obj_num
stringlengths 3
23
| file
stringlengths 8
69
| image
imagewidth (px) 55
15.4k
| root
stringclasses 102
values | description
stringlengths 1
5.36k
⌀ | label
class label 568
classes | other_name
stringlengths 1
100
⌀ | material
stringclasses 211
values | production.period
stringclasses 260
values | production.place
stringclasses 308
values |
|---|---|---|---|---|---|---|---|---|---|
durom.1960.2211 | durom.1960.2211-bb.jpg | data/raw/images/oriental/1960 | Woman, standing and lifting up her dress, left hand is clenched with a complete hole which appears that she may have carried something. | 310figures
| null | crystal | null | China |
|
durom.1960.2211 | durom.1960.2211-bb.jpg | data/raw/images/oriental/1960 | Woman, standing and lifting up her dress, left hand is clenched with a complete hole which appears that she may have carried something. | 310figures
| null | crystal | null | China |
|
durom.1960.2211 | durom.1960.2211-bb.jpg | data/raw/images/oriental/1960 | Woman, standing and lifting up her dress, left hand is clenched with a complete hole which appears that she may have carried something. | 310figures
| null | crystal | null | China |
|
durom.1960.2211 | durom.1960.2211-bb.jpg | data/raw/images/oriental/1960 | Woman, standing and lifting up her dress, left hand is clenched with a complete hole which appears that she may have carried something. | 310figures
| null | crystal | null | China |
|
durom.1960.2211 | durom.1960.2211-bb.jpg | data/raw/images/oriental/1960 | Woman, standing and lifting up her dress, left hand is clenched with a complete hole which appears that she may have carried something. | 310figures
| null | crystal | null | China |
|
durom.1986.44.92 | 1986.44.92.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Hu Li-The Appeasement of the Ba and Lo Families. | 408paintings
| null | Gouache on Paper | null | China |
|
durom.1986.44.92 | 1986.44.92.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Hu Li-The Appeasement of the Ba and Lo Families. | 408paintings
| null | Gouache on Paper | null | China |
|
durom.1986.44.92 | 1986.44.92.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Hu Li-The Appeasement of the Ba and Lo Families. | 408paintings
| null | Gouache on Paper | null | China |
|
durom.1986.44.92 | 1986.44.92.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Hu Li-The Appeasement of the Ba and Lo Families. | 408paintings
| null | Gouache on Paper | null | China |
|
durom.1986.44.92 | 1986.44.92.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Hu Li-The Appeasement of the Ba and Lo Families. | 408paintings
| null | Gouache on Paper | null | China |
|
durom.1962.201 | 1962.201-d01.jpg | data/raw/images/oriental/1962 | Handscroll of scenes depicting the Land of the Immortals. Cut from a longer scroll. Seals, unknown | 336handscrolls
| null | silk | null | China |
|
durom.1962.201 | 1962.201-d01.jpg | data/raw/images/oriental/1962 | Handscroll of scenes depicting the Land of the Immortals. Cut from a longer scroll. Seals, unknown | 336handscrolls
| null | silk | null | China |
|
durom.1962.201 | 1962.201-d01.jpg | data/raw/images/oriental/1962 | Handscroll of scenes depicting the Land of the Immortals. Cut from a longer scroll. Seals, unknown | 336handscrolls
| null | silk | null | China |
|
durom.1962.201 | 1962.201-d01.jpg | data/raw/images/oriental/1962 | Handscroll of scenes depicting the Land of the Immortals. Cut from a longer scroll. Seals, unknown | 336handscrolls
| null | silk | null | China |
|
durom.1962.201 | 1962.201-d01.jpg | data/raw/images/oriental/1962 | Handscroll of scenes depicting the Land of the Immortals. Cut from a longer scroll. Seals, unknown | 336handscrolls
| null | silk | null | China |
|
durom.2000.27.43 | 2000.27.43.jpg | data/raw/images/oriental/2000 | ornament | 405ornaments
| null | null | Showa Period | Japan (country) |
|
durom.2000.27.43 | 2000.27.43.jpg | data/raw/images/oriental/2000 | ornament | 405ornaments
| null | null | Showa Period | Japan (country) |
|
durom.2000.27.43 | 2000.27.43.jpg | data/raw/images/oriental/2000 | ornament | 405ornaments
| null | null | Showa Period | Japan (country) |
|
durom.2000.27.43 | 2000.27.43.jpg | data/raw/images/oriental/2000 | ornament | 405ornaments
| null | null | Showa Period | Japan (country) |
|
durom.2000.27.43 | 2000.27.43.jpg | data/raw/images/oriental/2000 | ornament | 405ornaments
| null | null | Showa Period | Japan (country) |
|
durom.2015.147 | 2015.147-d1.jpg | data/raw/images/oriental/2015 | A Hina Matsuri set of ornamental dolls (hina-ningyō). A special seven tiered platform or altar (hina dan) covered with red carpet is used to display the dolls, who are wearing traditional court dress of the Heian period (794 and 1185), when the custom of displaying dolls began._x000D__x000D_
_x000D__x000D_
The dolls represent the Emperor and Empress together with their attendants, musicians and ministers, comprising of fifteen dolls in total. There are various accessories that go along with the set including; gold folding screens, lanterns decorated with cherry blossom, vases holding peach branches, tables with sweets, diamond-shaped coloured rice cakes, a mandarin orange tree, a cherry blossom tree. There are also items used by the imperial couple both within their palace and when they were away from their palace, including an ox-drawn carriage. A paper leaflet with the set, details aspects of the collection, with a diagram of how it should be displayed, and assembled. It is printed on orange paper, and has mostly black print on it, with some red. The writing on the leaflet is all in Japanese. _x000D__x000D_
_x000D__x000D_
There is a metal stand and 7 or 8 wooden shelves used to display the dolls and associated furniture. | 291dolls
| null | porcelain | Showa Period | Japan (country) |
|
durom.2015.147 | 2015.147-d1.jpg | data/raw/images/oriental/2015 | A Hina Matsuri set of ornamental dolls (hina-ningyō). A special seven tiered platform or altar (hina dan) covered with red carpet is used to display the dolls, who are wearing traditional court dress of the Heian period (794 and 1185), when the custom of displaying dolls began._x000D__x000D_
_x000D__x000D_
The dolls represent the Emperor and Empress together with their attendants, musicians and ministers, comprising of fifteen dolls in total. There are various accessories that go along with the set including; gold folding screens, lanterns decorated with cherry blossom, vases holding peach branches, tables with sweets, diamond-shaped coloured rice cakes, a mandarin orange tree, a cherry blossom tree. There are also items used by the imperial couple both within their palace and when they were away from their palace, including an ox-drawn carriage. A paper leaflet with the set, details aspects of the collection, with a diagram of how it should be displayed, and assembled. It is printed on orange paper, and has mostly black print on it, with some red. The writing on the leaflet is all in Japanese. _x000D__x000D_
_x000D__x000D_
There is a metal stand and 7 or 8 wooden shelves used to display the dolls and associated furniture. | 291dolls
| null | porcelain | Showa Period | Japan (country) |
|
durom.2015.147 | 2015.147-d1.jpg | data/raw/images/oriental/2015 | A Hina Matsuri set of ornamental dolls (hina-ningyō). A special seven tiered platform or altar (hina dan) covered with red carpet is used to display the dolls, who are wearing traditional court dress of the Heian period (794 and 1185), when the custom of displaying dolls began._x000D__x000D_
_x000D__x000D_
The dolls represent the Emperor and Empress together with their attendants, musicians and ministers, comprising of fifteen dolls in total. There are various accessories that go along with the set including; gold folding screens, lanterns decorated with cherry blossom, vases holding peach branches, tables with sweets, diamond-shaped coloured rice cakes, a mandarin orange tree, a cherry blossom tree. There are also items used by the imperial couple both within their palace and when they were away from their palace, including an ox-drawn carriage. A paper leaflet with the set, details aspects of the collection, with a diagram of how it should be displayed, and assembled. It is printed on orange paper, and has mostly black print on it, with some red. The writing on the leaflet is all in Japanese. _x000D__x000D_
_x000D__x000D_
There is a metal stand and 7 or 8 wooden shelves used to display the dolls and associated furniture. | 291dolls
| null | porcelain | Showa Period | Japan (country) |
|
durom.2015.147 | 2015.147-d1.jpg | data/raw/images/oriental/2015 | A Hina Matsuri set of ornamental dolls (hina-ningyō). A special seven tiered platform or altar (hina dan) covered with red carpet is used to display the dolls, who are wearing traditional court dress of the Heian period (794 and 1185), when the custom of displaying dolls began._x000D__x000D_
_x000D__x000D_
The dolls represent the Emperor and Empress together with their attendants, musicians and ministers, comprising of fifteen dolls in total. There are various accessories that go along with the set including; gold folding screens, lanterns decorated with cherry blossom, vases holding peach branches, tables with sweets, diamond-shaped coloured rice cakes, a mandarin orange tree, a cherry blossom tree. There are also items used by the imperial couple both within their palace and when they were away from their palace, including an ox-drawn carriage. A paper leaflet with the set, details aspects of the collection, with a diagram of how it should be displayed, and assembled. It is printed on orange paper, and has mostly black print on it, with some red. The writing on the leaflet is all in Japanese. _x000D__x000D_
_x000D__x000D_
There is a metal stand and 7 or 8 wooden shelves used to display the dolls and associated furniture. | 291dolls
| null | porcelain | Showa Period | Japan (country) |
|
durom.2015.147 | 2015.147-d1.jpg | data/raw/images/oriental/2015 | A Hina Matsuri set of ornamental dolls (hina-ningyō). A special seven tiered platform or altar (hina dan) covered with red carpet is used to display the dolls, who are wearing traditional court dress of the Heian period (794 and 1185), when the custom of displaying dolls began._x000D__x000D_
_x000D__x000D_
The dolls represent the Emperor and Empress together with their attendants, musicians and ministers, comprising of fifteen dolls in total. There are various accessories that go along with the set including; gold folding screens, lanterns decorated with cherry blossom, vases holding peach branches, tables with sweets, diamond-shaped coloured rice cakes, a mandarin orange tree, a cherry blossom tree. There are also items used by the imperial couple both within their palace and when they were away from their palace, including an ox-drawn carriage. A paper leaflet with the set, details aspects of the collection, with a diagram of how it should be displayed, and assembled. It is printed on orange paper, and has mostly black print on it, with some red. The writing on the leaflet is all in Japanese. _x000D__x000D_
_x000D__x000D_
There is a metal stand and 7 or 8 wooden shelves used to display the dolls and associated furniture. | 291dolls
| null | porcelain | Showa Period | Japan (country) |
|
durom.1969.578 | 1969.578.3-tt.jpg | data/raw/images/oriental/1969 | Large brass lantern in 5 parts. The base is hexagonal, each side has a panel incised with a foliage background and an applied figure of a mythical animal. Above is an irregular leaf shaped moulding with a large shallow bowl above. The bowl has incised decoration around the side, and four upright attachments of a probable original 6. The central part which fits above this is a hexagonal hollow box, the side panels of lattice work, and one with a catch and hinge to open as a door. The top part has a lower circular section with openwork around its top, then an upper section which is a large metal dome with a hexagonal lower edge. Each of the six ribs terminates in a dragon's head with a large curved tongue. Bells hang from loops below three of the heads, although it appears there would originally have been six bells. The finial is a separate piece which has an open lower section mounting a wooden pole on which a metal ball is fixed. | 374lanterns
| null | iron | Edo Period | Japan (country) |
|
durom.1969.578 | 1969.578.3-tt.jpg | data/raw/images/oriental/1969 | Large brass lantern in 5 parts. The base is hexagonal, each side has a panel incised with a foliage background and an applied figure of a mythical animal. Above is an irregular leaf shaped moulding with a large shallow bowl above. The bowl has incised decoration around the side, and four upright attachments of a probable original 6. The central part which fits above this is a hexagonal hollow box, the side panels of lattice work, and one with a catch and hinge to open as a door. The top part has a lower circular section with openwork around its top, then an upper section which is a large metal dome with a hexagonal lower edge. Each of the six ribs terminates in a dragon's head with a large curved tongue. Bells hang from loops below three of the heads, although it appears there would originally have been six bells. The finial is a separate piece which has an open lower section mounting a wooden pole on which a metal ball is fixed. | 374lanterns
| null | iron | Edo Period | Japan (country) |
|
durom.1969.578 | 1969.578.3-tt.jpg | data/raw/images/oriental/1969 | Large brass lantern in 5 parts. The base is hexagonal, each side has a panel incised with a foliage background and an applied figure of a mythical animal. Above is an irregular leaf shaped moulding with a large shallow bowl above. The bowl has incised decoration around the side, and four upright attachments of a probable original 6. The central part which fits above this is a hexagonal hollow box, the side panels of lattice work, and one with a catch and hinge to open as a door. The top part has a lower circular section with openwork around its top, then an upper section which is a large metal dome with a hexagonal lower edge. Each of the six ribs terminates in a dragon's head with a large curved tongue. Bells hang from loops below three of the heads, although it appears there would originally have been six bells. The finial is a separate piece which has an open lower section mounting a wooden pole on which a metal ball is fixed. | 374lanterns
| null | iron | Edo Period | Japan (country) |
|
durom.1969.578 | 1969.578.3-tt.jpg | data/raw/images/oriental/1969 | Large brass lantern in 5 parts. The base is hexagonal, each side has a panel incised with a foliage background and an applied figure of a mythical animal. Above is an irregular leaf shaped moulding with a large shallow bowl above. The bowl has incised decoration around the side, and four upright attachments of a probable original 6. The central part which fits above this is a hexagonal hollow box, the side panels of lattice work, and one with a catch and hinge to open as a door. The top part has a lower circular section with openwork around its top, then an upper section which is a large metal dome with a hexagonal lower edge. Each of the six ribs terminates in a dragon's head with a large curved tongue. Bells hang from loops below three of the heads, although it appears there would originally have been six bells. The finial is a separate piece which has an open lower section mounting a wooden pole on which a metal ball is fixed. | 374lanterns
| null | iron | Edo Period | Japan (country) |
|
durom.1969.578 | 1969.578.3-tt.jpg | data/raw/images/oriental/1969 | Large brass lantern in 5 parts. The base is hexagonal, each side has a panel incised with a foliage background and an applied figure of a mythical animal. Above is an irregular leaf shaped moulding with a large shallow bowl above. The bowl has incised decoration around the side, and four upright attachments of a probable original 6. The central part which fits above this is a hexagonal hollow box, the side panels of lattice work, and one with a catch and hinge to open as a door. The top part has a lower circular section with openwork around its top, then an upper section which is a large metal dome with a hexagonal lower edge. Each of the six ribs terminates in a dragon's head with a large curved tongue. Bells hang from loops below three of the heads, although it appears there would originally have been six bells. The finial is a separate piece which has an open lower section mounting a wooden pole on which a metal ball is fixed. | 374lanterns
| null | iron | Edo Period | Japan (country) |
|
durom.2015.385.14 | durom.2015.385.14-ff.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic dish with a small foot on the underside. The piece is decorated with a blue and white glazed surface. Depicted on the upper surface of the dish is a dragon chasing a flaming pearl of wisdom with the ying and yang symbol depicted on it with a peacock with long flowing tail and leaves depicted around it running parallel to the dragon. In between the two creatures is a geometric symbol with five bats surrounding it. Around the edges of the two creatures are swirling cloud shapes and a wave pattern running along the edge of the rim with the edge of the dish being scalloped. The underside of the piece is plain with the foot being unglazed. The number 25 has been written in blue felt pen on the inside of the foot. | 288dishes
| null | ceramic | null | Vietnam |
|
durom.2015.385.14 | durom.2015.385.14-ff.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic dish with a small foot on the underside. The piece is decorated with a blue and white glazed surface. Depicted on the upper surface of the dish is a dragon chasing a flaming pearl of wisdom with the ying and yang symbol depicted on it with a peacock with long flowing tail and leaves depicted around it running parallel to the dragon. In between the two creatures is a geometric symbol with five bats surrounding it. Around the edges of the two creatures are swirling cloud shapes and a wave pattern running along the edge of the rim with the edge of the dish being scalloped. The underside of the piece is plain with the foot being unglazed. The number 25 has been written in blue felt pen on the inside of the foot. | 288dishes
| null | ceramic | null | Vietnam |
|
durom.2015.385.14 | durom.2015.385.14-ff.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic dish with a small foot on the underside. The piece is decorated with a blue and white glazed surface. Depicted on the upper surface of the dish is a dragon chasing a flaming pearl of wisdom with the ying and yang symbol depicted on it with a peacock with long flowing tail and leaves depicted around it running parallel to the dragon. In between the two creatures is a geometric symbol with five bats surrounding it. Around the edges of the two creatures are swirling cloud shapes and a wave pattern running along the edge of the rim with the edge of the dish being scalloped. The underside of the piece is plain with the foot being unglazed. The number 25 has been written in blue felt pen on the inside of the foot. | 288dishes
| null | ceramic | null | Vietnam |
|
durom.2015.385.14 | durom.2015.385.14-ff.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic dish with a small foot on the underside. The piece is decorated with a blue and white glazed surface. Depicted on the upper surface of the dish is a dragon chasing a flaming pearl of wisdom with the ying and yang symbol depicted on it with a peacock with long flowing tail and leaves depicted around it running parallel to the dragon. In between the two creatures is a geometric symbol with five bats surrounding it. Around the edges of the two creatures are swirling cloud shapes and a wave pattern running along the edge of the rim with the edge of the dish being scalloped. The underside of the piece is plain with the foot being unglazed. The number 25 has been written in blue felt pen on the inside of the foot. | 288dishes
| null | ceramic | null | Vietnam |
|
durom.2015.385.14 | durom.2015.385.14-ff.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic dish with a small foot on the underside. The piece is decorated with a blue and white glazed surface. Depicted on the upper surface of the dish is a dragon chasing a flaming pearl of wisdom with the ying and yang symbol depicted on it with a peacock with long flowing tail and leaves depicted around it running parallel to the dragon. In between the two creatures is a geometric symbol with five bats surrounding it. Around the edges of the two creatures are swirling cloud shapes and a wave pattern running along the edge of the rim with the edge of the dish being scalloped. The underside of the piece is plain with the foot being unglazed. The number 25 has been written in blue felt pen on the inside of the foot. | 288dishes
| null | ceramic | null | Vietnam |
|
durom.1969.41 | 1969.41-pc1.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered with white glazed and rims bound with copper, decorated with moulded impressed pattern of floral and fruit design, Ding ware. | 225bowls
| 定窑白釉铜扣印花果纹碗 | porcelain | Jin Dynasty | Hebei Province |
|
durom.1969.41 | 1969.41-pc1.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered with white glazed and rims bound with copper, decorated with moulded impressed pattern of floral and fruit design, Ding ware. | 225bowls
| 定窑白釉铜扣印花果纹碗 | porcelain | Jin Dynasty | Hebei Province |
|
durom.1969.41 | 1969.41-pc1.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered with white glazed and rims bound with copper, decorated with moulded impressed pattern of floral and fruit design, Ding ware. | 225bowls
| 定窑白釉铜扣印花果纹碗 | porcelain | Jin Dynasty | Hebei Province |
|
durom.1969.41 | 1969.41-pc1.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered with white glazed and rims bound with copper, decorated with moulded impressed pattern of floral and fruit design, Ding ware. | 225bowls
| 定窑白釉铜扣印花果纹碗 | porcelain | Jin Dynasty | Hebei Province |
|
durom.1969.41 | 1969.41-pc1.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered with white glazed and rims bound with copper, decorated with moulded impressed pattern of floral and fruit design, Ding ware. | 225bowls
| 定窑白釉铜扣印花果纹碗 | porcelain | Jin Dynasty | Hebei Province |
|
durom.1960.3636 | durom.1960.3636-ss.jpg | data/raw/images/oriental/1960 | leather and brass snuff bottle, in the shape of a fruit, with petals attached round neck. With stopper and metal snuff spoon. | 493snuff bottles
| null | leather | Qing | China |
|
durom.1960.3636 | durom.1960.3636-ss.jpg | data/raw/images/oriental/1960 | leather and brass snuff bottle, in the shape of a fruit, with petals attached round neck. With stopper and metal snuff spoon. | 493snuff bottles
| null | leather | Qing | China |
|
durom.1960.3636 | durom.1960.3636-ss.jpg | data/raw/images/oriental/1960 | leather and brass snuff bottle, in the shape of a fruit, with petals attached round neck. With stopper and metal snuff spoon. | 493snuff bottles
| null | leather | Qing | China |
|
durom.1960.3636 | durom.1960.3636-ss.jpg | data/raw/images/oriental/1960 | leather and brass snuff bottle, in the shape of a fruit, with petals attached round neck. With stopper and metal snuff spoon. | 493snuff bottles
| null | leather | Qing | China |
|
durom.1960.3636 | durom.1960.3636-ss.jpg | data/raw/images/oriental/1960 | leather and brass snuff bottle, in the shape of a fruit, with petals attached round neck. With stopper and metal snuff spoon. | 493snuff bottles
| null | leather | Qing | China |
|
durom.2013.132 | durom.2013.132-d1.jpg | data/raw/images/oriental/2013 | Silk (possibly a mix) of natural coloured cloth with yellow silk floss chain stitched embroidery, thought to be Turkish by design. The embroidery is a double row of chain stitch worked in regular loops back to back. Probably tambour work. There is an elongated spiral of yellow chain stitch inside each corner. The spirals and part of one border are stitched in a brighter shade of yellow. There are two parallel edges with a row of fine black stitching. The other two edges are woven with two narrow blue lines and finished with tassels. The tassels are made by withdrawing rows of thread, gathering groups of remaining threads and knotting into tassels. | 277covers
| null | silk | null | Turkey |
|
durom.2013.132 | durom.2013.132-d1.jpg | data/raw/images/oriental/2013 | Silk (possibly a mix) of natural coloured cloth with yellow silk floss chain stitched embroidery, thought to be Turkish by design. The embroidery is a double row of chain stitch worked in regular loops back to back. Probably tambour work. There is an elongated spiral of yellow chain stitch inside each corner. The spirals and part of one border are stitched in a brighter shade of yellow. There are two parallel edges with a row of fine black stitching. The other two edges are woven with two narrow blue lines and finished with tassels. The tassels are made by withdrawing rows of thread, gathering groups of remaining threads and knotting into tassels. | 277covers
| null | silk | null | Turkey |
|
durom.2013.132 | durom.2013.132-d1.jpg | data/raw/images/oriental/2013 | Silk (possibly a mix) of natural coloured cloth with yellow silk floss chain stitched embroidery, thought to be Turkish by design. The embroidery is a double row of chain stitch worked in regular loops back to back. Probably tambour work. There is an elongated spiral of yellow chain stitch inside each corner. The spirals and part of one border are stitched in a brighter shade of yellow. There are two parallel edges with a row of fine black stitching. The other two edges are woven with two narrow blue lines and finished with tassels. The tassels are made by withdrawing rows of thread, gathering groups of remaining threads and knotting into tassels. | 277covers
| null | silk | null | Turkey |
|
durom.2013.132 | durom.2013.132-d1.jpg | data/raw/images/oriental/2013 | Silk (possibly a mix) of natural coloured cloth with yellow silk floss chain stitched embroidery, thought to be Turkish by design. The embroidery is a double row of chain stitch worked in regular loops back to back. Probably tambour work. There is an elongated spiral of yellow chain stitch inside each corner. The spirals and part of one border are stitched in a brighter shade of yellow. There are two parallel edges with a row of fine black stitching. The other two edges are woven with two narrow blue lines and finished with tassels. The tassels are made by withdrawing rows of thread, gathering groups of remaining threads and knotting into tassels. | 277covers
| null | silk | null | Turkey |
|
durom.2013.132 | durom.2013.132-d1.jpg | data/raw/images/oriental/2013 | Silk (possibly a mix) of natural coloured cloth with yellow silk floss chain stitched embroidery, thought to be Turkish by design. The embroidery is a double row of chain stitch worked in regular loops back to back. Probably tambour work. There is an elongated spiral of yellow chain stitch inside each corner. The spirals and part of one border are stitched in a brighter shade of yellow. There are two parallel edges with a row of fine black stitching. The other two edges are woven with two narrow blue lines and finished with tassels. The tassels are made by withdrawing rows of thread, gathering groups of remaining threads and knotting into tassels. | 277covers
| null | silk | null | Turkey |
|
durom.1993.141 | 1993.141.09.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 223books
| 平民千字帖 | null | Republic of China | China |
|
durom.1993.141 | 1993.141.09.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 223books
| 平民千字帖 | null | Republic of China | China |
|
durom.1993.141 | 1993.141.09.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 223books
| 平民千字帖 | null | Republic of China | China |
|
durom.1993.141 | 1993.141.09.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 223books
| 平民千字帖 | null | Republic of China | China |
|
durom.1993.141 | 1993.141.09.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 223books
| 平民千字帖 | null | Republic of China | China |
|
durma.2020.3.2017 | durma.2020.3.2017-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy Roman coin which is a part of the Piercebridge assemblage, this coin was produced at the Mint of Rome. the coin type is an as of Antoninus Pius dating to the period AD 140 to 161 (Reece period 7). The obverse of the coin depicts the Roman Emperor Antoninus Pius wearing a laurel crown and facing right. The reverse depicts Securitas, the Roman Godess of security and stability. She is standing to the left and is holding a sceptre and resting her left elbow on a column. _x000D__x000D_
_x000D__x000D_
cf. RIC III, p. 116, no. 690 or p. 130, no. 828. _x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record: https://finds.org.uk/database/artefacts/record/id/103850 | 271coins
| null | metal | Roman | Rome |
|
durma.2020.3.2017 | durma.2020.3.2017-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy Roman coin which is a part of the Piercebridge assemblage, this coin was produced at the Mint of Rome. the coin type is an as of Antoninus Pius dating to the period AD 140 to 161 (Reece period 7). The obverse of the coin depicts the Roman Emperor Antoninus Pius wearing a laurel crown and facing right. The reverse depicts Securitas, the Roman Godess of security and stability. She is standing to the left and is holding a sceptre and resting her left elbow on a column. _x000D__x000D_
_x000D__x000D_
cf. RIC III, p. 116, no. 690 or p. 130, no. 828. _x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record: https://finds.org.uk/database/artefacts/record/id/103850 | 271coins
| null | metal | Roman | Rome |
|
durma.2020.3.2017 | durma.2020.3.2017-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy Roman coin which is a part of the Piercebridge assemblage, this coin was produced at the Mint of Rome. the coin type is an as of Antoninus Pius dating to the period AD 140 to 161 (Reece period 7). The obverse of the coin depicts the Roman Emperor Antoninus Pius wearing a laurel crown and facing right. The reverse depicts Securitas, the Roman Godess of security and stability. She is standing to the left and is holding a sceptre and resting her left elbow on a column. _x000D__x000D_
_x000D__x000D_
cf. RIC III, p. 116, no. 690 or p. 130, no. 828. _x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record: https://finds.org.uk/database/artefacts/record/id/103850 | 271coins
| null | metal | Roman | Rome |
|
durma.2020.3.2017 | durma.2020.3.2017-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy Roman coin which is a part of the Piercebridge assemblage, this coin was produced at the Mint of Rome. the coin type is an as of Antoninus Pius dating to the period AD 140 to 161 (Reece period 7). The obverse of the coin depicts the Roman Emperor Antoninus Pius wearing a laurel crown and facing right. The reverse depicts Securitas, the Roman Godess of security and stability. She is standing to the left and is holding a sceptre and resting her left elbow on a column. _x000D__x000D_
_x000D__x000D_
cf. RIC III, p. 116, no. 690 or p. 130, no. 828. _x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record: https://finds.org.uk/database/artefacts/record/id/103850 | 271coins
| null | metal | Roman | Rome |
|
durma.2020.3.2017 | durma.2020.3.2017-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy Roman coin which is a part of the Piercebridge assemblage, this coin was produced at the Mint of Rome. the coin type is an as of Antoninus Pius dating to the period AD 140 to 161 (Reece period 7). The obverse of the coin depicts the Roman Emperor Antoninus Pius wearing a laurel crown and facing right. The reverse depicts Securitas, the Roman Godess of security and stability. She is standing to the left and is holding a sceptre and resting her left elbow on a column. _x000D__x000D_
_x000D__x000D_
cf. RIC III, p. 116, no. 690 or p. 130, no. 828. _x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record: https://finds.org.uk/database/artefacts/record/id/103850 | 271coins
| null | metal | Roman | Rome |
|
durom.1961.14 | 1961.14 d3.jpg | data/raw/images/oriental/1961 | red and gold lacquered wood bowl with design of fish and birds | 225bowls
| null | wood | Edo Period | Japan (country) |
|
durom.1961.14 | 1961.14 d3.jpg | data/raw/images/oriental/1961 | red and gold lacquered wood bowl with design of fish and birds | 225bowls
| null | wood | Edo Period | Japan (country) |
|
durom.1961.14 | 1961.14 d3.jpg | data/raw/images/oriental/1961 | red and gold lacquered wood bowl with design of fish and birds | 225bowls
| null | wood | Edo Period | Japan (country) |
|
durom.1961.14 | 1961.14 d3.jpg | data/raw/images/oriental/1961 | red and gold lacquered wood bowl with design of fish and birds | 225bowls
| null | wood | Edo Period | Japan (country) |
|
durom.1961.14 | 1961.14 d3.jpg | data/raw/images/oriental/1961 | red and gold lacquered wood bowl with design of fish and birds | 225bowls
| null | wood | Edo Period | Japan (country) |
|
durom.2001.157 | durom.2001.157-ff.jpg | data/raw/images/oriental/2001 | Colour woodblock-printed sheet for card game, entitled Wakan taisei senketsu kakugen iroha karuta: Japan, published 1891 | 218board games
| Karuta | paper | Meiji Period | Japan (country) |
|
durom.2001.157 | durom.2001.157-ff.jpg | data/raw/images/oriental/2001 | Colour woodblock-printed sheet for card game, entitled Wakan taisei senketsu kakugen iroha karuta: Japan, published 1891 | 218board games
| Karuta | paper | Meiji Period | Japan (country) |
|
durom.2001.157 | durom.2001.157-ff.jpg | data/raw/images/oriental/2001 | Colour woodblock-printed sheet for card game, entitled Wakan taisei senketsu kakugen iroha karuta: Japan, published 1891 | 218board games
| Karuta | paper | Meiji Period | Japan (country) |
|
durom.2001.157 | durom.2001.157-ff.jpg | data/raw/images/oriental/2001 | Colour woodblock-printed sheet for card game, entitled Wakan taisei senketsu kakugen iroha karuta: Japan, published 1891 | 218board games
| Karuta | paper | Meiji Period | Japan (country) |
|
durom.2001.157 | durom.2001.157-ff.jpg | data/raw/images/oriental/2001 | Colour woodblock-printed sheet for card game, entitled Wakan taisei senketsu kakugen iroha karuta: Japan, published 1891 | 218board games
| Karuta | paper | Meiji Period | Japan (country) |
|
durma.1985.75.23 | 1985.75.23 d1.jpg | data/raw/images/fulling_mill/1985 | Section of a slate bangle. Excavated from Chester-le-Street. | 227bracelets
| Bangle | slate | Roman | null |
|
durma.1985.75.23 | 1985.75.23 d1.jpg | data/raw/images/fulling_mill/1985 | Section of a slate bangle. Excavated from Chester-le-Street. | 227bracelets
| Bangle | slate | Roman | null |
|
durma.1985.75.23 | 1985.75.23 d1.jpg | data/raw/images/fulling_mill/1985 | Section of a slate bangle. Excavated from Chester-le-Street. | 227bracelets
| Bangle | slate | Roman | null |
|
durma.1985.75.23 | 1985.75.23 d1.jpg | data/raw/images/fulling_mill/1985 | Section of a slate bangle. Excavated from Chester-le-Street. | 227bracelets
| Bangle | slate | Roman | null |
|
durma.1985.75.23 | 1985.75.23 d1.jpg | data/raw/images/fulling_mill/1985 | Section of a slate bangle. Excavated from Chester-le-Street. | 227bracelets
| Bangle | slate | Roman | null |
|
durom.1976.169 | 1976.169.jpg | data/raw/images/oriental/1976 | Length of Iban tapestry, embroided. 365cm. x 40cm. | 118Panel
| null | null | null | Sarawak State |
|
durom.1976.169 | 1976.169.jpg | data/raw/images/oriental/1976 | Length of Iban tapestry, embroided. 365cm. x 40cm. | 118Panel
| null | null | null | Sarawak State |
|
durom.1976.169 | 1976.169.jpg | data/raw/images/oriental/1976 | Length of Iban tapestry, embroided. 365cm. x 40cm. | 118Panel
| null | null | null | Sarawak State |
|
durom.1976.169 | 1976.169.jpg | data/raw/images/oriental/1976 | Length of Iban tapestry, embroided. 365cm. x 40cm. | 118Panel
| null | null | null | Sarawak State |
|
durom.1976.169 | 1976.169.jpg | data/raw/images/oriental/1976 | Length of Iban tapestry, embroided. 365cm. x 40cm. | 118Panel
| null | null | null | Sarawak State |
|
durom.1972.6.34 | 1972.6.34.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. View of lake with sailing junk. | 419photographs
| null | paper | Meiji Period | Japan (country) |
|
durom.1972.6.34 | 1972.6.34.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. View of lake with sailing junk. | 419photographs
| null | paper | Meiji Period | Japan (country) |
|
durom.1972.6.34 | 1972.6.34.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. View of lake with sailing junk. | 419photographs
| null | paper | Meiji Period | Japan (country) |
|
durom.1972.6.34 | 1972.6.34.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. View of lake with sailing junk. | 419photographs
| null | paper | Meiji Period | Japan (country) |
|
durom.1972.6.34 | 1972.6.34.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. View of lake with sailing junk. | 419photographs
| null | paper | Meiji Period | Japan (country) |
|
durom.1960.4a.19 | 1960.4a.19.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). | 153Slide
| null | glass | null | England |
|
durom.1960.4a.19 | 1960.4a.19.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). | 153Slide
| null | glass | null | England |
|
durom.1960.4a.19 | 1960.4a.19.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). | 153Slide
| null | glass | null | England |
|
durom.1960.4a.19 | 1960.4a.19.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). | 153Slide
| null | glass | null | England |
|
durom.1960.4a.19 | 1960.4a.19.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). | 153Slide
| null | glass | null | England |
|
durom.1964.499 | durom.1964.499-uu.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | 366jugs
| null | pottery | Early Bronze Age III | Jericho |
|
durom.1964.499 | durom.1964.499-uu.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | 366jugs
| null | pottery | Early Bronze Age III | Jericho |
|
durom.1964.499 | durom.1964.499-uu.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | 366jugs
| null | pottery | Early Bronze Age III | Jericho |
|
durom.1964.499 | durom.1964.499-uu.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | 366jugs
| null | pottery | Early Bronze Age III | Jericho |
|
durom.1964.499 | durom.1964.499-uu.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | 366jugs
| null | pottery | Early Bronze Age III | Jericho |
|
eg782 | eg782 bb.jpg | data/raw/images/egyptian/eg | Small copper alloy pendant of a human headed triad. The features are poorly depicted, they appear to be in a mummified form and all three have headpieces. Whilst only the vaguest details remain it may represent Ptah-Sokar-Osiris. one figure appears to be bearded, possibly Serapis. All three figures are bound together by a serpent. The condition is reasonable, though extensive damage has occurred to the central figure. | 82Human Figurine
| pendant | bronze | Graeco-Roman Period | Egypt |
|
eg782 | eg782 bb.jpg | data/raw/images/egyptian/eg | Small copper alloy pendant of a human headed triad. The features are poorly depicted, they appear to be in a mummified form and all three have headpieces. Whilst only the vaguest details remain it may represent Ptah-Sokar-Osiris. one figure appears to be bearded, possibly Serapis. All three figures are bound together by a serpent. The condition is reasonable, though extensive damage has occurred to the central figure. | 82Human Figurine
| pendant | bronze | Graeco-Roman Period | Egypt |
|
eg782 | eg782 bb.jpg | data/raw/images/egyptian/eg | Small copper alloy pendant of a human headed triad. The features are poorly depicted, they appear to be in a mummified form and all three have headpieces. Whilst only the vaguest details remain it may represent Ptah-Sokar-Osiris. one figure appears to be bearded, possibly Serapis. All three figures are bound together by a serpent. The condition is reasonable, though extensive damage has occurred to the central figure. | 82Human Figurine
| pendant | bronze | Graeco-Roman Period | Egypt |
|
eg782 | eg782 bb.jpg | data/raw/images/egyptian/eg | Small copper alloy pendant of a human headed triad. The features are poorly depicted, they appear to be in a mummified form and all three have headpieces. Whilst only the vaguest details remain it may represent Ptah-Sokar-Osiris. one figure appears to be bearded, possibly Serapis. All three figures are bound together by a serpent. The condition is reasonable, though extensive damage has occurred to the central figure. | 82Human Figurine
| pendant | bronze | Graeco-Roman Period | Egypt |
|
eg782 | eg782 bb.jpg | data/raw/images/egyptian/eg | Small copper alloy pendant of a human headed triad. The features are poorly depicted, they appear to be in a mummified form and all three have headpieces. Whilst only the vaguest details remain it may represent Ptah-Sokar-Osiris. one figure appears to be bearded, possibly Serapis. All three figures are bound together by a serpent. The condition is reasonable, though extensive damage has occurred to the central figure. | 82Human Figurine
| pendant | bronze | Graeco-Roman Period | Egypt |
End of preview. Expand
in Dataset Viewer.
README.md exists but content is empty.
- Downloads last month
- 48