Dataset Card for Chinese National Pentatonic Mode Dataset
The original dataset is sourced from the Chinese National Pentatonic Mode, which combines manual labeling with computer-based methods in the construction of the World Music Database. It collects and annotates audio of the five modes (including pentatonic, hexatonic, and heptatonic) of "Gong, Shang, Jue, Zhi, and Yu". It also provides a detailed analysis of the judgment of Chinese national pentatonic modes and identifies application scenarios and technical models, offering raw data for the analysis and retrieval of characteristics of Chinese national music.
Based on the aforementioned original data, after data processing, we have constructed the default subset of this integrated version of the dataset, and its data structure can be viewed in the viewer. As this dataset has been cited and used in published articles, no further eval subset needs to be constructed for evaluation. Because the default subset is multi-labelled, it is difficult to maintain the integrity of labels in the split for all label columns, hence only a single split for the training set is provided. Users can perform their own splits on specified columns according to their specific downstream tasks.
Viewer
https://www.modelscope.cn/datasets/ccmusic-database/CNPM/dataPeview
Dataset Structure
audio | mel | system | tonic | pattern | type | mode_name | length |
.wav, 44100Hz | .jpg, 44100Hz | 12-class | 12-class | 5-class | 6-class | string | string |
... | ... | ... | ... | ... | ... | ... | ... |
Data Instances
.zip(.wav), .csv
Data Fields
Mode type, Name, Performer, Album Name, National Mode Name, Tonggong System, Audio Links
Data Splits
train / validation / test
Labels
System
同宫系统/TongGong System | Label |
---|---|
C | 0 |
#C/bD | 1 |
D | 2 |
#D/bE | 3 |
E | 4 |
F | 5 |
#F/bG | 6 |
G | 7 |
#G/bA | 8 |
A | 9 |
#A/bB | 10 |
B | 11 |
Mode
主音音高/Pitch of Tonic:(规则与同宫系统相同/The rules are the same as the TongGong system)
Pattern
调式样式/Mode Pattern | Label |
---|---|
宫/Gong | 0 |
商/Shang | 1 |
角/Jue | 2 |
徵/Zhi | 3 |
羽/Yu | 4 |
Mode
调式种类/Mode Type | Label |
---|---|
五声/Pentatonic | 0 |
六声(清角)/Hexatonic (Qingjue) | 1 |
六声(变宫)/Hexatonic (Biangong) | 2 |
七声雅乐/Heptatonic Yayue | 3 |
七声清乐/Heptatonic Qingyue | 4 |
七声燕乐/Heptatonic Yanyue | 5 |
Dataset Summary
The expanded dataset is integrated into our database, and each data entry consists of seven columns: the first column denotes the audio recording in .wav format, sampled at 22,050 Hz. The second and third presents the name of the piece and artist. The subsequent columns represent the system, tonic, pattern, and type of the musical piece, respectively. The eighth column contains an additional Chinese name of the mode, while the final column indicates the duration of the audio in seconds.
Supported Tasks and Leaderboards
MIR, audio classification
Languages
Chinese, English
Usage
from datasets import load_dataset
dataset = load_dataset("ccmusic-dabase/CNPM", split="train")
for data in dataset:
print(data)
Maintenance
git clone git@hf.co:datasets/ccmusic-database/CNPM
cd CNPM
Dataset Creation
Curation Rationale
Lack of a dataset for Chinese National Pentatonic Mode
Source Data
Initial Data Collection and Normalization
Weixin Ren, Mingjin Che, Zhaowen Wang, Qinyu Li, Jiaye Hu, Fan Xia, Wei Li, Monan Zhou
Who are the source language producers?
Teachers & students from FD-LAMT, CCOM, SCCM
Annotations
Annotation process
Based on the working idea of combining manual labeling with a computer in the construction of the World Music Database, this database collects and labels the audio of five modes (including five tones, six tones and seven tones) of "Gong, Shang, Jue, Zhi and Yu". At the same time, it makes a detailed analysis of the judgment of Chinese national pentatonic modes and finds application scenarios and technical models, which can provide raw data for the analysis and retrieval of Chinese national music characteristics.
Who are the annotators?
Teachers & students from FD-LAMT, CCOM, SCCM
Personal and Sensitive Information
Due to copyright reasons, only some of the audio can be released directly. This part of the audio is the Shang mode and Jue mode tracks performed by professional performers. The rest of the audio needs to be searched and downloaded by the dataset user from music platforms such as Kugou Music, NetEase Cloud Music and QQ Music, based on song titles, artists and album names.
Considerations for Using the Data
Social Impact of Dataset
Promoting the development of the music AI industry
Discussion of Biases
Only for Traditional Chinese Instruments
Other Known Limitations
Only for Pentatonic Mode
Additional Information
Dataset Curators
Weixin Ren, Mingjin Che, Zhaowen Wang, Qinyu Li, Jiaye Hu, Fan Xia, Wei Li.
Evaluation
Citation Information
@dataset{zhaorui_liu_2021_5676893,
author = {Monan Zhou, Shenyang Xu, Zhaorui Liu, Zhaowen Wang, Feng Yu, Wei Li and Baoqiang Han},
title = {CCMusic: an Open and Diverse Database for Chinese and General Music Information Retrieval Research},
month = {mar},
year = {2024},
publisher = {HuggingFace},
version = {1.2},
url = {https://huggingface.co/ccmusic-database}
}
Contributions
Provide a dataset for the Chinese National Pentatonic Mode
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