely frozen and numb when faced with his abusive, storming mother, and can't get a word in to contradict her as she forbids his relationship with the ailing boy out of her fear and ignorance. Annabella Sciorra also gives a memorable performance as Dexter's mother, who ultimately becomes, in a sense, a mother figure to Erik as well. I've first seen this film when I was at school back in America, and loved it - not at all a given concerning movies of this sort. But the behavior of the kids in this movie was so real, I could easily relate to them. Ironically enough, the teacher who had shown us this movie (a wonderful woman, I'm still in touch with her) got in trouble for it, as some uptight parent complained about it having the scene when the two boys are looking at a Playboy... Pathetic. Seriously, will Americans ever get over this ridiculous phobia, I do not know. There was a hardly-distinguishable shot of a playboy cover in the movie and thus it is not shown in schools... how sad. Kids need to see this movie. It is more inspiring and educational than all the "official" after-school specials put together. Oh, and one more thing. I know I'm rambling, but nevertheless... The score. It's great. I am a musician, and as such I know Dave Grusin from his records: he is a well known Jazz pianist and record producer. Up until this movie I really did not know that he did movie scores as well, even though when I later checked I found out that I had unknowingly watched several movies he worked on. Really, a wonderful job there. All in all, a solid Ten. I'd recommend this movie to anyone. And I'm definitely going to see it with my younger siblings - they can use watching a film like this among all the standard special-effect hysteria they usually see.,

A Cure for Wellness

107K

569

The building of the sanatorium is part of a former hospital complex. During WWI many injured soldiers stayed there, including Adolf Hitler.,Even though the film was shot in Germany, the English-speaking production team apparently used Google Translate and didn't know compound nouns are written as one word in German. Consequently, the words on the signs leading to various wings should not be split up, e.g. "Transfusionsflügel", not "Transfusions Flügel".,Volmer: Do you know what the cure for the human condition is? Disease. Because that's the only way one could hope for a cure.,The 20th Century Fox fanfare is silent and the logo fades out early.,Featured in The Tonight Show Starring Jimmy Fallon: Gwen Stefani/Dane DeHaan/Damien Chazelle/Maggie Rogers (2017),Danny's Song Written by Kenny Loggins Performed by Pat Valentino & His Orchestra Courtesy of Surrey House Music,Gore Verbinski, the man who gave us the first "Ring" movie, the "Pirates of the Caribbean" franchise, "Rango," and "The Lone Ranger" is now back with this Hitchcockian Gothic psychological thriller designed to keep you guessing till the very end. Even though its final 20 minutes somewhat go off the rails a bit, overall A CURE FOR WELLNESS is stunning, bold and hypnotic. Dane DeHaan plays an ambitious young executive, Lockhart, sent to retrieve his company's missing CEO who's decided to stay at a remote wellness center in the Swiss Alps. What is supposed to be an easy assignment turns into a journey of slowly but surely uncovering the center's dark past, uncovering the real reasons as to why the guests keep staying there, longing for the cure, as Lockhart himself starts to question his own sanity. You will fall in love with the cinematography by DP Bojan Bazelli. Even if you're not a fan of mystery or suspense, Bazelli's cinematography for "A Cure For Wellness' will leave you floored, the word breathtaking doesn't even begin to fairly describe it. There are shots through the tunnel, around the castle, and even during some of the film's most disturbing moments, they draw you in, gorgeous in every possible way. And the fact that they actually filmed a big chunk on location at Castle Hohenzollern in Germany does help because the place becomes a supporting role. Ever since "Chronicle," Dane DeHaan has been an actor that's caught my attention because I do believe that this rising star has what it takes to be great, A CURE FOR WELLNESS allows him to showcase a tease of that potential. His performance reminds me of Leo DiCaprio's in "Shutter Island" and Jack Nicholson's in "The Shining" where to a certain extent, you're not certain if they'd eventually cross that line or remain on this side of the fence. A CURE FOR WELLNESS is trippy, it's intriguing, it's filled with all kinds of odd imagery, it's definitely not for the faint of heart. It's a sensory experience type of a film, the kind that also evokes all sorts of questions about society and what it means to live well and the ambition for purity. But again, as I said earlier, the final 20 minutes do go off the rails a bit, by that time the film feels like it runs longer than it should and furthermore it gets ruined by its desire to leave us on a happy note. A CURE FOR WELLNESS will find its audience, but it's an acquired taste.,

Cured

9.1K

91

Some of the scenes were filmed in the old Belfast victorian prison called the Crumlin Road Jail.,When Abbie and Conor talk in the park, Abbie's shoulder bag changes from her right to left shoulder when she stands to leave.,Cantor: They're connected in a way that we can never understand.,Referenced in Front Row Flynn: THE CURED: Elliot Page, David Freyne, moderator Joe Lynch (2018),An interesting story overall and some neat ideas woven into it. Unfortunately cliche does take over and poor decisions (to say the least) of the main characters make this annoying to borderline unwatchable at times. It's a shame because it does look like you have a good cast, but even they struggle to make their choices seem believable. Ellen Page has some gravitas to what she is doing, but even she falls victim to doing exactly what you predict any (wrong) thing the others are going to do too. By the way a man of the law showing up completely without any backup should really not be a thing anymore. This is beyond insulting to the viewer and ridiculous at best ...,

Curfew

1.9K

88

This series is being filmed in Crewe, Cheshire.,The trailer looked promising but the series never really lived up to my expectations. Visually, it was pretty good, but poor dialogue combined with unimpressive, sometimes poor, acting let's it down a lot (though the actors were never given much to work with by way of script there were still opportunities to make the best of it and shine but these were never taken). The story and background was poorly fleshed out and never seemed to me to be real. It was never terrible, but I was always conscious that I was watching a fictional drama in which actors were acting and so I could never get lost in the events and never really felt any emotional connection to them or the characters. I was just left feeling nothing, which is not good for an action-horror series. It could have been a lot more. Perhaps it can be with better writers. I thought towards the end things were improving. One episode I quite enjoyed above the others and thought maybe it just needed some time to get up to speed (pardon the driving pun). Some said give it a chance. I did. Perhaps it did improve a little in that one episode but the ending/final episode itself was the worst of them all. It was a very anticlimactic finish. The script, acting and dialogue became so unrealistic to the point of ridiculous. The writers had a good, but poorly fleshed out, idea for a show (perhaps after watching an episode of Top Gear) but had no idea how to finish it and lacked the skill to write a good ending.,

The Curiosity of Chance

3.1K

20

Tad Hilgenbrink (who portrays Chance Marquis) was born and raised as a farm boy in Illinois. His full birth name was Tadeus Moses Hilgenbrinck before he had it legally shortened to Tad Hilgenbrink, although he was still credited as Tad Hilgenbrinck, as he was also credited in several other films.,In an early scene, the vice-principal goes over Chance's academic history in an interview with Chance and states that he is known to sometimes channel deceased torch singers such as Rosemary Clooney, Dionne Warwick, and Ethel Merman; however, as the movie takes place in the 1980s (never indicating which exact year), the only singer of the three that might have been deceased is Ethel Merman (d. 1984). Rosemary Clooney died in 2002, and Ms. Warwick was still among the living going into 2013.,Chance Marquis: [looking at Hank's case] What's in your case? Hank Hudson: What's in YOURS? Chance Marquis: I don't have one. Hank Hudson: One what?,Referenced in Midnight Movie (2008),Dream Woman Written by Paul Bliven and Ben Cooper Performed by Level 7 Music,I was skeptical when first watching this film, because I have wasted enough time trying to relate to campy gay films on logo. This one will shock you... so, TAKE A CHANCE. Everyone can relate to at least one of the characters in the film, if not many of them. I almost felt like they had taken real memories from my life and put them in the film. I found it so relatable and thought the actors really understood the intentions of the film. It is hysterical and still heart felt. I would recommend this film to anyone, its a delightful piece of work. It reminds you that being different, unique, and just "yourself" is the most rewarding thing in life. Check it out, you will laugh a lot and maybe even tear up a little. Great film!!! CHECK IT OUT.,