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durom.1969.607 | 1969.607-d2.jpg | data/raw/images/oriental/1969 | Blue and white brush pot decorated with figure and landscape design. The bottom is unglazed with a slightly concave centre. The exposed roughcast is white and pure, glossy, finely-washed, flinty and dense. The areas near the mouth and bottom are respectively decorated with one and two incised twin-string-pattern. On the surface of the main body there are depicted moon, rocks, water wave, two figures, branches and grass, which integrate to form a picture in the style of literati painting of Yuan and Ming dynasties. | 22Brush Pot
| 青花高仕图笔筒 | porcelain | Transitional Period | Jingdezhen |
|
durom.1969.607 | 1969.607-d2.jpg | data/raw/images/oriental/1969 | Blue and white brush pot decorated with figure and landscape design. The bottom is unglazed with a slightly concave centre. The exposed roughcast is white and pure, glossy, finely-washed, flinty and dense. The areas near the mouth and bottom are respectively decorated with one and two incised twin-string-pattern. On the surface of the main body there are depicted moon, rocks, water wave, two figures, branches and grass, which integrate to form a picture in the style of literati painting of Yuan and Ming dynasties. | 22Brush Pot
| 青花高仕图笔筒 | porcelain | Transitional Period | Jingdezhen |
|
durom.1969.607 | 1969.607-d2.jpg | data/raw/images/oriental/1969 | Blue and white brush pot decorated with figure and landscape design. The bottom is unglazed with a slightly concave centre. The exposed roughcast is white and pure, glossy, finely-washed, flinty and dense. The areas near the mouth and bottom are respectively decorated with one and two incised twin-string-pattern. On the surface of the main body there are depicted moon, rocks, water wave, two figures, branches and grass, which integrate to form a picture in the style of literati painting of Yuan and Ming dynasties. | 22Brush Pot
| 青花高仕图笔筒 | porcelain | Transitional Period | Jingdezhen |
|
durom.1969.607 | 1969.607-d2.jpg | data/raw/images/oriental/1969 | Blue and white brush pot decorated with figure and landscape design. The bottom is unglazed with a slightly concave centre. The exposed roughcast is white and pure, glossy, finely-washed, flinty and dense. The areas near the mouth and bottom are respectively decorated with one and two incised twin-string-pattern. On the surface of the main body there are depicted moon, rocks, water wave, two figures, branches and grass, which integrate to form a picture in the style of literati painting of Yuan and Ming dynasties. | 22Brush Pot
| 青花高仕图笔筒 | porcelain | Transitional Period | Jingdezhen |
|
durom.1969.607 | 1969.607-d2.jpg | data/raw/images/oriental/1969 | Blue and white brush pot decorated with figure and landscape design. The bottom is unglazed with a slightly concave centre. The exposed roughcast is white and pure, glossy, finely-washed, flinty and dense. The areas near the mouth and bottom are respectively decorated with one and two incised twin-string-pattern. On the surface of the main body there are depicted moon, rocks, water wave, two figures, branches and grass, which integrate to form a picture in the style of literati painting of Yuan and Ming dynasties. | 22Brush Pot
| 青花高仕图笔筒 | porcelain | Transitional Period | Jingdezhen |
|
durom.1969.177 | durom.1969.177-h1.jpg | data/raw/images/oriental/1969 | Porcelain winepot in the form of a peach, covered with deep blue glaze with an aubergine tone, which is a shade of the "Qiepizi" glaze (Chinese:茄皮紫, English: Aubergine Glaze). | 160Wine Pot
| 茄皮紫釉桃形壶 | porcelain | Kangxi | Jingdezhen |
|
durom.1969.177 | durom.1969.177-h1.jpg | data/raw/images/oriental/1969 | Porcelain winepot in the form of a peach, covered with deep blue glaze with an aubergine tone, which is a shade of the "Qiepizi" glaze (Chinese:茄皮紫, English: Aubergine Glaze). | 160Wine Pot
| 茄皮紫釉桃形壶 | porcelain | Kangxi | Jingdezhen |
|
durom.1969.177 | durom.1969.177-h1.jpg | data/raw/images/oriental/1969 | Porcelain winepot in the form of a peach, covered with deep blue glaze with an aubergine tone, which is a shade of the "Qiepizi" glaze (Chinese:茄皮紫, English: Aubergine Glaze). | 160Wine Pot
| 茄皮紫釉桃形壶 | porcelain | Kangxi | Jingdezhen |
|
durom.1969.177 | durom.1969.177-h1.jpg | data/raw/images/oriental/1969 | Porcelain winepot in the form of a peach, covered with deep blue glaze with an aubergine tone, which is a shade of the "Qiepizi" glaze (Chinese:茄皮紫, English: Aubergine Glaze). | 160Wine Pot
| 茄皮紫釉桃形壶 | porcelain | Kangxi | Jingdezhen |
|
durom.1969.177 | durom.1969.177-h1.jpg | data/raw/images/oriental/1969 | Porcelain winepot in the form of a peach, covered with deep blue glaze with an aubergine tone, which is a shade of the "Qiepizi" glaze (Chinese:茄皮紫, English: Aubergine Glaze). | 160Wine Pot
| 茄皮紫釉桃形壶 | porcelain | Kangxi | Jingdezhen |
|
durom.2015.278 | durom.2015.278-bb.jpg | data/raw/images/oriental/2015 | A child's dress made from green silk. It has two main sections, a top attached to a pleated skirt. Bands of gold fabric are sewn around the garment just above the hem, around the end of the long sleeves, and around the design on the front. There is a patch of black fabric at the neck of the garment, which has an orange pattern sewn into it with a pink flower in the centre. The middle of the flower, the five petals, and four circles in the orange section contain reflective sequins. | 267dresses
| null | silk | 20th century | West Asia |
|
durom.2015.278 | durom.2015.278-bb.jpg | data/raw/images/oriental/2015 | A child's dress made from green silk. It has two main sections, a top attached to a pleated skirt. Bands of gold fabric are sewn around the garment just above the hem, around the end of the long sleeves, and around the design on the front. There is a patch of black fabric at the neck of the garment, which has an orange pattern sewn into it with a pink flower in the centre. The middle of the flower, the five petals, and four circles in the orange section contain reflective sequins. | 267dresses
| null | silk | 20th century | West Asia |
|
durom.2015.278 | durom.2015.278-bb.jpg | data/raw/images/oriental/2015 | A child's dress made from green silk. It has two main sections, a top attached to a pleated skirt. Bands of gold fabric are sewn around the garment just above the hem, around the end of the long sleeves, and around the design on the front. There is a patch of black fabric at the neck of the garment, which has an orange pattern sewn into it with a pink flower in the centre. The middle of the flower, the five petals, and four circles in the orange section contain reflective sequins. | 267dresses
| null | silk | 20th century | West Asia |
|
durom.2015.278 | durom.2015.278-bb.jpg | data/raw/images/oriental/2015 | A child's dress made from green silk. It has two main sections, a top attached to a pleated skirt. Bands of gold fabric are sewn around the garment just above the hem, around the end of the long sleeves, and around the design on the front. There is a patch of black fabric at the neck of the garment, which has an orange pattern sewn into it with a pink flower in the centre. The middle of the flower, the five petals, and four circles in the orange section contain reflective sequins. | 267dresses
| null | silk | 20th century | West Asia |
|
durom.2015.278 | durom.2015.278-bb.jpg | data/raw/images/oriental/2015 | A child's dress made from green silk. It has two main sections, a top attached to a pleated skirt. Bands of gold fabric are sewn around the garment just above the hem, around the end of the long sleeves, and around the design on the front. There is a patch of black fabric at the neck of the garment, which has an orange pattern sewn into it with a pink flower in the centre. The middle of the flower, the five petals, and four circles in the orange section contain reflective sequins. | 267dresses
| null | silk | 20th century | West Asia |
|
durom.1971.38 | 1971.38.a d2.jpg | data/raw/images/oriental/1971 | six Burmese lacquer bowls with gold rims. | 204bowls
| null | lacquer | null | Myanmar |
|
durom.1971.38 | 1971.38.a d2.jpg | data/raw/images/oriental/1971 | six Burmese lacquer bowls with gold rims. | 204bowls
| null | lacquer | null | Myanmar |
|
durom.1971.38 | 1971.38.a d2.jpg | data/raw/images/oriental/1971 | six Burmese lacquer bowls with gold rims. | 204bowls
| null | lacquer | null | Myanmar |
|
durom.1971.38 | 1971.38.a d2.jpg | data/raw/images/oriental/1971 | six Burmese lacquer bowls with gold rims. | 204bowls
| null | lacquer | null | Myanmar |
|
durom.1971.38 | 1971.38.a d2.jpg | data/raw/images/oriental/1971 | six Burmese lacquer bowls with gold rims. | 204bowls
| null | lacquer | null | Myanmar |
|
durom.2013.23 | 2013.23.jpg | data/raw/images/oriental/2013 | Length of blue flat weave cotton fabric printed with a repeating design of stars and skull and cross bones. The fabric is coated with a possibly rubberised glittery coating. The stars are small yellow and five pointed. The skull and cross bones all wear black skull caps and eye patches. Some of the skulls have heart shaped eyes; some have red heart shaped eye patches. | 19Bolt
| null | cotton | Heisei Period | Japan (country) |
|
durom.2013.23 | 2013.23.jpg | data/raw/images/oriental/2013 | Length of blue flat weave cotton fabric printed with a repeating design of stars and skull and cross bones. The fabric is coated with a possibly rubberised glittery coating. The stars are small yellow and five pointed. The skull and cross bones all wear black skull caps and eye patches. Some of the skulls have heart shaped eyes; some have red heart shaped eye patches. | 19Bolt
| null | cotton | Heisei Period | Japan (country) |
|
durom.2013.23 | 2013.23.jpg | data/raw/images/oriental/2013 | Length of blue flat weave cotton fabric printed with a repeating design of stars and skull and cross bones. The fabric is coated with a possibly rubberised glittery coating. The stars are small yellow and five pointed. The skull and cross bones all wear black skull caps and eye patches. Some of the skulls have heart shaped eyes; some have red heart shaped eye patches. | 19Bolt
| null | cotton | Heisei Period | Japan (country) |
|
durom.2013.23 | 2013.23.jpg | data/raw/images/oriental/2013 | Length of blue flat weave cotton fabric printed with a repeating design of stars and skull and cross bones. The fabric is coated with a possibly rubberised glittery coating. The stars are small yellow and five pointed. The skull and cross bones all wear black skull caps and eye patches. Some of the skulls have heart shaped eyes; some have red heart shaped eye patches. | 19Bolt
| null | cotton | Heisei Period | Japan (country) |
|
durom.2013.23 | 2013.23.jpg | data/raw/images/oriental/2013 | Length of blue flat weave cotton fabric printed with a repeating design of stars and skull and cross bones. The fabric is coated with a possibly rubberised glittery coating. The stars are small yellow and five pointed. The skull and cross bones all wear black skull caps and eye patches. Some of the skulls have heart shaped eyes; some have red heart shaped eye patches. | 19Bolt
| null | cotton | Heisei Period | Japan (country) |
|
durom.2013.70.26 | 2013.70.26-bb.jpg | data/raw/images/oriental/2013 | Playing card. Jack of Clubs. On the face of the card is an image of the Kumsusan Memorial Palace for Kim Il Sung in Pyongyang. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China |
|
durom.2013.70.26 | 2013.70.26-bb.jpg | data/raw/images/oriental/2013 | Playing card. Jack of Clubs. On the face of the card is an image of the Kumsusan Memorial Palace for Kim Il Sung in Pyongyang. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China |
|
durom.2013.70.26 | 2013.70.26-bb.jpg | data/raw/images/oriental/2013 | Playing card. Jack of Clubs. On the face of the card is an image of the Kumsusan Memorial Palace for Kim Il Sung in Pyongyang. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China |
|
durom.2013.70.26 | 2013.70.26-bb.jpg | data/raw/images/oriental/2013 | Playing card. Jack of Clubs. On the face of the card is an image of the Kumsusan Memorial Palace for Kim Il Sung in Pyongyang. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China |
|
durom.2013.70.26 | 2013.70.26-bb.jpg | data/raw/images/oriental/2013 | Playing card. Jack of Clubs. On the face of the card is an image of the Kumsusan Memorial Palace for Kim Il Sung in Pyongyang. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 386playing cards
| null | cards | null | China |
|
durom.2012.137 | 2012.137.3-bb.jpg | data/raw/images/oriental/2012 | Rozen maiden Shinku (Reiner Rubin) cosplay female costume ensemble._x000D__x000D_
DUROM.2012.137.1 Red cotton and spandex velvet long sleeved calf length dress, with gathered frills at waist and hem. Nylon zip in the right hand side, the ends of a sash attached in the two side seams at the waist._x000D__x000D_
DUROM.2012.137.2 Red plush velvet short cape with a frilled edge, stand up collar and a pink polyester satin ribbon rose trim._x000D__x000D_
DUROM.2012.137.3 Red stretch velvet headdress, pleated onto a broad green polyester satin ribbon tie. 2 pink fabric roses attached at the neck._x000D__x000D_
DUROM.2012.137.4 and 5 Pair of black shoes, possibly leather, possibly plastic, with red fabric roses attached near the toe and a shiny black leather or plastic bow at each heel. Size 38, maker Zingshan._x000D__x000D_
DUROM.2012.137.6 and 7 Pair of black patent leather or plastic ankle straps with Velcro fastenings._x000D__x000D_
DUROM.2012.137.8 White cotton poplin bloomers with tightly elasticated waist and frilled cuffs._x000D__x000D_
DUROM.2012.137.9 White nylon petticoat with a nylon zip in the back centre seam and a lace trim along the hem. | 272ensembles
| null | cotton | Heisei Period | Shanghai |
|
durom.2012.137 | 2012.137.3-bb.jpg | data/raw/images/oriental/2012 | Rozen maiden Shinku (Reiner Rubin) cosplay female costume ensemble._x000D__x000D_
DUROM.2012.137.1 Red cotton and spandex velvet long sleeved calf length dress, with gathered frills at waist and hem. Nylon zip in the right hand side, the ends of a sash attached in the two side seams at the waist._x000D__x000D_
DUROM.2012.137.2 Red plush velvet short cape with a frilled edge, stand up collar and a pink polyester satin ribbon rose trim._x000D__x000D_
DUROM.2012.137.3 Red stretch velvet headdress, pleated onto a broad green polyester satin ribbon tie. 2 pink fabric roses attached at the neck._x000D__x000D_
DUROM.2012.137.4 and 5 Pair of black shoes, possibly leather, possibly plastic, with red fabric roses attached near the toe and a shiny black leather or plastic bow at each heel. Size 38, maker Zingshan._x000D__x000D_
DUROM.2012.137.6 and 7 Pair of black patent leather or plastic ankle straps with Velcro fastenings._x000D__x000D_
DUROM.2012.137.8 White cotton poplin bloomers with tightly elasticated waist and frilled cuffs._x000D__x000D_
DUROM.2012.137.9 White nylon petticoat with a nylon zip in the back centre seam and a lace trim along the hem. | 272ensembles
| null | cotton | Heisei Period | Shanghai |
|
durom.2012.137 | 2012.137.3-bb.jpg | data/raw/images/oriental/2012 | Rozen maiden Shinku (Reiner Rubin) cosplay female costume ensemble._x000D__x000D_
DUROM.2012.137.1 Red cotton and spandex velvet long sleeved calf length dress, with gathered frills at waist and hem. Nylon zip in the right hand side, the ends of a sash attached in the two side seams at the waist._x000D__x000D_
DUROM.2012.137.2 Red plush velvet short cape with a frilled edge, stand up collar and a pink polyester satin ribbon rose trim._x000D__x000D_
DUROM.2012.137.3 Red stretch velvet headdress, pleated onto a broad green polyester satin ribbon tie. 2 pink fabric roses attached at the neck._x000D__x000D_
DUROM.2012.137.4 and 5 Pair of black shoes, possibly leather, possibly plastic, with red fabric roses attached near the toe and a shiny black leather or plastic bow at each heel. Size 38, maker Zingshan._x000D__x000D_
DUROM.2012.137.6 and 7 Pair of black patent leather or plastic ankle straps with Velcro fastenings._x000D__x000D_
DUROM.2012.137.8 White cotton poplin bloomers with tightly elasticated waist and frilled cuffs._x000D__x000D_
DUROM.2012.137.9 White nylon petticoat with a nylon zip in the back centre seam and a lace trim along the hem. | 272ensembles
| null | cotton | Heisei Period | Shanghai |
|
durom.2012.137 | 2012.137.3-bb.jpg | data/raw/images/oriental/2012 | Rozen maiden Shinku (Reiner Rubin) cosplay female costume ensemble._x000D__x000D_
DUROM.2012.137.1 Red cotton and spandex velvet long sleeved calf length dress, with gathered frills at waist and hem. Nylon zip in the right hand side, the ends of a sash attached in the two side seams at the waist._x000D__x000D_
DUROM.2012.137.2 Red plush velvet short cape with a frilled edge, stand up collar and a pink polyester satin ribbon rose trim._x000D__x000D_
DUROM.2012.137.3 Red stretch velvet headdress, pleated onto a broad green polyester satin ribbon tie. 2 pink fabric roses attached at the neck._x000D__x000D_
DUROM.2012.137.4 and 5 Pair of black shoes, possibly leather, possibly plastic, with red fabric roses attached near the toe and a shiny black leather or plastic bow at each heel. Size 38, maker Zingshan._x000D__x000D_
DUROM.2012.137.6 and 7 Pair of black patent leather or plastic ankle straps with Velcro fastenings._x000D__x000D_
DUROM.2012.137.8 White cotton poplin bloomers with tightly elasticated waist and frilled cuffs._x000D__x000D_
DUROM.2012.137.9 White nylon petticoat with a nylon zip in the back centre seam and a lace trim along the hem. | 272ensembles
| null | cotton | Heisei Period | Shanghai |
|
durom.2012.137 | 2012.137.3-bb.jpg | data/raw/images/oriental/2012 | Rozen maiden Shinku (Reiner Rubin) cosplay female costume ensemble._x000D__x000D_
DUROM.2012.137.1 Red cotton and spandex velvet long sleeved calf length dress, with gathered frills at waist and hem. Nylon zip in the right hand side, the ends of a sash attached in the two side seams at the waist._x000D__x000D_
DUROM.2012.137.2 Red plush velvet short cape with a frilled edge, stand up collar and a pink polyester satin ribbon rose trim._x000D__x000D_
DUROM.2012.137.3 Red stretch velvet headdress, pleated onto a broad green polyester satin ribbon tie. 2 pink fabric roses attached at the neck._x000D__x000D_
DUROM.2012.137.4 and 5 Pair of black shoes, possibly leather, possibly plastic, with red fabric roses attached near the toe and a shiny black leather or plastic bow at each heel. Size 38, maker Zingshan._x000D__x000D_
DUROM.2012.137.6 and 7 Pair of black patent leather or plastic ankle straps with Velcro fastenings._x000D__x000D_
DUROM.2012.137.8 White cotton poplin bloomers with tightly elasticated waist and frilled cuffs._x000D__x000D_
DUROM.2012.137.9 White nylon petticoat with a nylon zip in the back centre seam and a lace trim along the hem. | 272ensembles
| null | cotton | Heisei Period | Shanghai |
|
durma.2020.3.2150 | durma.2020.3.2150-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy harness pendant that is Roman in date. The pendant consists of a suspension loop that is attached to a tube shaped section that tapers towards the termination. Halfway down this section is an incised border and in between the loop and the section is a thicker rim. The object is green in colour and is complete and well preserved. It weighs 11.3g and measures 43.70mm in length and 9.52mm in width. The diameter of the suspension loop is 13.26mm. | 375pendants
| null | null | Roman | null |
|
durma.2020.3.2150 | durma.2020.3.2150-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy harness pendant that is Roman in date. The pendant consists of a suspension loop that is attached to a tube shaped section that tapers towards the termination. Halfway down this section is an incised border and in between the loop and the section is a thicker rim. The object is green in colour and is complete and well preserved. It weighs 11.3g and measures 43.70mm in length and 9.52mm in width. The diameter of the suspension loop is 13.26mm. | 375pendants
| null | null | Roman | null |
|
durma.2020.3.2150 | durma.2020.3.2150-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy harness pendant that is Roman in date. The pendant consists of a suspension loop that is attached to a tube shaped section that tapers towards the termination. Halfway down this section is an incised border and in between the loop and the section is a thicker rim. The object is green in colour and is complete and well preserved. It weighs 11.3g and measures 43.70mm in length and 9.52mm in width. The diameter of the suspension loop is 13.26mm. | 375pendants
| null | null | Roman | null |
|
durma.2020.3.2150 | durma.2020.3.2150-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy harness pendant that is Roman in date. The pendant consists of a suspension loop that is attached to a tube shaped section that tapers towards the termination. Halfway down this section is an incised border and in between the loop and the section is a thicker rim. The object is green in colour and is complete and well preserved. It weighs 11.3g and measures 43.70mm in length and 9.52mm in width. The diameter of the suspension loop is 13.26mm. | 375pendants
| null | null | Roman | null |
|
durma.2020.3.2150 | durma.2020.3.2150-ff.jpg | data/raw/images/fulling_mill/2020 | A copper alloy harness pendant that is Roman in date. The pendant consists of a suspension loop that is attached to a tube shaped section that tapers towards the termination. Halfway down this section is an incised border and in between the loop and the section is a thicker rim. The object is green in colour and is complete and well preserved. It weighs 11.3g and measures 43.70mm in length and 9.52mm in width. The diameter of the suspension loop is 13.26mm. | 375pendants
| null | null | Roman | null |
|
durom.1964.117 | 1964.117b.jpg | data/raw/images/egyptian/1964 | long, thin and beige flint knife blade with serrated edges | 51Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1964.117 | 1964.117b.jpg | data/raw/images/egyptian/1964 | long, thin and beige flint knife blade with serrated edges | 51Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1964.117 | 1964.117b.jpg | data/raw/images/egyptian/1964 | long, thin and beige flint knife blade with serrated edges | 51Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1964.117 | 1964.117b.jpg | data/raw/images/egyptian/1964 | long, thin and beige flint knife blade with serrated edges | 51Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1964.117 | 1964.117b.jpg | data/raw/images/egyptian/1964 | long, thin and beige flint knife blade with serrated edges | 51Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt |
|
durom.1960.2518 | 1960.2518-tt.jpg | data/raw/images/oriental/1960 | Jade wrist rest or arm rest (or Bige/臂搁, by its Chinese name), brown and black and olive green markings. There is a crescent hollow on the surface for the wrist resting; a pair of toads facing each other at the edge of the hollow. Reverse, sprays of lotus buds extend to the side of the wrist rest. | 176armrests
| 玉石双蟾臂搁 | jade | null | China |
|
durom.1960.2518 | 1960.2518-tt.jpg | data/raw/images/oriental/1960 | Jade wrist rest or arm rest (or Bige/臂搁, by its Chinese name), brown and black and olive green markings. There is a crescent hollow on the surface for the wrist resting; a pair of toads facing each other at the edge of the hollow. Reverse, sprays of lotus buds extend to the side of the wrist rest. | 176armrests
| 玉石双蟾臂搁 | jade | null | China |
|
durom.1960.2518 | 1960.2518-tt.jpg | data/raw/images/oriental/1960 | Jade wrist rest or arm rest (or Bige/臂搁, by its Chinese name), brown and black and olive green markings. There is a crescent hollow on the surface for the wrist resting; a pair of toads facing each other at the edge of the hollow. Reverse, sprays of lotus buds extend to the side of the wrist rest. | 176armrests
| 玉石双蟾臂搁 | jade | null | China |
|
durom.1960.2518 | 1960.2518-tt.jpg | data/raw/images/oriental/1960 | Jade wrist rest or arm rest (or Bige/臂搁, by its Chinese name), brown and black and olive green markings. There is a crescent hollow on the surface for the wrist resting; a pair of toads facing each other at the edge of the hollow. Reverse, sprays of lotus buds extend to the side of the wrist rest. | 176armrests
| 玉石双蟾臂搁 | jade | null | China |
|
durom.1960.2518 | 1960.2518-tt.jpg | data/raw/images/oriental/1960 | Jade wrist rest or arm rest (or Bige/臂搁, by its Chinese name), brown and black and olive green markings. There is a crescent hollow on the surface for the wrist resting; a pair of toads facing each other at the edge of the hollow. Reverse, sprays of lotus buds extend to the side of the wrist rest. | 176armrests
| 玉石双蟾臂搁 | jade | null | China |
|
eg1195 | eg1195.1-2-d1.jpg | data/raw/images/egyptian/eg | the lid found during auditing is of a human figure (rather than baboon) | 221canopic jars
| canopic jar | travertine | null | Egypt |
|
eg1195 | eg1195.1-2-d1.jpg | data/raw/images/egyptian/eg | the lid found during auditing is of a human figure (rather than baboon) | 221canopic jars
| canopic jar | travertine | null | Egypt |
|
eg1195 | eg1195.1-2-d1.jpg | data/raw/images/egyptian/eg | the lid found during auditing is of a human figure (rather than baboon) | 221canopic jars
| canopic jar | travertine | null | Egypt |
|
eg1195 | eg1195.1-2-d1.jpg | data/raw/images/egyptian/eg | the lid found during auditing is of a human figure (rather than baboon) | 221canopic jars
| canopic jar | travertine | null | Egypt |
|
eg1195 | eg1195.1-2-d1.jpg | data/raw/images/egyptian/eg | the lid found during auditing is of a human figure (rather than baboon) | 221canopic jars
| canopic jar | travertine | null | Egypt |
|
durom.1955.lennard11 | durom.1955.lennard11-uu.jpg | data/raw/images/oriental/1955 | Metal bowl engraved with stylised calligraphy | 204bowls
| null | metal | Qajar Dynasty | Sri Lanka |
|
durom.1955.lennard11 | durom.1955.lennard11-uu.jpg | data/raw/images/oriental/1955 | Metal bowl engraved with stylised calligraphy | 204bowls
| null | metal | Qajar Dynasty | Sri Lanka |
|
durom.1955.lennard11 | durom.1955.lennard11-uu.jpg | data/raw/images/oriental/1955 | Metal bowl engraved with stylised calligraphy | 204bowls
| null | metal | Qajar Dynasty | Sri Lanka |
|
durom.1955.lennard11 | durom.1955.lennard11-uu.jpg | data/raw/images/oriental/1955 | Metal bowl engraved with stylised calligraphy | 204bowls
| null | metal | Qajar Dynasty | Sri Lanka |
|
durom.1955.lennard11 | durom.1955.lennard11-uu.jpg | data/raw/images/oriental/1955 | Metal bowl engraved with stylised calligraphy | 204bowls
| null | metal | Qajar Dynasty | Sri Lanka |
|
durom.1962.13.18 | 1962.13.18.jpg | data/raw/images/oriental/1962 | Colour woodblock print, depicting the warrior Okashima Yasoemon Tsunetatsu, from the series Seichu gishi den (Biographies of Loyal Retainers), by Utagawa Kuniyoshi, Japan, 1847-1852 (signed Ichiyusai Kuniyoshi ga) | 161Woodblock Print
| null | paper | Edo Period | Japan (country) |
|
durom.1962.13.18 | 1962.13.18.jpg | data/raw/images/oriental/1962 | Colour woodblock print, depicting the warrior Okashima Yasoemon Tsunetatsu, from the series Seichu gishi den (Biographies of Loyal Retainers), by Utagawa Kuniyoshi, Japan, 1847-1852 (signed Ichiyusai Kuniyoshi ga) | 161Woodblock Print
| null | paper | Edo Period | Japan (country) |
|
durom.1962.13.18 | 1962.13.18.jpg | data/raw/images/oriental/1962 | Colour woodblock print, depicting the warrior Okashima Yasoemon Tsunetatsu, from the series Seichu gishi den (Biographies of Loyal Retainers), by Utagawa Kuniyoshi, Japan, 1847-1852 (signed Ichiyusai Kuniyoshi ga) | 161Woodblock Print
| null | paper | Edo Period | Japan (country) |
|
durom.1962.13.18 | 1962.13.18.jpg | data/raw/images/oriental/1962 | Colour woodblock print, depicting the warrior Okashima Yasoemon Tsunetatsu, from the series Seichu gishi den (Biographies of Loyal Retainers), by Utagawa Kuniyoshi, Japan, 1847-1852 (signed Ichiyusai Kuniyoshi ga) | 161Woodblock Print
| null | paper | Edo Period | Japan (country) |
|
durom.1962.13.18 | 1962.13.18.jpg | data/raw/images/oriental/1962 | Colour woodblock print, depicting the warrior Okashima Yasoemon Tsunetatsu, from the series Seichu gishi den (Biographies of Loyal Retainers), by Utagawa Kuniyoshi, Japan, 1847-1852 (signed Ichiyusai Kuniyoshi ga) | 161Woodblock Print
| null | paper | Edo Period | Japan (country) |
|
durom.1969.85 | 1969.85-d1.jpg | data/raw/images/oriental/1969 | Stoneware jar with constricted mouth, covered with black glaze and painted with silvery pattern of lotus design, not lily design. | 327jars
| 黑釉银彩莲纹罐 | stoneware | Song | Henan Province |
|
durom.1969.85 | 1969.85-d1.jpg | data/raw/images/oriental/1969 | Stoneware jar with constricted mouth, covered with black glaze and painted with silvery pattern of lotus design, not lily design. | 327jars
| 黑釉银彩莲纹罐 | stoneware | Song | Henan Province |
|
durom.1969.85 | 1969.85-d1.jpg | data/raw/images/oriental/1969 | Stoneware jar with constricted mouth, covered with black glaze and painted with silvery pattern of lotus design, not lily design. | 327jars
| 黑釉银彩莲纹罐 | stoneware | Song | Henan Province |
|
durom.1969.85 | 1969.85-d1.jpg | data/raw/images/oriental/1969 | Stoneware jar with constricted mouth, covered with black glaze and painted with silvery pattern of lotus design, not lily design. | 327jars
| 黑釉银彩莲纹罐 | stoneware | Song | Henan Province |
|
durom.1969.85 | 1969.85-d1.jpg | data/raw/images/oriental/1969 | Stoneware jar with constricted mouth, covered with black glaze and painted with silvery pattern of lotus design, not lily design. | 327jars
| 黑釉银彩莲纹罐 | stoneware | Song | Henan Province |
|
durma.2020.3.446 | durma.2020.3.446-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete object, probably a composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises a circular copper-alloy head which is trapezoidal in section. Both the upper and lower surfaces of the head are obscured by lead-alloy or solder. The object measures 18mm in diameter and has a maximum thickness of 4mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/800613 | 465studs
| null | copper alloy | Roman | null |
|
durma.2020.3.446 | durma.2020.3.446-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete object, probably a composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises a circular copper-alloy head which is trapezoidal in section. Both the upper and lower surfaces of the head are obscured by lead-alloy or solder. The object measures 18mm in diameter and has a maximum thickness of 4mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/800613 | 465studs
| null | copper alloy | Roman | null |
|
durma.2020.3.446 | durma.2020.3.446-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete object, probably a composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises a circular copper-alloy head which is trapezoidal in section. Both the upper and lower surfaces of the head are obscured by lead-alloy or solder. The object measures 18mm in diameter and has a maximum thickness of 4mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/800613 | 465studs
| null | copper alloy | Roman | null |
|
durma.2020.3.446 | durma.2020.3.446-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete object, probably a composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises a circular copper-alloy head which is trapezoidal in section. Both the upper and lower surfaces of the head are obscured by lead-alloy or solder. The object measures 18mm in diameter and has a maximum thickness of 4mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/800613 | 465studs
| null | copper alloy | Roman | null |
|
durma.2020.3.446 | durma.2020.3.446-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete object, probably a composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The object comprises a circular copper-alloy head which is trapezoidal in section. Both the upper and lower surfaces of the head are obscured by lead-alloy or solder. The object measures 18mm in diameter and has a maximum thickness of 4mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/800613 | 465studs
| null | copper alloy | Roman | null |
|
durma.2020.3.2218 | durma.2020.3.2218-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete cowhide shoe, possibly a military boot dating to the late second or early third century AD. The shoe has been designed to be worn on the left foot. The shoe is swayed and very pointed. The toe turns noticeably inward. The toe is very pointed and tapers to the tread of the foot. The waist and seat are almost straight, with little variation in width. A single line of studs runs around the outer edge of the shoe, with four straight lines in the tread down to the waist. There is a single line in the waist towards the outer edge, but otherwise the waist is open and free of studs under the arch of the foot. The seat has three straight lines within the outer line, the outer line ranging outward a bit and running the full length up into the waist and tread.This is the sole unit typical of a military marching boot. The stud pattern is not decorative or artistic, but rather entirely practical for heavy use, for instance in marching or physical labour. The style is typical of the utilitarian shoes that predominate elsewhere in the late 2nd and early 3rd centuries, especially in the Period 6B ditches at Vindolanda (Greene, forthcoming). The size certainly indicates ownership by a male and at over 28cm it is typical of the very largest shoes found in many assemblages.MEASUREMENTS:(Insole)Full length: 28.4cm (max. preservation; originally ca. 29-30cm)Width at tread: 9.2cmWidth at waist: 5.5cmWidth at seat: 5.7cm(Treadsole)Full length: 28cm (originally 30-31cm)Width at tread: 9cmWidth at waist: 6.4cmWidth at seat: 7.3cm All sole layers are preserved, but in somewhat poor condition. The very back of the seat is corroded, taking about 1-2.0cm off the end. Most studs remain but some have fallen out. There is some wear and breakdown on the outer edge at the tread. | 441shoes
| null | null | Roman | null |
|
durma.2020.3.2218 | durma.2020.3.2218-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete cowhide shoe, possibly a military boot dating to the late second or early third century AD. The shoe has been designed to be worn on the left foot. The shoe is swayed and very pointed. The toe turns noticeably inward. The toe is very pointed and tapers to the tread of the foot. The waist and seat are almost straight, with little variation in width. A single line of studs runs around the outer edge of the shoe, with four straight lines in the tread down to the waist. There is a single line in the waist towards the outer edge, but otherwise the waist is open and free of studs under the arch of the foot. The seat has three straight lines within the outer line, the outer line ranging outward a bit and running the full length up into the waist and tread.This is the sole unit typical of a military marching boot. The stud pattern is not decorative or artistic, but rather entirely practical for heavy use, for instance in marching or physical labour. The style is typical of the utilitarian shoes that predominate elsewhere in the late 2nd and early 3rd centuries, especially in the Period 6B ditches at Vindolanda (Greene, forthcoming). The size certainly indicates ownership by a male and at over 28cm it is typical of the very largest shoes found in many assemblages.MEASUREMENTS:(Insole)Full length: 28.4cm (max. preservation; originally ca. 29-30cm)Width at tread: 9.2cmWidth at waist: 5.5cmWidth at seat: 5.7cm(Treadsole)Full length: 28cm (originally 30-31cm)Width at tread: 9cmWidth at waist: 6.4cmWidth at seat: 7.3cm All sole layers are preserved, but in somewhat poor condition. The very back of the seat is corroded, taking about 1-2.0cm off the end. Most studs remain but some have fallen out. There is some wear and breakdown on the outer edge at the tread. | 441shoes
| null | null | Roman | null |
|
durma.2020.3.2218 | durma.2020.3.2218-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete cowhide shoe, possibly a military boot dating to the late second or early third century AD. The shoe has been designed to be worn on the left foot. The shoe is swayed and very pointed. The toe turns noticeably inward. The toe is very pointed and tapers to the tread of the foot. The waist and seat are almost straight, with little variation in width. A single line of studs runs around the outer edge of the shoe, with four straight lines in the tread down to the waist. There is a single line in the waist towards the outer edge, but otherwise the waist is open and free of studs under the arch of the foot. The seat has three straight lines within the outer line, the outer line ranging outward a bit and running the full length up into the waist and tread.This is the sole unit typical of a military marching boot. The stud pattern is not decorative or artistic, but rather entirely practical for heavy use, for instance in marching or physical labour. The style is typical of the utilitarian shoes that predominate elsewhere in the late 2nd and early 3rd centuries, especially in the Period 6B ditches at Vindolanda (Greene, forthcoming). The size certainly indicates ownership by a male and at over 28cm it is typical of the very largest shoes found in many assemblages.MEASUREMENTS:(Insole)Full length: 28.4cm (max. preservation; originally ca. 29-30cm)Width at tread: 9.2cmWidth at waist: 5.5cmWidth at seat: 5.7cm(Treadsole)Full length: 28cm (originally 30-31cm)Width at tread: 9cmWidth at waist: 6.4cmWidth at seat: 7.3cm All sole layers are preserved, but in somewhat poor condition. The very back of the seat is corroded, taking about 1-2.0cm off the end. Most studs remain but some have fallen out. There is some wear and breakdown on the outer edge at the tread. | 441shoes
| null | null | Roman | null |
|
durma.2020.3.2218 | durma.2020.3.2218-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete cowhide shoe, possibly a military boot dating to the late second or early third century AD. The shoe has been designed to be worn on the left foot. The shoe is swayed and very pointed. The toe turns noticeably inward. The toe is very pointed and tapers to the tread of the foot. The waist and seat are almost straight, with little variation in width. A single line of studs runs around the outer edge of the shoe, with four straight lines in the tread down to the waist. There is a single line in the waist towards the outer edge, but otherwise the waist is open and free of studs under the arch of the foot. The seat has three straight lines within the outer line, the outer line ranging outward a bit and running the full length up into the waist and tread.This is the sole unit typical of a military marching boot. The stud pattern is not decorative or artistic, but rather entirely practical for heavy use, for instance in marching or physical labour. The style is typical of the utilitarian shoes that predominate elsewhere in the late 2nd and early 3rd centuries, especially in the Period 6B ditches at Vindolanda (Greene, forthcoming). The size certainly indicates ownership by a male and at over 28cm it is typical of the very largest shoes found in many assemblages.MEASUREMENTS:(Insole)Full length: 28.4cm (max. preservation; originally ca. 29-30cm)Width at tread: 9.2cmWidth at waist: 5.5cmWidth at seat: 5.7cm(Treadsole)Full length: 28cm (originally 30-31cm)Width at tread: 9cmWidth at waist: 6.4cmWidth at seat: 7.3cm All sole layers are preserved, but in somewhat poor condition. The very back of the seat is corroded, taking about 1-2.0cm off the end. Most studs remain but some have fallen out. There is some wear and breakdown on the outer edge at the tread. | 441shoes
| null | null | Roman | null |
|
durma.2020.3.2218 | durma.2020.3.2218-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete cowhide shoe, possibly a military boot dating to the late second or early third century AD. The shoe has been designed to be worn on the left foot. The shoe is swayed and very pointed. The toe turns noticeably inward. The toe is very pointed and tapers to the tread of the foot. The waist and seat are almost straight, with little variation in width. A single line of studs runs around the outer edge of the shoe, with four straight lines in the tread down to the waist. There is a single line in the waist towards the outer edge, but otherwise the waist is open and free of studs under the arch of the foot. The seat has three straight lines within the outer line, the outer line ranging outward a bit and running the full length up into the waist and tread.This is the sole unit typical of a military marching boot. The stud pattern is not decorative or artistic, but rather entirely practical for heavy use, for instance in marching or physical labour. The style is typical of the utilitarian shoes that predominate elsewhere in the late 2nd and early 3rd centuries, especially in the Period 6B ditches at Vindolanda (Greene, forthcoming). The size certainly indicates ownership by a male and at over 28cm it is typical of the very largest shoes found in many assemblages.MEASUREMENTS:(Insole)Full length: 28.4cm (max. preservation; originally ca. 29-30cm)Width at tread: 9.2cmWidth at waist: 5.5cmWidth at seat: 5.7cm(Treadsole)Full length: 28cm (originally 30-31cm)Width at tread: 9cmWidth at waist: 6.4cmWidth at seat: 7.3cm All sole layers are preserved, but in somewhat poor condition. The very back of the seat is corroded, taking about 1-2.0cm off the end. Most studs remain but some have fallen out. There is some wear and breakdown on the outer edge at the tread. | 441shoes
| null | null | Roman | null |
|
durom.1969.534 | 1969.534.12.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 202books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
durom.1969.534 | 1969.534.12.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 202books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
durom.1969.534 | 1969.534.12.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 202books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
durom.1969.534 | 1969.534.12.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 202books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
durom.1969.534 | 1969.534.12.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | 202books
| null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
durom.1960.2260 | durom.1960.2260-bb.jpg | data/raw/images/oriental/1960 | Brown and grey stone carving of a dog, resting | 281figures
| null | jade | null | China |
|
durom.1960.2260 | durom.1960.2260-bb.jpg | data/raw/images/oriental/1960 | Brown and grey stone carving of a dog, resting | 281figures
| null | jade | null | China |
|
durom.1960.2260 | durom.1960.2260-bb.jpg | data/raw/images/oriental/1960 | Brown and grey stone carving of a dog, resting | 281figures
| null | jade | null | China |
|
durom.1960.2260 | durom.1960.2260-bb.jpg | data/raw/images/oriental/1960 | Brown and grey stone carving of a dog, resting | 281figures
| null | jade | null | China |
|
durom.1960.2260 | durom.1960.2260-bb.jpg | data/raw/images/oriental/1960 | Brown and grey stone carving of a dog, resting | 281figures
| null | jade | null | China |
|
durom.81 | 81 bb.jpg | data/raw/images/oriental/0000 | Wooden figure of a man with one foot resting upon the head of a horse. He is shown with one hand raised in the air and the other resting on the knee upon the horses head. He wears a long tunic decorated with stars on the torso and raised floral design near to the legs. The sleeves are green in colour with what may be armour on the arms, he wears a wide green and blue belt around the waist. On his head he wears an elaborate headdress with a spiral in the centre and two green ears at the side. The horse is white with a green bridle and reigns | 281figures
| null | wood | null | China |
|
durom.81 | 81 bb.jpg | data/raw/images/oriental/0000 | Wooden figure of a man with one foot resting upon the head of a horse. He is shown with one hand raised in the air and the other resting on the knee upon the horses head. He wears a long tunic decorated with stars on the torso and raised floral design near to the legs. The sleeves are green in colour with what may be armour on the arms, he wears a wide green and blue belt around the waist. On his head he wears an elaborate headdress with a spiral in the centre and two green ears at the side. The horse is white with a green bridle and reigns | 281figures
| null | wood | null | China |
|
durom.81 | 81 bb.jpg | data/raw/images/oriental/0000 | Wooden figure of a man with one foot resting upon the head of a horse. He is shown with one hand raised in the air and the other resting on the knee upon the horses head. He wears a long tunic decorated with stars on the torso and raised floral design near to the legs. The sleeves are green in colour with what may be armour on the arms, he wears a wide green and blue belt around the waist. On his head he wears an elaborate headdress with a spiral in the centre and two green ears at the side. The horse is white with a green bridle and reigns | 281figures
| null | wood | null | China |
|
durom.81 | 81 bb.jpg | data/raw/images/oriental/0000 | Wooden figure of a man with one foot resting upon the head of a horse. He is shown with one hand raised in the air and the other resting on the knee upon the horses head. He wears a long tunic decorated with stars on the torso and raised floral design near to the legs. The sleeves are green in colour with what may be armour on the arms, he wears a wide green and blue belt around the waist. On his head he wears an elaborate headdress with a spiral in the centre and two green ears at the side. The horse is white with a green bridle and reigns | 281figures
| null | wood | null | China |
|
durom.81 | 81 bb.jpg | data/raw/images/oriental/0000 | Wooden figure of a man with one foot resting upon the head of a horse. He is shown with one hand raised in the air and the other resting on the knee upon the horses head. He wears a long tunic decorated with stars on the torso and raised floral design near to the legs. The sleeves are green in colour with what may be armour on the arms, he wears a wide green and blue belt around the waist. On his head he wears an elaborate headdress with a spiral in the centre and two green ears at the side. The horse is white with a green bridle and reigns | 281figures
| null | wood | null | China |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 133Seal
| null | soapstone | null | China |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 133Seal
| null | soapstone | null | China |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 133Seal
| null | soapstone | null | China |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 133Seal
| null | soapstone | null | China |
|
durom.1960.3678 | 1960.3678-ff.jpg | data/raw/images/oriental/1960 | carved with a man with attendant inside a rocky grotto, poem engraved on rock | 133Seal
| null | soapstone | null | China |
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