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Crutey ran the Saltar Hype booking agency in Melbourne, and played in different projects (one with Ben Brennan) as well as appearing with Ox in The Ox and The Fury. As of 2009, he was the drummer for the Tim McMillan Band. |
Tee played for the US band Helmet for a short stint, playing live for a handful of shows. He was the guitarist for the heavy rock band, Sleeping Giant, which formed in 2010 in Perth. |
Savell has produced records by Dead Letter Circus, Karnivool, The Butterfly Effect and Human Nature. He was nominated as Producer of the Year at the ARIA Music Awards of 2009 for Karnivool's "Sound Awake". He continued to work with Ox on the project, Smash Nova. |
Chris Frey (from the original F.S.D.) is a film maker working in Melbourne. He was a video director for Karnivool's "Set Fire to the Hive" which was nominated for 'Australian Music Video of the Year' at the 2009 J Awards. He also directed two film clips for Ox's band Mammamal, for "Smash the Pinata" and "The Majority". |
In 2008 "Colour, Light, Movement, Sound!", a documentary on Full Scale's journey from Perth to America and their subsequent demise, was released on DVD. The DVD contains a bonus disc called "Bootleg" which contains live clips from assorted shows in the band's career. The release of the DVD was marked with a launch party at Melbourne's Hi-Fi Bar. Ezekiel Ox, Jimmy Tee, Crutey and Rob Kaay attended the launch party, and came on stage at the end of the night to give their thanks and to take one last bow for their fans. |
In 2010, Jimmy Tee and Rob Kaay were asked to reform Full Scale, but both declined. A new band, with Ezekiel Ox, Crutey, Tristan Ross and Ben Brennan were formed in Melbourne for a single short tour, as Full Scale Revolution. Proceeds from this tour went to the Refugee Action Collective. During this tour, Jimmy Tee played a song, "The Heimlich Manoeuvre", with Full Scale Revolution in Fremantle at the Newport Hotel on 6 June 2010. |
Full Scale Deflection |
Full Scale |
= = = 1968 Palanca Awards = = = |
The Carlos Palanca Memorial Awards for Literature winners in 1968 (rank, title of winning entry, name of author). |
Short Story |
Poetry |
One-Act Play |
Short Story in Filipino |
Poetry in Filipino |
One-Act Play in Filipino |
= = = Bishop Chatard High School = = = |
Bishop Chatard High School is a Catholic co-educational preparatory high school located in the Broad Ripple district of Indianapolis, Indiana in the United States. It is named after Bishop Silas Chatard, who was the first Bishop of Indianapolis, and oversaw the movement of the diocese from Vincennes to Indianapolis in 1898. |
The increase in Indiana's Catholic population that triggered the splitting of the Indianapolis diocese in 1944 also caused an increase in the need for Catholic schools. It was clear that one high school would not be sufficient to provide for Indianapolis' massively expanding Catholic population. To this end, the Archbishop of Indianapolis, Paul Clarence Schulte, ordered the construction of three new Catholic high schools in the city. The first of these, Bishop Chatard, would serve the north side of Indianapolis. The two other new schools, Roncalli High School and Cardinal Ritter High School, would serve the south and west sides of Indianapolis respectively. Scecina would continue to serve the east side of the city. |
Ground was broken for the first of the schools, Bishop Chatard, in the fall of 1960 on diocese property at the corner of Crittenden and Kessler Avenues. Construction of the school and an adjacent convent was completed in less than a year, and the first students were admitted in September 1961. Each year a class of students was added to the school, and the first graduating class was the class of 1964-65. Over the years, many improvements were made to the school facility as the number of students rose. |
Initially, classes were taught almost entirely by priests from the Archdiocese of Indianapolis and Benedictine Sisters of Beech Grove. Many sisters were housed in the convent on-site, but their numbers declined to the point that in the 1970s, their convent was converted to an annex of the school. The annex has served as classroom, office and storage space for thirty years, and was recently rededicated to the Sisters as the St. Benedict Center. |
By 1997, the school was showing its age. Paint was peeling, windows and roofs were leaky, and facilities sorely needed an upgrade. To remedy the situation and remodel the 35-year-old building, school administrators embarked on a $2 million capital campaign to pay for new windows, a new roof, electrical improvements, and other needed renovations. These were undertaken over the summer, and when students arrived to begin the 1997-1998 school year, they were in what was virtually a whole new building. |
In 1999, improvements continued with the opening of the new fine arts addition. A new band room, art studio, and library were added, as were six new classrooms and an elevator to make the building handicap-accessible. This was paid for by a $1.5 million building drive made possible by alumni donations. |
In the summer of 2005, and completed over the 2007-08 school year, a campaign involved the construction of an additional elevator to allow better access to classrooms for handicapped students and a remodeling of the cafeteria and several hallways. A new auxiliary gymnasium was paid for by alumni donations and a slight tuition increase. In 2011, President Bill Sahm announced the “Golden Opportunities Campaign,” to address several issues including the creation of a tuition assistance endowment and a teacher compensation endowment. The Campaign also addressed improvements to the academic environment including the addition of robust wireless network throughout the two buildings, new servers and expanded student and teacher access to 21st century computers in the classrooms and labs. The Campaign also addressed the needs of the athletic community with the addition of a competition track and fields including a new turf field and all-weather track with bleacher seating for 900, stadium lighting and a concession/restroom facility, as well as a turf baseball field and a one-mile walk/run trail. |
Bishop Chatard has been accredited by AdvancED or its predecessors since April 2004. |
The demographic breakdown of the 691 students enrolled in 2015-2016 was: |
The Bishop Chatard Trojans compete in the Circle City Conference. School colors are royal blue and white. The following Indiana High School Athletic Association (IHSAA) sanctioned sports are offered: |
Chatard competes annually in the Brain Game, a quiz bowl program broadcast on local television. There are many fine arts programs, such as marching band, concert band, pep band, concert choir, show choir, and the thespian society. |
= = = Garth Fagan = = = |
Gawain Garth Fagan, CD (born 3 May 1940) is a Jamaican modern dance choreographer. He is the founder and artistic director of Garth Fagan Dance, a modern dance company based in Rochester, New York. |
Fagan was born in Kingston, Jamaica to Oxford educated S.W. Fagan, former Chief Education Officer of Jamaica, and Louise I. Walker. It was a gymnastics class that initially drew his attention to dance early on. While attending Excelsior High school, he studied with Ivy Baxter at the Jamaica National Dance Company and performed at the inauguration of Cuban President Fidel Castro in 1959. Fagan was educated at Wayne State University in Detroit, Michigan where he earned a Bachelor of Arts degree with sights on becoming a psychologist. |
Fagan worked at several dance companies in Detroit, and moved to Rochester New York in 1970, and there established his dance company originally named the "Bottom of the Bucket BUT ... Dance Theatre" in 1970. He was a Professor, at State University of New York, Brockport starting in 1970. Fagan choreographed for the Dance Theatre of Harlem, the Alvin Ailey American Dance Theater, and the Limón Dance Company in the 1970s. He has studied the works of Isadora Duncan, Martha Graham, Pearl Primus, Alvin Ailey, José Limón, and Katherine Dunham. He is also influenced by Caribbean and West African dances. |
Fagan's choreography incorporates elements of modern dance, ballet, Afro-Caribbean dance, and social dance. Many of his works are autobiographical or include themes of personal relevance. His untitled 1977 work chronicles the dissolution of his marriage, showing a couple beginning a relationship with affection and passion but eventually drifting apart due to inevitable obstacles. "Griot New York," which premiered in 1991 at the Brooklyn Academy of Music, is about the experiences of the underprivileged living in New York City. The piece juxtaposes linear balletic movement with sharp angular gestures, twitching, and erotic partnering to represent the diversity and contrast found in big cities as well as conflict in his own life. In "Moth Dreams," choreographed in 1992, Fagan celebrates his childhood, adolescence, and relationship with his mother. |
Fagan resides in Rochester, New York, is now divorced, and has two children. |
Fagan is a Distinguished University Professor at the State University of New York at Brockport. He has a Bachelor of Arts from Wayne State University, and earned a Doctor of Fine Arts from the University of Rochester in 1986, and holds "honoris causa" Doctors degrees from Juilliard School, Hobart College, William Smith College, and Nazareth College. |
Fagan received a Guggenheim Fellowship in 1998, and a three-year Choreography Fellowship from the National Endowment for the Arts. He was made Commander in the Order of Distinction of Jamaica in August 2001, and was presented the Prime Minister's Award by Jamaican Prime Minister P. J. Patterson . |
In 2005 he received the Artist of the Year Award from the Arts & Cultural Council for Greater Rochester. |
In 2012, Fagan was named one of America's Irreplaceable Dance Treasures by the Dance Heritage Coalition. |
= = = Loton Park = = = |
Loton Park is a country house near Alberbury, Shrewsbury in Shropshire, on the upper reaches of the River Severn. It is a Grade II* listed building. It has been the seat of the Leighton family since 1391. |
It stands in of parkland which includes one of the two privately owned deer parks to remain in Shropshire and is notable for its population of red kites. |
The estate is mentioned in the Domesday Book. The core of the present house dates from the 17th century, though significant remodelling was carried out throughout the 19th century. The ruins of an earlier castle, built in 1340, survive in the grounds. |
The north front was built in 1712 by Sir Edward Leighton, 2nd Baronet, who moved his family seat here from Wattlesborough Castle, and was High Sheriff of Shropshire for 1727. In 1805, the 5th Baronet entertained the Prince Regent and the Duke of Clarence at Loton. Sir Baldwin Leighton, 6th Baronet was wounded in the American War of Independence, was a Brigadier in Portugal and Governor of Carrickfergus Castle. |
The house is currently the home of Sir Michael Leighton, 11th Baronet. |
The estate is also prominent in motorsport as the location of the Loton Park Hill Climb. |
Loton Hall is a Grade II*-listed building, dated c.1670. A country house, originally with a U-shaped plan, a large wing was added to the southeast in 1872–73. The house is built in red brick with dressings in red and grey sandstone and a tile roof. The earlier part has a plinth, quoins, chamfered, coped and parapeted gables with finials. There are two storeys, a basement and attics, and a front of five bays, the outer bays projecting and gabled. In the centre is a three-bay loggia-porch that has arches with imposts, Tuscan columns, an entablature, and a balustrade. Above, the central window has Corinthian columns and a broken triangular pediment containing a cartouche, and above that is a gabled half-dormer. The later wing to the right has one storey with attics, and nine bays, and contains gables, mullioned and transomed windows, and a full-height canted bay window. |
= = = Alt attribute = = = |
The alt attribute is the HTML attribute used in HTML and XHTML documents to specify alternative text (alt text) that is to be rendered when the element to which it is applied cannot be rendered. |
The alt attribute is used by "screen reader" software so that a person who is listening to the content of a webpage (for instance, a person who is blind) can interact with this element. Every image should have an alt attribute to be accessible, but it need not contain text. It can be an empty or null attribute: codice_1. |
The attribute was introduced in HTML 2 and in HTML 4.01 was required for the codice_2 and codice_3 tags. It is optional for the codice_4 tag and the deprecated codice_5 tag. |
Here is an image for which the alt attribute is "In the sky flies a red flag with a white cross whose vertical bar is shifted toward the flagpole." |
The HTML for this image might be something like the following: |
A visually impaired reader using a screen reader such as Orca will hear the alt text in place of the image. A text browser such as Lynx will display the alt text instead of the image. A graphical browser typically will display only the image, and will display the alt text only if the user asks it to show the image's properties or has configured the browser not to display images, or if the browser was unable to retrieve or to decode the image. |
An alternative alt attribute value would be "The Danish flag". |
The codice_6 attribute does not always have to literally describe the contents of the image. Keep in mind the purpose and context of the image and what would be useful to someone who cannot see it. The alt attribute is supposed to be an "alternative" for the image, usually stating its purpose. For example, an image of a warning sign should not have alt text “a triangle with a yellow background, black border and an exclamation mark”, but simply “Warning!”—unless, of course, the image's purpose is to show what the warning symbol actually looks like. |
Internet Explorer 7 and earlier render text in alt attributes as tooltip text, which is not standards-compliant. This behavior led many web developers to misuse alt when they wished to display tooltips containing additional information about images, instead of using the codice_7 attribute that was intended for that use. As of Internet Explorer 8 alt attributes no longer render as tooltips. |
The alt attribute is commonly, but incorrectly, referred to as the "alt tag". |
The W3C recommends that images that convey no information, but are purely decorative, be specified in CSS rather than in the HTML markup. However, it may sometimes be necessary to include a decorative image as an HTML codice_2 tag. In this case, if the image truly does not add to the content, then a blank alt attribute should be included in the form of codice_9. This makes the page navigable for users of screen readers or non-graphical browsers. If (in breach of the standard) no alt attribute has been supplied, then browsers that cannot display the image will still display something there, e.g. the URL of the image, or a fixed text string. |
= = = The Runaway in Oz = = = |
The Runaway in Oz is an Oz book by long-time Oz illustrator John R. Neill. It was written originally during 1943 and was meant to be the thirty-seventh book in the Oz series. However, Neill died before he could edit or illustrate the book. Oz publisher Reilly & Lee decided not to publish the book due to shortages caused by World War II. The text remained a possession of Neill's family. |
In 1995, the book was published by Oz specialty house Books of Wonder with illustrations by Eric Shanower. Shanower also edited and expanded Neill's text. Another version exists, printed privately, with different editing by Fred M. Meyer, longtime Secretary of The International Wizard of Oz Club. |
On the eve of an important ceremony in the Emerald City, Scraps the Patchwork Girl has been making more of a nuisance of herself than usual. After confrontations with Jellia Jamb and Jenny Jump, Scraps decides to run away on her spoolicle (a bicycle made of thread spools). She visits Jinjur's Munchkin Country farm; but Jinjur wants to put Scraps to work, so Scraps leaves quickly. |
At Prof. Wogglebug's Royal Athletic College, Scraps falls in with a 12-year-old prodigy named Alexample. They marvel at the air castle the Professor has dreamed into existence for his coming vacation, as it hovers above the college. Through unfortunate clumsiness, Scraps knocks the mooring line loose and the air castle floats away, with Alexample hanging onto the tethering rope. Scraps flees from the pursuit of the irate Wogglebug. |
Scraps meets a Repairman who magically fixes the damage and staining she's endured in her recent actions. The exasperated Scraps longs to run away from Oz entirely, but doesn't know how to cross the Deadly Desert. The Repairman informs her of a Weather Witch who lives on the highest mountain in Oz; she makes weather for the entire Earth from her windmill there. Scraps decides to get the Weather Witch to blow her across the Desert with wind, and sets out for the mountain. |
On the way, Scraps meets Popla, "the one and only power plant...the most powerful plant in the world." (Popla looks like a large shrub, with the face of a beautiful young woman.) Popla longs for release from her bleak and stationary existence, and eagerly transfers herself into a flowerpot to join with Scraps; Popla's strength and resourcefulness prove to be important advantages in their coming adventures. Despite tempestuous winds, the two intrepid travelers reach the top of the mountain. Fanny the Weather Witch agrees to blast them across the Deadly Desert; but additional clumsiness gets them stuck on one of the windmill's blades, which hurls them high into the atmosphere. |
Meanwhile, Prof. Wogglebug stomps toward the Emerald City to complain about Scraps to the Wizard. He encounters Jenny Jump and Jack Pumpkinhead, who have set out in search for the missing Scraps. The Wogglebug decides to join up with them, as the most direct approach to recovering his air castle. (The later chapters of the book alternate between the two plots: the runaway Scraps and her companions, and the searchers pursuing her.) |
Scraps and Popla land on a friendly cloud, who takes them to a nearby star. The star is a kind of semi-mechanical conveyance, commanded by Captain Batt, who is built of wires and electric components. Predictably, Scraps gets into a fight with him; she punches him in his button nose, which proves to be his on-off button. With Captain Batt shut down, they meet the Twinkler, the star's maintenance man (he looks like Cap'n Bill). Popla tries piloting the star — and crashes into the missing air castle. They find Alexample there, and endure a few peaceful days in its palatial environs. They get to know the inhabitants of the upper air, who include sky fairies and air sprites, and cloud sheep herded by cloud-pushers and sky-sweepers. Scraps and company also repel an attack from sky pirates. |
Things go badly for the searchers below; they are caught in a storm, in which Jack loses his pumpkin head. Jenny and the Professor have to lead or drag his headless stick-body along with them. They wander into an enchanted orchard, where they confront an army of rebellious quinces. By this time, the week of the Wogglebug's planned vacation has expired, and the air castle's time is up: it melts, cracks, dissolves, shatters, and otherwise falls apart around its occupants. They come tumbling down upon the enchanted orchard, and the search party, and the quince army. In a final confrontation, the quince soldiers commit mass suicide by shooting their sooty stems at Scraps. She is so blackened by the soot that she tries to hide from the world. |
The others convince Scraps to return to the Emerald City, where she can be magically repaired. Scraps agrees, but she hides herself under a sheet as she walks through the city streets (like Ojo in "The Patchwork Girl of Oz"); she causes a panic when she is mistaken for a ghost. Yet Ozma has no trouble in restoring Scraps to normal (if that term applies) with her Magic Belt. Popla and Alexample are welcomed into the ever-growing circle of Ozma's followers. |
In the best Baum tradition, puns come thick and fast throughout "The Runaway in Oz". In Chapter 8, "The Professor Sets Out," the reader is informed of the enlarged bug's feelings: "But though he was in an unsettled state of mind, he was not crushed." Two pages later, he threatens to become "hopping mad." Jenny tells the professor that the Wizard is busy "ridding the country of dumb little kings and their little kingdumbs." These three pages can stand as representative of the whole. |
= = = Hōjō Ujitsuna = = = |
In 1524, Ujitsuna took Edo Castle, which was controlled by Uesugi Tomooki, thus beginning a long-running rivalry between the Hōjō and Uesugi families. Two years later, the Uesugi attacked and burned Kamakura, which was a major loss to the Hōjō symbolically, because the earlier Hōjō clan from which they took their name fell in the siege of Kamakura in 1333. |
The Uesugi attacked again in 1535, when Ujitsuna was away fighting the Takeda; however, Ujitsuna returned and defeated Uesugi Tomooki, reclaiming his lands. When Uesugi Tomooki died two years later, Ujitsuna took the opportunity to seize Kawagoe Castle, and secure his control of the Kantō. |
In 1526, Hojo Ujitsuna was defeated by Takeda Nobutora in the Battle of Nashinokidaira. |
Ujitsuna then went on to win the battle of Kōnodai in 1538, securing Shimōsa Province for the Hōjō. |
In 1539 he defeated the Koga Kubo Yoshiaki and gained control of Awa. |
Over the next several years before his death in 1541, Ujitsuna oversaw the rebuilding of Kamakura, making it a symbol of the growing power of the Hōjō, along with Odawara and Edo. He was succeeded as head of the Hōjō clan and lord of Odawara by his son Hōjō Ujiyasu. |
= = = Andromeda (Marvel Comics) = = = |
Andromeda Attumasen is a fictional character appearing in American comic books published by Marvel Comics. The character is an Atlantean of Marvel's shared universe, known as the Marvel Universe. She is the illegitimate daughter of Attuma |
Andromeda was introduced in "The Defenders" #143 (March 1985) and added to the titular supergroup's lineup just a few issues later. Writer Peter B. Gillis later revealed, "My long-term plan was to populate the Defenders with my own crew of characters, characters who nonetheless had ties to interesting parts of the Marvel Universe. Andromeda, while not the Sub-Mariner, gave me a connection to Atlantis." However, Andromeda would be the last character Gillis added to the Defenders, since shortly after her debut he was told that the series was being cancelled. |
A member of the Homo mermanus race, Andromeda is the illegitimate daughter of Attuma of Atlantis by a woman named Lady Gelva. He did not know of her existence until she confronted him and told him he was her father. Andromeda was raised in Atlantean society and trained in the arts of hunting and war and she exceeded any other male except for her father in these skills. Despite her skills, she was considered unworthy of promotion in the Atlantean military because she is a woman even though she was highly decorated. |
Andromeda, inspired by Namor's tales, moved to the surface world, where she used a serum to give herself a human appearance and the ability to breathe out of water. She took the name Andrea McPhee and posed as a surface woman. When she was revealed as an Atlantean, she quickly abandoned her charade and became a member of the Defenders, joining them against a villain named Hotspur. |
She was with the Defenders, christened the "New Defenders," for only a short time, revealing only portions of her background to them. With them, she traveled to outer space and battled the second Star-Thief. She fought Manslaughter as he menaced the team, and then aided the Defenders and the Interloper in battle against fellow Defender Moondragon, and the Dragon of the Moon who was possessing Moondragon. Andromeda sacrificed her life force, joining with Manslaughter, the Valkyrie, and the Interloper to drive the Dragon of the Moon from the Earth, and her body was turned to stone. |
The Dragon would later return, this time without a body. To stop the Dragon of the Moon, Doctor Strange cast a spell which returned the souls of the Defenders fallen in the battle against the Dragon to the bodies of several recently deceased humans, changing them into duplicates of the Defenders. Andromeda's soul entered the body of Genevieve Cross and these Defenders now called themselves the Dragon Circle. Together the Dragon Circle banished the Dragon from Earth and Andromeda returned to the oceans. |