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Wayne Wang's direction may be the ingredient which made this film much more impressive to me than "Slums of Beverly Hills", which covers remarkably similar ground. The interplay between Susan Sarandon and Natalie Portman is riveting. Real chemistry there. This film succeeded in bringing me inside the dysfunctional life of these two women without dragging me down into depressed frustration. Susan Sarandon's character hammers at all the nerves which a narcissistic parent is capable of touching in an insecure adolescent. She amazingly manages to do this without coming across as floridly insane or intentionally sadistic. And, Natalie Portman deflects each attack on her character's ego with the resigned grace of an intelligent codependent child, untainted by the smug cynicism of the Natasha Lyonne character in "Slums of Beverly Hills". Portman's character is an adolescent with dignity under stress, an unusual creature in modern films. The film reaches a very satisfying resolution without trying too hard. I highly recommend this film to the viewer who wants to be challenged and entertained.

I disliked this movie for numerous reasons. Within the first ten minutes of the film, I grew extremely disappointed and came to the conclusion that if this movie was going to salvage itself, for me at least, that it was going to have to pull itself out of the enormous hole it had dug. Unfortunately, that did not occur. The two draws of the movie for me were to see Jane Fonda and Felicity Huffman. I don't know enough about Lindsey Lohan's work to have been interested in what she would bring to the film. Afterward, I just felt disappointed in and for all three of them even though there were "moments" in each of their performances. I imagine that for each of them to find their "moments" was a very difficult task given the fact that there was an amazing lack of character development and uninspired dialog. Although the plot is an interesting one, the movie on the whole is so poorly written, directed and edited that anybody's performance as an actor would suffer and be tainted by it. The disrespectful way in which it dealt with sexual abuse and the trite and insulting viewpoint of small-town America, I think, were the two main reasons why this film failed in hitting it's mark. As one reviewer has noted and I would agree, the movie is almost impossible to market given it's finished form. I suspect that, or at least hope that (for the actor's sakes anyway) there are some real gems on the cutting room floor. Sad for us but if that's true then the actors can take solace in that and feel somewhat good about lending their talents and time to such a flop. Oh yeah and another thing...I wished for just once I could go see an American movie which included the sadly disappearing but wonderfully bucolic settings such as the one in this film where the main characters weren't absentmindedly and/or disrespectfully littering the country side with pop cans, smashed CDs and, other such trash!

It's not surprising that the majority of higher-rated votes were submitted by females aged 45+. This is the timeframe in women's lives when they become the caretakers of aged and ill parents. I lost my mother, from complications of cancer, in June, and went through most of the same emotions portrayed by Zellweger in this film. Yes, it made me cry, but the tears were real, the characters were real, and the plot development extremely accurate. Kudos to the entire cast and crew for a wonderful portrayal of life and death, and the promises of tomorrow.

I had never seen Richard Thomas play a bad guy. I wasn't sure I would like him this way. And I wasn't sure he could pull it off. But this astounded me. He sent shivers up my spine and caused me to take a closer look at street people. The movie is engrossing and fast paced. Bruce Davison is convincing but all he can really play is a nice guy. The real talent here is Thomas. The ending was a little clumsy but perhaps that's the way real people would fight... If you are a Thomas fan you MUST see him here at his best being bad!

What are the odds of a "Mermaid" helium balloon traveling from Yuba City, Ca.(on Nov 8th,1993) and landing 4 Days later,(on Nov. 12) in MERMAID, Prince Edward Island, Canada.(Approx. 4000 miles). This is a great movie. It is based on a true story. This movie helps not only children cope with losses, but older people as well. Hope everyone will enjoy it!!! Rhonda

The 3 stars are for Phillip Seymour Hoffman. Nothing else and no one else in this movie deserves even a wee smidgen of a star. Well, OK, Amy Adams deserves a wee smidgen, but the smidgenometer doesn't seem to be working, so I'll stick with 3. Tom Hanks...nothing. Julia Roberts...nothing. Mike Nichols...do you see a trend yet? Aaron Sorkin...OMG, not a chance. <br /><br />I could rant on for several paragraphs about the way Charlie Wilson's War glosses over history, morality, legitimacy and so on, but I don't think any such rant could outweigh the gushing of Aaron Sorkin fans. The rest of you, beware.Spend your movie money elsewhere.<br /><br />Still, if you're looking for a pithy comment, here's mine. You can put hot fudge sauce on a pile of garbage, but it changes nothing. Garbage is garbage and so is Charlie Wilson's War.

The '70s were a great time for horror movies. The Brotherhood of Satan is yet another overlooked gem. It's full to the brim with great surreal, unsettling scenes. It's also great to see Stother Martin and L.Q. Jones (who also produced) in decent roles.<br /><br />Some of it is a little dated and cheesy, but The Brotherhood of Satan kicks butt over Race the Devil and many other '70s Satanism flicks.

so... it's really sexist, and classist, and i thought that it might not be in the beginning stages of the movie, like when stella tells steven that she would really like to change herself and begin speaking in the right way and he tells her not to change. well, he certainly changed his tune, and it seems that the other reviewers followed suit. what at the beginning appears to be a love story is really about social placement and women as sacrificial mothers. the end of the movie does not make her a hero, it makes the whole thing sad. and its sad that people think it makes her a hero. perhaps that is the comment of the movie that people should take away. positive reception reflects continual patriarchal currents in the social conscience. yuck.

As an adult I really did enjoy this one. I watched it with my 2 granddaughters and the 3 1/2 year old was fascinated and the 15 month old giggled at the mice.<br /><br />The music is fun and the animation is wonderful. This sequel does what Return to Neverland didn't accomplish. A good follow-up to the Cinderella story; but what becomes of Drusilla? Another sequel? I hope so!

OK, I would give this a 1, but I'm gonna give it a two because I laughed while watching this film...First of all, I can make a much better movie than this one...in a week...The special effects made this film look like a joke. One shouldn't make such films with horrible special effects because then people won't take it seriously. The acting and direction was also horrible. The screenplay had many plot holes and the whole film wasn't believable at all. This has to be the worst Indian film ever. The songs were also bad. The acting was bad and artificial. Need I say more. Don't watch this movie unless you are curious to see how bad it is. That's why I watched it. I am going into film and I wanted to see how bad a bad film can get. Trust me, I watched one of the worst films in history if not THE worst film.

The credits at the end read "ALL directed by Shigeru Izumiya". That's a fitting way to phrase it because it seems like filmed material from several projects were thrown together somehow, barely even attempting to make it all form one consistent work. It more felt like one of those music clip things that are marketed as feature films to cash in on those video commercials, just that here we have the marketable music and the live performances missing, except for one scene, which may as well be marketed as a weird music video clip in Japan. Whatever.<br /><br />It makes zero sense. Visually it isn't too special either, although it has its moments (for example the female creature with the "death powder" who is strapped onto a bed base and some morphing sh!t throughout) and it certainly has an industrial-y feeling to it. Usually I'd call the effects dilettantish but what this film offers in this regard is baffling more than anything else. You remember those cheap video effects from 70's and 80's music videos that make them look so dated, like a picture within a picture flying through the screen? There is quite a lot of these kind of effects in this, and without any apparent reason. The most half-assed seeming effort comes in the form of a picture collage. The pictures sort of look like album covers. Whatever.<br /><br />I don't know what's up with the subtitles of the version I saw. The Chinese ones (or whatever those hieroglyphics are) sometimes seem to show up when nothing is even said and the English ones often show up without the Chinese ones. The English subs talk much about life without death (is it possible?), and a mind without a body, which provides what comes closest to a comprehensible conflict between characters in this film. One guy (a scientist dude) says that life without flesh is death while another guy (a metamorphosing dude) who claims his mind is beyond his body now that he got the "death powder" blown into his face and that he now knows the secrets of the flesh and whatnot; metamorphosing dude is visibly p!ssed off about the scientist dude's claim. Whatever.<br /><br />Erm, The End - All Written By Perception de Ambiguity

I have fond memories of watching this when it came out. It's one of those films that you know is rubbish, even when you're a kid, but at that age you overlook the ludicrous acting, special effects and plot (so there's a race of big-busted nymphets living underground, huh?) and just enjoy the campy monsters for all they're worth.

Now we were chosen to be tortured with this disgusting piece of blatant American propaganda. It came no wonder for me that this is admired by most American viewers and hated by Europeans. This show is made for Americans - it is too stupid and full with hatred and clichés to be admitted elsewhere. Almost everyone involved must be return to school, acting is utterly predictable and bad, script is pile of garbage all round. operator work is ground zero etc. etc.<br /><br />You have been warned. It doesn't even have "guilty pleasure" entertainment for those brainwashed iq=0 human beings.<br /><br />I wish I could enter negative values, admins? Anyone?

I haven't reviewed on IMDb before but this documentary is so overrated that I felt compelled to vent. I wouldn't have even finished watching if I hadn't been a guest at someone's house. The film was poor on many levels: First - Treadwell's video footage was contrived. The more I watched, the more he seemed to be acting as a person desperate to be famous instead of one acting out of conviction.<br /><br />Second - The others in the film, with the exception of Treadwell's parents and the airline pilot, were just as contrived and corny as he was. God, they seemed artificial.<br /><br />Third - Treadwell's mission to protect the bears doesn't even make sense as he did more harm than good by making the bears grow accustomed to human presence. I believe that Treadwell really did love the bears but there is much research which indicates his efforts were misguided. Sometimes we have to sacrifice our enjoyment of wildlife to really help.<br /><br />Fourth - The film's entertainment value wasn't half that of other wildlife films such as "March of the Penguins" and "Winged Migration". The filmmakers, in my opinion, did a poor job of sequencing scenes and gave little incentive to keep watching.<br /><br />As a person who loves Alaska, bears, and other wildlife, I would love to see more people dedicated to the preservation of our wildlands. Hopefully their efforts will be less people-centered.

Another violent, angry fantasy from Paul Verhoeven. Verhoeven is a puzzle: it's difficult to tell whether he takes his sordid impulses seriously, with sardonic intent or operates in complete oblivion. He also seems completely ignorant of the fact that all the brilliant visuals in the world (and this has some outstanding ones) cannot hide a negligence to story, dialogue and performance. Kevin Bacon plays a corrupt scientist who has discovered invisibility and uses it to drive himself into moral bankruptcy. Bacon is normally a likable actor who occasionally shows his dark side (`The River Wild') in an attempt to offset his boyish looks; given the material, however, Bacon isn't nearly hateful enough to compel. The other principals are Elisabeth Shue and Josh Brolin, neither of whom are gifted enough to make a solid impression and who, when forced to deliver inane dialogue, embarrass themselves. The climax is a study in preponderance and disbelief has to be truly suspended.

Just to mention one more thing about Gentleman Jim. I agree with all the assessments that make this among Errol Flynn's greatest outings in a career of great outings. I would think this role playing boxer Jim Corbett is more like his real personality than the swashbucklers he was typecast as. Flynn seemed like a party animal from his memoirs and was one guy whose real life was more exciting than his screen life. The extra thing I wanted to point out is notice the great montages, transitions, and still inserts that punctuate the film. Although the director was Raoul Walsh, a frequent collaborator with Flynn, with cinematographer Sid Hickox, the montages were made up by an up and coming editor named Don Siegel. I never knew Siegel went that far back but he's listed right in the credits. He would go on to a great career as action director himself.

Ever watched something so awful you just have to keep watching to be sure it really is as bad as it looks? This is one of those films. It was slammed by the critics on it's release, not least for the way it was funded. I caught it on TV last night and gave in to curiosity.<br /><br />In the event, it is what it says on the box, no more nor less: low level humour, crudity, very much in the 'Carry On...' vein but with 'adult' language. Indeed, it harks back to the 60s/70s UK porn industry, cheating punters by promising real sex and not delivering (spot the nipple?) That whole tawdry era is lovingly recreated here but with modern cinematography.<br /><br />It has the benefit of Mackenzie Crook (The Office, Pirates of the Caribbean and much more) and also Johnny Vegas. The chip shop girl is genuinely sexy. Beyond these unexpected positives, it does leave me wondering what happened to England. Junk food, low paid work, council estates, desperate lives. As a bonus, there are some nice shots of leafy Birmingham. Foreigners might find it informative about British attitudes and aspirations. Overall, though, I still feel disbelief that I sat through it.

I play final fantasy 7, and this movie is EXCELLENT like the game, all fans of final fantasy will love this movie. <br /><br />The music are fantastic and the history is good, but, the best of this movie is the visual effects, are amazing. The characters are equal to the game and that detail are good for the fans. <br /><br />You don't need play the game to like this movie, all the people can enjoy the film, because the history is some different and is easy to understand. I buy the DVD because is EXCELLENT, IS 100% ADVISABLE, if you don't see this film, what you waiting for? believe me,you will fascinate like me

Totally disgusting and cheap bawdy humor. I loved it!!! It is the most disgusting and totally horribly acted film, except for Nicolas Read, who plays an un-dead Court Jester, to comic brilliance. But being that as it may, I laughed so many times and I have to hand it to the film makers, it wasn't pretentious or ordinary in any way. Raping, fighting, zombies vomitting on their rape victims. What other movie has this? Not for the quesy, but with a pizza, a bong, and a six pack of beer, you got it made, if you have a cast iron stomach and a juvenille sense of humor like myself.

Contains spoilers The movie plot can be summarized in a few sentences: Three guys go hunting in the forest. Two of them along other people get shot in the head without explanation. The last guy can stand in the clear, shout and do anything without getting shot. He gets to walk through an old factory and has the evil people walk right into his scope without a struggle. The villains are conveniently dressed in black and look like villains.<br /><br />That is the whole story, not summarized but in detail. Everything is drawn out with a guy standing ringing a door bell. We wait with him. Long shot of guys being bored in the woods and sleeping. We can take a nap with them. The one drawn out shot of following a female jogger could have been redeeming, if we could see her butt or boobs bouncing.<br /><br />There dialog is less then Terminator and it is not because there is so much action. The characters just don't talk. And, then they don't even have something corny to say like 'I'll be back.' If my buddy shot this on the weekend, I'd cheer for him, because it is quite a feat to figure out the camera controls. To pay money to rent this as a DVD is totally inappropriate.<br /><br />The one thing that is a little funny is the extra with the director telling, how they local police didn't realize that they were shooting and treated them like a random guy walking around with a gun. If they'd have filmed that, I'd be sure it would be more fun to watch then the movie.

For all that has been said about the subject matter, and the controversy that surrounded it, please do not overlook what I feel to be the most important part of the film: the salient struggles of everyone to keep their pride through their trials. Whether dealing with self-imposed male braggadocio, a sexual reawakening, or even life itself, everybody is human.

This is the kind of film one initially selects to make up the numbers from video rental.....only to discover an under-rated entertaining and enjoyable movie!! The opening sequence of the police arriving at a dark and rainy house wherein the "wife" has committed murder.......or is it??....and the remainder of the film seeks to unravel what really happened....OK...the film is a bit "campy"...but has good editing and dialogue.....professional acting.....often humorous......and the very last scene with the facial expression is one of the best of its' kind......definitely worth watching.....deserving at least a 7 or an 8!

I think Via Satellite is one of the best New Zealand made movies around. I loved the way the movie delt with all the characters within the entire movie. It was brilliant, and a heartfelt movie.<br /><br />A well made movie, one which I will always remember, and watch again.

I was really impressed with this film. The writing was fantastic, and the characters were all rich, and simple. It's very easy to get emotionally attached to all of them. The creators of this movie really hit the nail right on the head when it comes to creating real life characters, and getting the viewer sucked right into their world. Further, the music is terrific. They employed some independents to do the score, and some of the soundtrack, and they do a fantastic job adding to the movie. If you have a chance to catch this movie in a small theater or at a film festival (like I did), I highly recommend that you go see it. Also, on a personal note, Paget Brewster is beautiful in this movie. That's reason enough to go check it out.

There are a number of reviews that comment on the cast of this film. Suffice it to say that Alex Cord plays a strong lead opposite Robert Ryan and Arthur Kennedy. What concerns me is that many of you may not be aware of the (at least) two existing versions of this film. In the U.S. version Clay McCord gains amnesty from Governor Lem Carter and then rides out of town redeemed. I agree that ending is less than satisfying. However, in the original Italian cut Clay McCord rides out of town (weaponless as he has turned in his pistols to the Governor) and is bushwhacked by the bounty hunters that have been slowly depopulating the bandit town of Escondido. The Bounty Killers are excited at the prospect of splitting the $10,000 reward but are disappointed to find McCord's amnesty agreement in the corpses pocket. As they ride away one is heard to comment,"If this amnesty keeps up I'm gonna start hunting buffalo !" . This alone takes A Minute To Pray...A Second To Die and places it on an even playing field with movies like Keoma and The Big Gundown. As the end credits say in the Italian cut "FINE".

Admittedly, before seeing House of Wax, I assumed it would simply be a second tier low quality teen slasher film following in the footsteps of such movies as The Darkness or Amityville Horror. After catching an advanced showing at my college campus, I can honestly say that the people at Dark Castle have done an excellent job with the task of making a slasher. <br /><br />Starting with the usual staples of a teenage horror film such as the small group of friends departing on a road trip, coming across an odd detour taking them through country back-roads, meeting creepy locals, after the slow but mandatory back-story this movie really reaches a fast clip. Paris Hilton appears in this film as many already know, but I really have to give it to her for her ballsy performance. Clearly her acting wasn't worth an Oscar, but the filmmakers use her appearance to its fullest by squeezing two blatant satires of her, let's just say, less noble media appearance into this film. Ms. Hilton also claims the title for the greatest death scene in the movie, and not simply because it was her death scene.<br /><br />This movie is full to the brim with jumpy moments and cheap scares, but Jaume Serra has definitely created quality suspense and tension between the characters. The causes for the horror are in part based on making the audience care for the characters, which we do. By making the usual buildup followed with a loud noise and jerked camera some other scary moments. These standard movie techniques adopted from many movies past are almost perfected with this film, and provide many good scares. In fact there isn't a slow moment after they get to the small town where the dreaded House of Wax museum is. <br /><br />This film owes a lot to many previous movies of this and other genres, though I'm not too sure how much came from the original 1953 movie of the same title. References to such movies as both Texas Chainsaw Masacres, Saw, and even Titanic, (see Paris Hilton's big death scene and you'll know what I mean) are common, but in the end the payoff will leave you scared and fulfilled if you are looking for a good scare with a few laughs. Not bad.

So one day I was in the video store looking for a movie. I came across this and rented it because it was a film I hadn't seen or even heard of.<br /><br />Now I like slasher movies in general, but this is just abysmal, not even good for laughs. Besides being ultra ultra cheap and containing all slasher film cliches and terrible acting it has the most incompetent and inept direction I have ever come across. Now sometimes the aforementioned traits can be present in a film and some enjoyment can still be had, but not here. Painful example of home-made horror.

Though several scenes of Wirey Spindell can be described as "over the top". I thought that it was refreshing to see something that was willing to go to a level of near-taboo twisted comedy.<br /><br />Wirey Spindell is a great film with great dialog. I wouldn't say that this film is for everyone, but the film is on my top 10 list.<br /><br />If you can look beyond it's occasional offensiveness and watch it for the film that it is, I would hope you could see it in the same light that I do.

I was fascinated as to how truly bad this movie was. Was the viewer supposed to learn something, or reflect on anything here? What was up with the pumpkins? Was I supposed to be impressed with the motel shots? Does it matter that there are some garbage bags on a rooftop across the street of a hotel? Why does the narrator unsuccessfully mock the people he interviews (it is so obvious that he edited out the really informative parts of his interviews to achieve mockery). The best part of the movie was the interview with the film professor who tells us how bad this movie will be even before it is finished.<br /><br />I am truly amazed. I believe that the creator is struggling to become an intellectual or is trying to impress the intellectual community.

Interesting plot but painfully dull. The script lacks... lacks acting. To me this film compares with "Made for TV" type movies. I was lucky to survive the film without falling asleep in my popcorn. I watched this film with my family. It is fairly safe to watch with your kids. (only 1 semi sex scene)If you wish to see a young Meg Ryan...check out this movie. Very 80-ish. You will like this movie if you like the combination of depressed people at Christmas, booze, super glue and tar. Or maybe you are like me... and have have a higher standard for acting in films. However I did like the way the movie began and ended! Mark.

If you think about it, it's nearly unbelievable that a film could be made about the death penalty (one of the world's most controversial topics) that offends neither those for nor against. It's a testament to Tim Robbins' extraordinary intelligence and sensitivity, traits that can be seen in his acting roles as well (Shawshank Redemption, Jacob's Ladder).<br /><br />This film in fact hints at a subtle compromise between the "for" and "against" camps... so subtle that it can't be put into words, subtle to the point of vanishing, yet one gets the sense after watching the picture that a compromise is possible, that somehow it can be worked out if only we look deeply enough...

Our story: Two U.S. Navy deep sea divers search for silver coins hidden beneath the ocean off the Filipino coast. Our proof: Extremely dull entertainment at its best, with no plot in sight. Jim Brown is completely wasted, provided his help in producing this 70s war turkey. Richard Jaeckel is in his usual form. Don Cornelius and Richard Pryor are among those who gave special thanks in their contributions! BOMBS AWAY!!!

Definitely at the top five of best John Garfield movies has to be Pride of the Marines. It's the true story of Marine private Al Schmid who at the cost of his own sight, while wounded held off a horde of storming Japanese on Guadalcanal. <br /><br />The story nicely segments in three parts, Al Schmid's home life where he's a simple working stiff who's just getting serious with a woman and who likes nothing better than his bowling night. Pearl Harbor is bombed and he's off to war as millions of others were.<br /><br />The second part is at Guadalcanal and we see part of the action where he's in an isolated machine gun nest, holding off Japanese troops. His action prevented Marine positions from being overrun, but a grenade does in his eyesight.<br /><br />And of course the third part is his painful adjustment to civilian life and to reassure himself that people aren't just caring for him out of pity, most of all that girl he was seeing Eleanor Parker.<br /><br />This film was broadcast on TCM on John Garfield's 95th birthday and there was a documentary on Garfield hosted by his daughter. One of the people interviewed said that Garfield was the actor most believable in working class roles in having and holding a union card. <br /><br />In that respect he was lucky in that he did land with Warner Brothers in Hollywood. Though he kept getting typecast in gangster roles in the tradition of that studio, Garfield was terrific in these parts because of his background, because he came from the kind of life Al Schmid had, with the exception of Garfield's Jewish background.<br /><br />In that respect he was perfect to play the part of a working class hero like Al Schmid who accepted the responsibility of defending his country. No super heroics here, just a guy who'd rather have been back in Philadelphia, but doing a job that had to be done.<br /><br />It's a great part for Garfield. It's a film one shouldn't miss. I do wonder though whatever happened to the real Al Schmid.

I purchased this film for $5 in a bargain bin at my local video store for one reason only, Chase Masterson, but I should have crumbled up the five, thrown it in a toilet and flushed. The film is about a bunch of twenty somethings that peaked in high school and reunite on the anniversary of their idiot friends death, who got drunk and wandered into the woods and died. There problem is a reptilian monster is hunting them down one by one. The acting is abysmal, these worthless people were apparently cast offs on shows like 90210 and Dawsons Creek. The directing was on par with a twelve year old and the script was probably done by a thirteen year old. The entire set looks like someone's backyard in Malibu. The people on here that have praised this film are obviously friends of the director and/or actors. Avoid this pile of garbage at ALL costs.

A very weird, psychedelic, esoteric, (and did I say weird? :) experience.<br /><br />But on at least on one level - it did exactly what it was supposed to do. It bridged the gap between the silly, manufactured, Hollywood look at teen pop idols that was the Monkees TV program and the adult, musically growing and evolving, and yet still a little silly Monkees of the '70s and beyond.<br /><br />The most important line in the film is Mike Nesmith's, "If they think we are plastic now, wait till they see how we do it." That the Monkees were tired of all of the negative comments about their image and their work is a matter of record. They said it over and over in interviews. They needed to re-make themselves, and what better way that to de-bunk and hilariously lampoon the very machine that created them. And at the same time, they commented on our whole society (news, movies, art, everything) and said, "Hey, why pick on us - isn't all of this stuff manufactured on one point or another." These are the Orwellian "proles" (the Monkees represented the persecuted "everyman" even at their silliest in the TV series)pulling down "Big Brother's" pants and kicking him in his very deserving butt.<br /><br />Loved the ideas, loved the music, loved the effects, loved the movie! But then, as Peter Tork says in the movie, "But then, why should I speak, since I know nothing?" :)

"Distant" is a slice-of-Turkish-life flick which follows the mundane activities of two adult male cousins; one a photographer and the other an unemployed underachiever. There's little doubt that auteur Nuri Bilge Ceylan is a work in progress with considerable talent. However, this little foreign minimalistic arty dramady is so full of empty filler and so devoid of story or anything engaging or provocative that it will likely appeal to only the most avid devotees of cinema and mainstream audiences should look elsewhere. I personally grew quickly bored with the slow pace of the film and found myself fast-forwarding through the empty spaces - and there are many - between dialogue, plot development, and denouement. "Distant" is a very nicely done bit of esoterica. (B-)

Considering it's basically low-budget cast, this is a surprisingly good flick about the life and death of rock pioneer Buddy Holly. Gary Busey stars as Holly, who was one of the first to use an electric guitar for pretty much all his music. Backed up by his Crickets, Holly had a string of hits and became a bona fide star before his death in a plane crash along with Richie Valens and The Big Bopper. The film follows his rise to stardom, marriage to his sweetheart and eventual death. I like this film and believe that you will too. Charles Martin Smith also does a great job in this film.

I thought I should qualify my position after reading other reviews. The movie is not great, but it has a lot of great elements. The lighting and scenes along with the camera work are great. The story is slow and weak, but entertaining. The acting is bad, but no worse than you will find on the SyFy Channel. The music is pretty good and the gore is good. It has the great Leather Face in the film and is produced by Bruce Campbell. I watched the complete movie and while mostly predictable, it was still enjoyable. The women are attractive enough and the lead actor does a good job of being brooding and creepy. The movie was remarkably clean for a modern film and the violence appropriate for children 13 and up. There was no sex scenes. I gave it 7 out of 10 and I think that is fair. I would watch it again if I had nothing better to do. The gay sounding angel was the most annoying aspect of the film, the devil is quite creepy.

I saw this movie when I was a child. It blew me away. This was before the days of television, so a movie of this magnitude, could send a young kid into orbit. It so impressed me, that I went to see this movie for twelve consecutive days. The special effects used at this time were far ahead of its' time. Sabu was a real delight, as was Rex Ingram as the Genie. I found myself singing "I want to be a sailor" for months after the film left town. I would recommend this movie to any and everyone. I forgot to mention Conrad Veidt, who was as villainous a character as you'd ever want to meet. Also, June Duprez was never lovelier than she was in this picture. The color was outstanding. Give this movie an AAA!

I had a chance to see a screening of this movie recently. I believe that it will be in theaters in Canada some time around Mother's Day. If it is in a theater near you... GO! It's not a funny feel-good movie - it's more along the lines of a feel and think movie.<br /><br />The director does an excellent job of character development - letting you into the heart, mind and hurts of Hagar little by little. At first, her attitudes and behaviors don't make much sense. As her story unfolds, she becomes someone you can understand. As in life... understanding brings empathy. I found her likable by the end of the movie - particularly when she opens up her heart to the young man in the shack by the lake.<br /><br />Hagar's relationship with her two sons is painful - and reflective of so many of our own experiences in this world. Her youngest son, John, who is full of life and adventure takes the viewer to the very edge of their seat - and into the kind of raw emotion that is so authentic and rare.<br /><br />It's fun to see Ellen Page acting in this movie. She is so very different than the young woman that she plays in Juno. It gives me an even broader appreciation for her acting ability. If you loved her in Juno, you'll love her in The Stone Angel.<br /><br />Of course, there is Ellen Burnstyn as Hagar. There is likely no way of expressing the power of acting as strongly as the ability for the actor to make you forget every other character they have ever played. Never once in the course of this movie did I ever think of Ellen Burnstyn - I always and only thought of Hagar. She swept me into her character - hook, line and sinker.<br /><br />Kari Skogland's capacity to capture on film this renowned book by one of Canada's most cherished authors is impressive. She brilliantly brings to the screen both the stoney and angelic parts of this complex woman, Hagar - the stone angel.

I would have to say this is a great movie. <br /><br />Mike Judge has an eye forseeing things that nobody would ever notice hence Office Space. Hemakes a statement about the dumbing down of society and that survival of the fittest is mere pipe dream in 500 years. That pop culture and mass marketing by wealthy companies tend to rule the day. Yes there is a lot of potty humor in it and it is to get the story moving and his point across. But the genuine frustration on Private Joe Bowers face is priceless and some cases we can all relate to it at some point in our lives. <br /><br />If you do not enjoy the humor then look at it from a different point of view and watch it again. It took me watching it twice to really appreciate this film for what it is…And with said after watching it twice…I am going to read a book now.

What can I say about this? Such a big Prestige-Production - but in the End? Wasted Time, wasted Money.<br /><br />This work a disaster is historically seen. Only some examples:<br /><br />* Augustus often is named 'Gaius' - his First name (Pronomen). But the old Romans don't used this Name. Correct would be the Surname (Nomen Gentile and Cognomen) or the 'Octavian', 'Caesar', 'Augustus'.<br /><br />* Livia was shown as tyrannic Wife. But this historically wrong.<br /><br />* Iulia was shown as nice young woman - but she wasn't one. Adultery and (maybe?) Prostitution and arrogant behavior was the cause of her banishing.<br /><br />* She wasn't at the dying bed of her Father. She never was allowed to leave her banishing. And she was at this time around 50 years old! Not as young as she was shown. In the same Year Augustus died she committed suicide, because Tiberius stopped giving her a Pension.<br /><br />* Augustus was much more scruplesless then in this Movie shown. But Author and Director seems to believe Augustus' own 'Res Gestae'.<br /><br />What remains? Historically extremely doubtful, bad acting, bad built and equipment - 2 Points out of 10 - one for Peter O'Toole.

This is the second Eytan Fox film I have seen. The fantastic actor, Lior Ashkenazi, who starred in Walk on Water, has a minor role in this film also.<br /><br />But the real stars are the young Israelis who live together in a tiny apartment - Noam (Ohad Knoller), Lulu (Daniela Virtzer), and Yelli (Alon Friedman); and the Palestinian that joins them off and on - Ashraf (Yousef 'Joe' Sweid). There is sort of a Friends/Sex in the City thing going on (mostly gay), and they all just want the war to end so they can go on with their lives in peace.<br /><br />But, that's the rub. No matter how many posters you put up or how many raves for peace you have, the war is not going to end. Many have tried over the years to bring the two sides to the table, but they just want to keep it going for whatever reason. There are many on the Israeli side, both there and here in the US, who just want it all and will not consider peace. There are many on the Palestinian side who apparently would be out of a job should peace ever come. It is in no one's interest to end this war, and the children suffer.<br /><br />This is always on your mind as you watch this funny and engaging film. It won't go away. You know something tragic is going to happen and, of course, it does. With the feelings on both sides running strong, and revenge as the motivator, tragedy always happens, and that is what makes this an adult version of Friends/Sex in the City. There is no superficiality. It is real life, and it was a beautiful thing to see.

Dreamquest is by far, the best porn movie I've ever viewed. This is a must see!!! And if you're skeptical about your little ones watching it, just skip over the naughty scenes. Of course, this shortens the movie to a length of about 15 minutes. But even then it's enjoyable. This movie is quite excellent and beats out almost any movie...even Shawshank Redemption.

Although this movie doesn't have the darkness of the books, it is in my opinion a great movie. It's great campy fun with the beautiful Stuart Townsend as Lestat. He may not have the blond hair and blue eyes that are so vividly described in the book, but to be fair, he would not look good with blond hair, and Lestat is most definitely about looking good. He moves like the predator I always imagined Lestat would have.<br /><br /> The visual effects are pretty good, and the soundtrack is absolutely amazing. It's not Interview with the Vampire, so don't try to compare the two. Interview is Louis' story. This is a cut and paste version of Lestat's. In any case, I highly recommend.

I know this movie is a low-budget horror movie intended for those in favor of shocks and "inexpensive" gore, but even considering that, this movie is just too dull, filled with an incoherent plot, along with awful music, and obvious signs that this movie was never finished.<br /><br />Without giving any spoilers, I'll just say that by the final reel, things are wrapped up with no explantion at all, either by film or narration. The girl Anitra is real attractive, but yet that is not a good enough reason to enjoy this movie.<br /><br />If you are a fan of those gore movies from the 60's and 70's, then you should watch it, but be warned that it does not even reach to the usual plateau of these kinds of movies.

As soon as I saw the ad for "Changi" on the History Channel, I knew I'd love it. It captured the ANZAC spirit fantastically - you would die if you didn't have mates around you. The characters of "Changi" were strong and each brought something different into the story, and the Japanese soldiers weren't criticised, but were depicted as normal soldiers doing what they thought was right, just as the Australians were doing. Direction, screenplay, acting and setting were all done wonderfully, with a clear easy-to-follow plot. Humour was the soldiers' key to survival, and it was great to see a mini-series about war actually have some sort of humour in it, which is usually difficult to do without offending people. From what I've read about soldiers in Changi PoW camp, this story is a very realistic approach to the three and a half years those Australian, British, New Zealand, American and Dutch men spent there. I would recommend this series to anyone, whether you are interested in war or not. 10/10.

This low budget digital video film has strengths in the right places--writing and acting. In addition the digital photography is the best of the lot so far. In low light conditions the characteristic video umber tone prevails but, surprising, it rivals film stock for brightness, clarity, and, saturation in brightly lit situations. This is grass roots film making at its best with snappy dialogue carrying a "Midnight Cowboy" kind of story about grifters doing whatever it takes to survive in urban San Francisco.

"House Of Games" is definitely not without its flaws- plot holes, stiff acting, final scenes- but they do little to detract from the fun of watching a thriller that so methodically messes with your head. "House Of Games" does almost everything a good thriller is supposed to do. Of course, this is not a huge feat given the fact that we're dealing with the the world of confidence men and the cons they perpetrate. So it stands to reason that we never really know what's going on, even though we think that we do. But that's what makes the film worthwhile for those who are game; a film for which repeated viewings are indulgences instead if necessities.<br /><br />It has a definite Hitchcock slant to it. The film draws on some similar themes found his 1964 effort "Marnie", considered a misfire when released but now regarded as one of the Master's more thought-provoking works. One could easily consider the idea of Lindsay Crouse's character being the same as Tippi Hedrin's...ten year later perhaps. Both are strong-willed loners, both with compulsive behaviors which compel them to walk too close to the shark pool. As Crouse's repressed, up-tight character says, "What's life without adventure?" Put your Reality Check on a low setting and enjoy swimming with the sharks!

Most of this film is an alternately hilarious and brutal satire on Nazism and Fascism, made at the height of those movements' success.<br /><br />Sadly, in the final moments of the film, Chaplin abandons all pretense of making art (not to mention comedy) and switches completely to propaganda. And not anti-Nazi propaganda, either, but some of the most mawkish and idiotic "progressive" propaganda ever to ooze out of Hollywood.<br /><br />Never mind that nothing we have seen so far indicates that the barber is even capable of giving the speech we see him give (delivered, ironically, with a disturbing wild-eyed fanaticism); such trivialities must not be permitted to interfere with The Message.

There I was on vacation when my host suggested we take in this B-Movie festival in Breda. I was resistant, as I hadn't gone on the trip to sit in a movie theater, but I've got to admit that I don't regret a second of this one (especially with Stephen Malkmus' contribution). It probably helped that I had no idea what to expect.<br /><br />SEA OF DUST starts out like a typical costume drama. We've got a young medical student going to help a doctor whose town is being destroyed by a crazy plague (which somehow involves exploding heads). On the way, he stops to visit his fiancé and gets thrown off the property by her father. Traveling on, he finds a girl lying on the road, another plague victim, and takes her along to the doctor's. Yawn, I thought. It all seemed pretty predicable.<br /><br />And then everything went crazy and it suddenly turned into a completely different film. Tom Savini shows up looking like Dracula, characters begin traveling to "the other side" of reality, and the dialog gets increasingly humorous.<br /><br />And just when I thought it had settled into a groove, the picture changes again, becoming really dark and bizarre. I won't spoil it for first time viewers, but there's an amazing sequence about hollow people, lots of chat about the abuse of religion by society, and some over-the-top gore effects. And did I mention Stephen Malkmus? This isn't a perfect movie (in case you haven't figured that out from its appearance at a B-Movie festival), but it's well worth the time for adventurous viewers. Great visuals, cool soundtrack, lots of interesting ideas. The acting is a little zany at times, but I think that's the point.<br /><br />Funny I had to go to Breda to see find an American picture that looked like a British horror movie. You figure that one out...

Guys and Dolls is a movie itching for a remake. It was made forty-eight years ago. Its two main stars are either dead or 409 pounds. Although a remake, with big stars now, would be box-office success, it would not be able to capture the magic that went into this version. Its boundless energy can't be recaptured, nor can the pure joy you get when watching something like this: a huge, widescreen, big entertainment movie.<br /><br />Marlon Brando (who last clocked in at 409 lbs. last time I heard) plays Sky Masterson, one of the biggest gamblers in New York. Frank Sinatra is Nathan Detroit, whose as-often-as-he-can-find-a-speakeasy-for-it crap game is city-wide famous. However, when the one place he has left to hold it is charging $1,000, Detroit needs the money fast. He bets Masterson $1,000 that he can't take missionary Sarah Brown (Jean Simmons) to Havana with him the next day.<br /><br />Guys and Dolls is basically nothing more than unsavory types singing and dancing, which usually, as it does here, add up to fun. It's obvious to see how this was a Broadway musical: there weren't that many sets, and the scenes were long. If I was to complain about one thing, it's how uneven the songs were. At times, there were two songs in a scene; other times, thirty minutes went by without one. Guys and Dolls is never boring, just a great time.<br /><br />My rating: 8/10<br /><br />Not Rated.

*The ELITE sniper team that has inserted 24h or so earlier have instead of digging in and making them selves invisible decided to take cover behind a big rock in one of the first scenes. *When the hero "runs" to rescue his wife he actually jogs. *When inside a building and aiming for a target only some 20-30 meter away the hero USES HIS SCOPE. Besides the fact that most non elite soldiers would make that shot from the hip and still hit there is also the fact that the scope probably wouldn't be able to focus that close. *There is a satellite that can actually look horizontally into buildings.<br /><br />The list is endless... and the film is the biggest heap of crap I have ever put in my DVD player.

I first saw this film when I was about 6 ish - my grandma thought it'd be a nice kiddies film to entertain me and keep me occupied....however, every time I watched it I had nightmares the same night. Yes it masquerades as a kids' film, but even now I find it really dark in places, particularly the haunting music that is played each time the guardian angel woman is on the screen, and her rather hypnotic eyes and voice. The actual "baddies" of the film, ie the sharks, Mr Grimes etc didn't scare me at all, I just always found the whole film rather creepy and dark. This is obviously something I can appreciate now that I'm 21 years old, but speaking from experience there is no way I would show it to my kids!

I saw this with high expectations. Come on, it is Akshay Kumar, Govinda, and Paresh Rawal, who are all amazing at their comedy, I was really hoping for a laugh riot. Sadly, that is not what I got at all...<br /><br />Unfortunately, nothing in this movie really made me laugh out loud. There were times when I chuckled at one or two things, but nothing really made me laugh. In short, it was badly attempted comedy, and in a way, a bit of a Hera Pheri wannabe.<br /><br />Out of the three main guys, I think Paresh Rawal's role was the most powerful. It wasn't the biggest role, but it certainly stood out more than Govinda or Akshay. Their performances were okay I guess. Nothing special, just mediocre. Though Govinda stole the limelight from Akshay in more than a few scenes. Lara Dutta and Tanushree Dutta also make appearances in this film, and both of them were pretty bad. Lara's role did not move me, or make me laugh, and Tanushree Dutta's character just got on my nerves! The music seems to be the only good thing about Bhagam Bhag. My favourite song is "Tere Bin", followed by "Afreen", which I really liked. "Signal" and the title song "Bhagam Bhag" are also worth a listen.<br /><br />You either will like it or you won't. And judging by the poor comedy and lack of direction, I don't think you will.

Hindsight is a wonderful thing. Much reviled when it first appeared, (inspiring the famous review 'Me No Leica'), this precursor of "Cabaret" can now be looked at in comparison and it's not half bad. It's certainly no classic but it has its own wayward charm, (the film version of "Cabaret" follows this plot whereas the stage version changed the plot somewhat). One should, of course, resist the temptation to snicker when Laurence Harvey's Christopher Isherwood, (it keeps the original author's real name; God Knows what Isherwood thought of it), describes himself as 'a confirmed bachelor' and while Harvey is an utterly inadequate 'hero', (he's virtually asexual), and Shelly Winters woefully miscast as Fraulien Landauer, (the part Marisa Berenson played in "Cabaret"), Julie Harris is a perfectly marvellous Sally, (it's a lovely piece of comic acting), and Anton Diffring is first-rate as Fritz, the German-Jew in love with Shelly's character. Of course, if "Cabaret" had never come along you might ask yourself would this ever have seen the light of day again. That it has been revived may not quite be cause for celebration but it's perfectly acceptable all the same.

This was a bold movie to hit Indian cinemas when it was released. The first movie to perhaps openly depict lesbian tendencies amongst Indian women. The leading actress of Indian cinema Shabana Azmi added substance to the movie with her hot passionate scenes with Nandita Das.<br /><br />The movie oozed with sexuality and the director used sex in the best way possible. The sex was not for erotic purposes but was in the context of the movie. The scene where Nandita Das loses her virginity to her husband certainly was the first of its kind in Indian cinemas.<br /><br />Good acting by all the actors especially Nandita Das amidst criticism from the Indian public

They have taken a story dear to the people of Edinburgh's heart, a true story and changed it as Hollywood has done before to many a tale. The end result is a movie however well done for those how do not know the story yet totally different and inaccurate. The original movie of this tale that Walt Disney himself oversaw used the right breed dog that is crucial for this tale and did not make that John Grey was anything special he was a poor Shepard who died in poverty at the inn. If you like the story, watch the Disney original for a better heart- warming story. It's a Shame the cast and the potential was there for a terrific remake of a classic tale. Read the book for an accurate occurrence of the story. And if you really like it, you can visit the real Kirkyard in Edinburgh.

In this strangely-lackadaisical apocalypse, the world suffers from a dual plague of zombies and vampires, but no one seems to be too worried about it in this Grade-Z film which bares less resemblance to Sheridan Le Fanu's famous short novel than my mother's lasagna recipe. Bored attendants still run gas stations and doctors still make house calls and helpful police officers still show up with radiator fluid just when you need it. The plot, and I use that term loosely, involves a father and a daughter trying to rendevous with "the general," whose daughter is missing, at a church to kill a vampire who, very conveniently, happens to be traveling with the father and daughter. I must confess that a moment or two of genuine humor can be found between vast stretches of unintentional humor. The film also boasts just enough nudity to keep a boy of fourteen interested. Anyone older beware.

probably the worst creature feature ever,boa vs python was a million times better then this & that wasn't great either,bad acting,bad effects & guess what the DVD is one of those one with 3 hours of previews before the main menu.probably the least scary movie ever,no blood or violence,people are stupid and keep using pistols when they have no affect on these animals, the only cool part was the radioactive leeches that was pretty cool,i name of the island is just a rip off of Jurassic park boring tiring & not worth even looking at but i suppose the characters stupidity is pretty funny so it would make a good comedy film but definitely not a thriller

Finally! An Iranian film that is not made by Majidi, Kiarostami or the Makhmalbafs. This is a non-documentary, an entertaining black comedy with subversive young girls subtly kicking the 'system' in its ass. It's all about football and its funny, its really funny. The director says "The places are real, the event is real, and so are the characters and the extras. This is why I purposely chose not to use professional actors, as their presence would have introduced a notion of falseness." The non-actors will have you rooting for them straightaway unless a. your heart is made of stone b. you are blind. Excellently scripted, the film challenges patriarchal authority with an almost absurd freshness. It has won the Jury Grand Prize, Berlin, 2006. Dear reader, it's near-perfect. WHERE, where can I get hold of it?

This is one of my favorite comedies ever. Not wanting to condone the uninspiring lifestyle of its hero, but taken for what it's worth and not as trivializing alcoholism, the movie is simply a lot of fun. It tells the unlikely tale of a perpetually drunk, irresponsible 40 something bachelor named Arthur who is set to inherit a vast fortune, but only if he marries Susan, chosen because the family thinks she might make something of him. Arthur proposes, but then unwisely falls for Linda, a waitress and petty thief.<br /><br />Dudley Moore is perfect as Arthur, the world's most endearing drunk, whose antics are a laugh a minute. Admittedly, Moore IS Arthur and I agree with those who can imagine no other actor in the role. The ladies of the piece are also well portrayed. Liza Minnelli sparkles as Linda, and her on screen chemistry with Moore is great. Jill Clayburgh plays Susan, the wealthy and more appropriate woman chosen for Arthur. <br /><br />However, this film is literally made by Sir John Gielgud, who portrays Arthur's sarcastic but moral butler, Hobson. It's obvious these two have had a great mutual affection during Hobson's longtime employment. Hobson is Arthur's best friend and purveyor of unsolicited commentary and advice. The most interesting relationship in this film is not Arthur's romance at all, but his unusual rapport with this witty and of course perpetually disapproving servant. It's the butler you'll remember best long after the closing credits roll.

This is the very La Nouvelle Vague.One of the best films of the New Wave and I dare say one of the first ten ever made! Why? The atmosphere, the story,the actors (actress) are all brilliant. This is the theater, a fairy tale, the life, the film.Paris. Thank you Mr.Rivette.

I wouldn't give this movie a rating, it's not worthy. I watched it only because I'm a Pfieffer fan. I love her and would watch anything she made. Even in this dud, she didn't disappoint. Every scene with her in it, kept the viewer watching...waiting...for something to happen but nothing ever did. It had some good story lines but they ended abruptly as soon as it started. Some of the other characters had potential but nothing became of it.<br /><br />Pfieffer was 29 when she made this film and at her most lovely. The wardrobe and set was surprisingly good. <br /><br />I can watch mostly anything and rarely come across a movie I can't find something to like about it, but this was a dud. I don't understand. <br /><br />The worst thing about it all, it had a big cliff hanger at the end. It had an ending scene that woke you up and say wow, this film is finally going some place, then the credits roll. Good grief. <br /><br />I agree with the review that said .99 would have bought 3 cans of cat food and watching my cat eat would have been more exciting. Well said. Actually, that comment was more entertaining than the film because it sums it up so well. I too wasted .99 cents on this dud.dud.dud.

This is just one more of those hideous films that you find on Lifetime TV which portray the abhorrent behavior of some disgusting woman in an empathetic manner. Along with other such nasty films as "The Burning Bed," "Enough," or "Monster," this film takes a disgusting criminal and attempts to show the viewer why she's not such a bad person after all. Give us a break! Here's my question to the filmmakers: If LeTourneau were a man, and Vili were a 12 year old girl, would you have made a picture sympathizing and empathizing with this person? Answer: Hell no.<br /><br />Imagine switching the genders in this film, and then you'll see just why myself and others here consider this a worthless piece of garbage. Were the genders switched, there would be no attempt to empathize with the criminal. Instead, we'd likely be treated to a portrayal of a monstrous and hideous man preying upon a young girl, his lascivious behavior landing him in prison, and his brainwashed victim suffering from Stockholm Syndrome. The only reason LeTourneau does not receive the same treatment in this film is by virtue of her sex.<br /><br />Let's call a spade a spade. LeTourneau is a pedophile. Plain and simple. No ifs, ands or buts. She's a criminal who belongs in prison, and deserves our derision and contempt, but certainly not our pity or empathy.

I watched this hoping to find out something I didn`t know about modern history`s most infamous man and couldn`t help thinking that history has been rewritten in HITLER:THE RISE OF EVIL . Hitler was so obsessed with his niece that he threatened to have one of her admirer`s shot . Hitler turned up with a gun in his hand to arrest Ernst Rohm . Forgive me for asking but haven`t the writers confused Adolph Hitler with Tony Montana from SCARFACE ? That`s bad enough but what really offended me was that there`s entire chunks of historical context missing in this mini series . Germany lost the first world war and the allied powers made Germany pay a heavy price for doing so. It was this economic environment that led the German people to have someone - anyone - to restore their pride and that`s why they turned to Nazism . The German humiliation of the 1920s caused by the allied powers seems to be entirely missing therefore there is no way that HITLER:THE RISE OF EVIL can be taken seriously as a historical document, and I haven`t even mentioned that Himmler and Goering are conspicous by their absence <br /><br />There is one positive point about the mini series and that`s Robert Carlyle in the title role . Okay some of his mannerisms are wrong and his voice is a little too loud ( Archive recordings show that Hitler had a soft seductive voice ) but Carlyle is a charismatic actor and he does manage to communicate Hitler`s own charisma on screen . Comments in the British press that Carlyle resembles the synth player from Sparks more than Adolph Hitler are unfounded and he gives one of the better interpretations of Hitler.<br /><br />I liked the performance by Robert Carlyle but I hated everything else about this mini series and wondered why on earth it was made in the first place . There`s nothing to recommend it to serious history fans

A stupid teen supposed comedy that revolves a serious of misunderstanding including (but not limited to) a hooker being confused with a foreign exchange student, girlfriend beating, a girl loving a gay guy, and the straight guy that loves her, and bitchy gossipers. None of the following is funny or even amusing. Nation Lampoon's use to be hilarious back in the day. Now the name is sadly synonymous with crap. And this one is NO exception. I use to think Topenga was kinda cute when she was on "Boy Meets World", but it seems she let herself go (and yes I know she has a name, but into she does ANYthing else worthwhile, she'll stay as Topenga) <br /><br />My Grade: D<br /><br />Eye Candy: Kati Lohmann gets topless; Boti Bliss relies on a body double (BOOOOO!!!)

One of the funniest films I ever saw in the theater back in the early '70s, and sadly, it's only been on TV a few times since. This movie should be released on video. It's Sellers at his sleaziest, slimiest best as a crooked hospital administrator. Great cast, great movie. If anyone has a good VHS copy, I'd love to buy it.

A few words for the people here in germen's cine club: The worst crap ever seen on this honorable cinema. A very poor script, a very bad actors, and a very bad movie. Don't waste your time looking this movie, see the very good "mutantes verdes fritos anarquia radioactiva", or any movie have been good commented by me. Say no more.

This is the worst show I have seen in years. I believe that it should be taken off of T.V. because of its retardedness. It is so dumb I could faint when I watch it. (even though I never watch it because it is SOOOOO poor) <br /><br />Goofs: When mac says he can;t eat sugar, in another episode he eats sugar. Almost everything in the world has sugar in it!!! In episode "Eddie Monster" when eddy screams at Terrance he falls into the crate twice PLUS the seconed time he falls in he doesn't fall in, he falls off to the side. What stupidity. I can't even say the word Fosters Home. I even made a song with my band about how retarded this show is. Byyyyyyyyeeeee

This is one of the oddest movies I have watched in a long while. Usually if they are this strange I bail out early and rarely regret it. Luckily, I held on for this one. While I can't say that this is a great movie (it isn't), I can say that watching it is rather like a good acid trip - only a few really awful moments and the rest filled with "did I really just see that?" wonderment. Lots of laugh out loud moments. A great cast of characters with Meredith Eaton outstanding as the dwarf daughter-in-law with an attitude. Keep an open mind.

I don't understand the people here. The film is neither as good as as bad as some people say here. Except for De Kok the acting is OK. The problem with the film is mainly the script. The characters are not believable. The sex is done okay, but the psychology behind the people makes very little sense. The film doesn't look good, but what do you expect? The film was shot for very little money on video. Off course then it doesn't look as good as a normal film, duh! The one thing I do agree on is that the music is bad. Sounds like a cheap soft erotic film from the '80's. The film is not good, okay, but you have to give some credit for pulling this of without any money.

Freebird is the perfect marriage of road trip comedy, gang caper, "stoner" film and feel-good British movie.<br /><br />It is the brilliant lead characters that set this movie apart from other films in this genre. Stars Phil Daniels, Gary Stretch and Geoff Bell have a great chemistry and make their characters hugely likable and realistic. The main story centres around their road trip from London to Wales, and the adventures and mishaps that occur along the way. This small film also has a great heart - it is not just for bike fans, as it bases around the character's relationships with each other including dreams and regrets, such as Gary Stretch's Fred longing for the family he left behind. The cinematography is also great - a love letter to the Welsh countryside as well as capturing the grittiness of London streets and typical pub life in the Welsh country towns.<br /><br />Stylish, slick, fantastic soundtrack, likable characters and funny storyline - I would recommend Freebird in a heartbeat!

A have a female friend who is currently being drawn into a relationship with an SOB who has a long term girlfriend. Of course the SOB is very good-looking, charming, etc and my friend is a very intelligent woman. Watching Jean Pierre Leaud's character at work is exactly like watching what goes on in real life when guys like that destroy the lives of our female friends. It's tragic, and you know she's going to end up very hurt, but there's nothing you can do. Leaud is brilliant. Totally empty. A blank throughout, he pulls the faces and tells the stories he thinks will get the reaction he wants.<br /><br />The scene two hours in when Leaud and Lebrun have made love, and the next morning he puts on a record and, very sweetly and charmingly, sings along to amuse her is brilliant. The "What the hell am I doing here with this idiot" expression that flickers back and forth across her face will be in my memory for a long time to come.<br /><br />It's a long film, but see it in one go, preferably in a cinema. Takes a while to get into, but then the time just disappears.

This movie deals with the European ERASMUS exchange program but more generally about the European youth. It is so true , that I don't know Klapisch did to reach such a masterpiece... Definitely one of my top 5 movies. It reminds me of the famous song "This is my life, my life, life is life..." 10/10

Police Story is arguably one of the best works by the master of action himself.Compared to other action films,Police Story makes Schwarzenegger and Stallone look like beginners.The stunt scenes are well cheorgraphed and the action scenes are superb.If New Line Cinema has any sense,they would release this in theaters.

Quite possibly the worst movie that I have ever seen. When has Hollywood ever made a successful movie that attacked Republicans? Why don't they learn. The Dixie chicks haven't. These Lefties live in their own elite bubble interacting among themselves; oblivious to the fact that most of America is much further right than they are.<br /><br />The best Hollywood productions are not partisan and are rarely political at all.<br /><br />Dan Akroyd's imitation of Cheney was bad.<br /><br />I would have thought Cussack could have landed better movies.<br /><br />It wasn't funny.

Peter Coyote was the only name that I recognised from the cast list, so I wasn't too keen on watching this film. The only comment on IMDb was positive, so I watched it on late night T.V. I would recommend this movie as a good late night viewing. It's better than a lot of this genre. The plot is excellent, the acting isn't brilliant, but it's not bad. I don't usually like flashbacks but in this film they work. As I've stated, I didn't recognise any of the cast by name, but I recognised Michele Lee, who gave a decent, hard working performance, as the woman wanting to stand by her man, who is lying to her. (Was it Knots Landing?) Anyhow, she's wearing really well. Note: You may enjoy it more, if you miss the first few seconds of the credits. I did and it helped me. When you see the end credits, you'll get what I mean The Wayne Kennedy character, who is really weird, takes this to a 7 rather than a 6.

Here it is.. the first EVER episode of Friends, Where we get introduced to Control Freak Monica Gellar (Courtney Cox), Newly divorced Ross Gellar (David Schimmer), Hippy Pheobe Buffay (Lisa Kudrow), unknown actor and ladies man (Matt Le Blanc and very sarcastic Chandler Bing (Matthew Perry). This is how the scene starts off until we introduced to the 6th and final friend Spoilt kid Rachel Green (Jennifer Aniston).<br /><br />The Episode is better than most people give credit for, like any new sitcom the first episode isn't always fantastic. The acting in this episode isn't great because the cast cannot identify and arnt really believable in their new characters (apart from Kudrow and Perry- who shine).<br /><br />Matt Le Blanc- Man, his acting was down right dreadful because until later, he gets more confident, but i think he tries to be funny but at most fails.<br /><br />David Schimmer- Why does he over pronounce EVERY word? he cannot speak normally! but he became one of the funniest characters in later seasons, but he isn't confident. and i cannot sympathise with him Jennifer Aniston- Looks hot, and does a good job as Rachel Green, but we only see the real Rachel later in the 1st season, Courtney Cox- Looks quite anorexic in this episode, its worrying, she looks totally different now, (more healthily), she acting is a little sketchy but everyones is in this 20 minute pilot! Lisa Kudrow and Matthew Perry- I'm doing these two together because their comic timing and acting quality was superb, and for Lisa this was one of her first roles and she is so natural as Pheobe (Pheebs) and Matthew Perry is just Matthew Perry playing himself basically! The episode quality does improve later,,, such as the Sets, they looks dark and creepy in this episode and makes them seem unfriendly, the acting is OK, the characters gain confidence with each new scene and i am proud this is the pilot! I hope we see the Friends reunite! cause they will always be there for us!

Lars Von Trier is never backward in trying out new techniques. Some of them are very original while others are best forgotten.<br /><br />He depicts postwar Germany as a nightmarish train journey. With so many cities lying in ruins, Leo Kessler a young American of German descent feels obliged to help in their restoration. It is not a simple task as he quickly finds out.<br /><br />His uncle finds him a job as a night conductor on the Zentropa Railway Line. His job is to attend to the needs of the passengers. When the shoes are polished a chalk mark is made on the soles. A terrible argument ensues when a passenger's shoes are not chalked despite the fact they have been polished. There are many allusions to the German fanaticism of adherence to such stupid details.<br /><br />The railway journey is like an allegory representing man's procession through life with all its trials and tribulations. In one sequence Leo dashes through the back carriages to discover them filled with half-starved bodies appearing to have just escaped from Auschwitz . These images, horrible as they are, are fleeting as in a dream, each with its own terrible impact yet unconnected.<br /><br />At a station called Urmitz Leo jumps from the train with a parceled bomb. In view of many by-standers he connects the bomb to the underside of a carriage. He returns to his cabin and makes a connection to a time clock. Later he jumps from the train (at high speed) and lies in the cool grass on a river bank. Looking at the stars above he decides that his job is to build and not destroy. Subsequently as he sees the train approaching a giant bridge he runs at breakneck speed to board the train and stop the clock. If you care to analyse the situation it is a completely impossible task. Quite ridiculous in fact. It could only happen in a dream.<br /><br />It's strange how one remembers little details such as a row of cups hanging on hooks and rattling away with the swaying of the train.<br /><br />Despite the fact that this film is widely acclaimed, I prefer Lars Von Trier's later films (Breaking the Waves and The Idiots). The bomb scene described above really put me off. Perhaps I'm a realist.

The scenery is pretty and the dog is cute. Other than that, this film has absolutely nothing to recommend it. Jack Warden is pleasantly genial as usual, but the script is so awful that even he comes off badly. The plot makes no sense, the dialogue is dumb, and there are numerous smaller faults. But the dog is cute...

The play is cleverly constructed - begin with the porter, Rainbow - & let the audience see the background unfold through his eyes. The film follows the play with great faithfulness, working, no doubt, on the simple premise that it couldn't be bettered. Now throw in a host of superb character actors - & the result is a resounding triumph.A definite must-see.

I have never really been interested in cannibal movies before and up until a couple of months ago i had avoided this genre of movie.<br /><br />I recently had to undergo knee surgery and found i had a lot of time on my hands as i was unable to work, so i decided after seeing almost every horror movie our local video shop had to offer i would take a chance on this.<br /><br />Christ was it a mistake! I have never seen a movie this bad in all my years of being a movie addict. This is just a pile of s**t pasted to a D.V.D disc and sold as a horror movie.<br /><br />I have a lot of respect to other horror fans who can switch their brains off long enough to enjoy this crap, They are more brain dead than i ever will be and that is some achievement! 0/10 and thats generous.

First of all..I've seen better acting and more realistic makeup in porno flicks. How bad was "Chris Moltisante" as Stewie Ungar? On The Sopranos, Chris is not taken too seriously and can be considered comic relief. And then throw in "Bobby Baccala" as one of his Vegas cronies. It's just too much to take in a dramatic movie. Neither actor can handle a serious role and is better suited as a second banana for Tony,Paulie, or Uncle Junior. And I want to know who did the makeup for this disaster? I want that person to be MY make-up person over the next 25 years so I'll never age a day either. So that's all I'll write on this movie since it's not worth wasting too much more of my time. <br /><br />Yes I DO know that Michael Imperioli and Steve Schirippa are their REAL names.

As noted by other reviewers this is one of the best Tarzan movies. Unlike others however, I like the beginning of the film as it feels like a pretty accurate depiction of what a trading post must have been like. Plus the exposition is needed so we know why Harry wants to go back into the jungle. In addition the beginning of the film contains one of the most thrilling and terrifying chase sequences ever made.This occurs when Harry's safari group has to outrun a tribe of cannibals. The pre-censorship production values add a lot of realism, genuinely depicting the terrible dangers that awaited Europeans going into the jungle. The film also offers, though perhaps antecedently, an accurate account of how horribly treated the native Africans were by their white employers. In addition sexy Jane, thousands of elephants , some great sets and two chetas! Not to be missed an adventure classic.

I actually was looking forward to this movie. After reading a number of reviews before the release, it sounded like a genuinely nice film, one that was beautifully filmed and one with an interesting cast (Nicholas Cage, Penelope Cruz and John Hurt.)<br /><br />Well, it might have been all of those things BUT it is so boring that I defy almost anyone to sit through this in its entirety and keep attention. Also, Cage's attempt at speaking with an Italian accent is embarrassingly bad. He's such a good actor that I cringed every time he spoke in this film. <br /><br />'Disappointing" seems to be the most-often word used by reviewers here to describe this film, and I totally agree.<br /><br />I guess it didn't take long for word to get out about how bad this movie was because, like Cage's accent, it did not do well.

This is my favorite movie of all time. I just love all the trouble all the teams get into! Its great. Michael J. Fox looked so young.. but then again i guess he was!<br /><br />The teams are so stereotypical you just have to laugh.

Jim Varney's performances as the Harem Girl and A.U. are amazingly funny--on a level surpassing Chaplin and Keaton. Linda Kash is great in her once-in-a-lifetime role as the hometown waffle waitress longing for adventure. Unfortunately, the remaining 90% of the movie was unwatchably bad due to the atrocious plot. The makers of Ernest Goes to Africa did not rise to the creative challenges inherent in low budget film production. Only worth seeing on cable.

"Submerged" is definitely NOT "the worst movie ever". It does have its flaws, such as borrowed footage, crazy script and non-existent special effects (these are the worst), but it also has some good points too. The acting is surprisingly good, there are LOTS of familiar faces whom you probably know if u're a b-movie fan like me.<br /><br />I was very glad to see Brent Huff playing one of the heroes, knowing him mostly for his 80's action films, and i must admit, he is not a bad actor at all. Fred Williamson, Maxwell Caulfield & Tim Thomerson get some limited screen time, but are believable in their parts. The "eye-candies" in this Fred Olen Ray movie are Yvette Nipar and Nicole Eggert, both looking very sexy and very mean. Michael Bailey Smith adds some muscle to the background as a Navy SEAL. Unfortunately the only cast member who (in my opinion) is completely out of place is Coolio. He doesn't act at all, talks like he didn't even read the script, and being a badass in the beginning of the movie, gets shot like a wimp a hour later. Not a good choice.<br /><br />To sum this movie up - this is not such a bad choice for late night entertainment. If you can get over the special effects thing (so many guns, so much fire, and not a single wound on anyone), Coolio's annoying performance, and the recycled footage from Airport 77, you might like this no-brainer after all.

Weird with unnecessary singing and backdrops. Randomly much of the action will occur on stage giving the feeling of an opera performance. None of that explains why this is such a bad film.<br /><br />It's the impression that either not enough rehearsal took place or that no experienced choreographer was available. The acting is flat. Even the sparkling Ziyi Zhang looks like she's just waiting for her next movement or line. You may notice the trivia on this site stating that she spent half a month in Japan learning to sign and dance. Read that again as 2 weeks and things begin to make sense. Even worse are the little kids who seem to be looking at their parents at the back of the studio rather than at the camera.<br /><br />The cheap and cheerful sfx are just cheap and cheap. The editing is staccato chops peppered with slices of just nothing that adds to anything except annoyance. Just imagine all the silly dance scenes from the recent Zatoichi - particularly the closing routine - performed by your local high school drama club with one famous actress who speaks in another language (but you get her in simply because she's so good normally despite being unsuitable), recorded on a cheap camera and then edited into three times its length in no artful order.

This flick was a blow to me. I guess little girls should aspire to be nothing more than swimsuit models, home makers or mistresses, since that seems to be all they'll ever be portrayed as anyway. It is truly saddening to see an artist's work and life being so unjustly misinterpretated. Inconcievably (or perhaps it should have been expected), Artemisia's entire character and all that she stands for, had been reduced to a standard Hollywood, female character; a pitiful, physically flawless, helpless little creature, displaying none of the character traits that actually got her that place in history which was being mutilated here. Sadder yet, was to see that a great part of the audience was too badly educated in the area to comprehend the incredible gap between the message conveyed in the film, and reality. To portray the artist as someone in love with her real-life rapist, someone whom she in reality accused of raping her even when under torture, just plain pisses me off. If the director had nothing more substantial to say she should have refrained from basing her story on a real person.

I am quite sure that this was the worst movie ever made. If you can't make a 13 year old boy laugh at silly humor you should give up comedy forever. Unfortunately Joan Rivers chose differently. The movie is full of predictable gags (some of these are racist) and very unfunny jokes. Particularly memorable is the scene where the doctor tells the lead character that the rabbit has died and he is pregnant (as I write this, I cannot believe this was actually a movie scene). The man rushes to a dead rabbit on the doctors desk and tries to give it mouth to mouth. ROTFLMAO! NOT! The punch line that can tell you how bad things are in this movie is "I knew I should have been on top." ha ha ha ha ah ugh ........

Oh where to begin. The cinematography was great. When the movie first started because of the initial landscape scenes I thought that I was in for a good movie. Then the cgi Bigfoot showed up .It looked like a cartoon drawing of the Lion king and king Kong's love child.It totally took away from the believability of the character.Now I knew there wasn't a Bigfoot chasing people hiking around the woods for no apparent reason but a cheesy cgi cartoon.So from then on the whole movie was shot for me.The money they flushed down the toilet for the cgi they could of spent on a costume like roger Patterson did. His was the best Bigfoot costume ever no one else could match his.I am a hardcore cheesy Bigfoot movie fan and I was warned about this movie but my compulsion led me to watching this movie and I was disappointed like the previous reviews warned me about. I know after you read this review you will still say "I must watch Sasquatch hunters,must watch Sasquatch hunters." Then you will say why did I waste my good hard earned money on such a excruciatingly bad boring movie!

The week before I saw Iowa, I saw Art School Confidential, in which a pretentious student makes a film and can't decide whether he wants it to be art or violent exploitation. Iowa could be the film that he made. I can see elements of much better movies in Iowa - Spun and Natural Born Killers. However, in addition to artiness, both those movies had good character development and coherent story lines. Iowa. This movie stumbles to a preposterous end. I have to admit that it had consistency. This movie is bad from beginning to end and not particularly worse or better in any part. The actors all did what they could. Roseanna Arquette deserves better. She demonstrates that she is very talented, very funny, and very sexy. But why does she have to demonstrate it in this turd ball.

Nell Shipman attempted a plot to lead up to a chase finale in 'Back to God's Country' of the previous year, and she failed miserably. This time, she does better, although it seems pointless. 'Something New' hardly has a plot lying outside of the chase. There's a brief premise, which sets up the hero (co-author and Shipman's boyfriend) to have to save the girl (played by Shipman), then it's nothing but an exciting, implausible chase from there. Of course, it plays out like an hour-long advertisement for a Maxwell Sedan, but the entire movie is congruously ridiculous. It doesn't seem that she learned much from the last-minute rescue films of D.W. Griffith or its parodies by Mack Sennett and other comedians, which she's imitating.<br /><br />One point of interest is that Shipman writes and directs herself into the film as the writer of the film's story, which has as its protagonist a writer (Shipman again), although she doesn't do much else clever or humorous with it, even though she attempts to. Again, others had pioneered the writer's joke in the intertitles, like Anita Loos with 'Wild and Woolly' or Frances Marion with 'A Girl's Folly' (both 1917). At least, Shipman gives the impression that she doesn't take herself or the film seriously--and neither do I. 'Something New,' despite its claim, is hackneyed.

Hee hee hee. This movie is so bad that it doesn't even try to hide the fact that it sucks big time. I remember the day I first saw this on MST. Sun was shining, looked like a good day. then, I saw this product of Rick Sloane which consisted of horrible plush dolls wreaking havoc in the crappy 80s fest land. Kevin, wussy extraordinaire, tries to impress his girlfriend, manages an assistant security guard job, fights with rakes, and plenty more stuff in this very badly made series of images. No plot or story is needed. Obviously no acting is necessary as the film proves. An army guy and his sex crazed girl will make you wanna leap off a cliff, and the dorky friend who gets his kicks off phone sex will make you say, " He has got some nice red shorts". Plus, I really hated the old security guard and wished he had an accident in his supermarket cart. Just when you think it's over, wait until the Club Scum scene. Ask for Road Rash.<br /><br />I advise that after viewing this film, a good month to regain senses and sanity. And if you see Rick Sloane, give him a good kick to the groin to show how much we appreciate this crapsterpiece called Hobgoblins.

If there's one thing I want to distinguish myself from all the other great reviewers here, it's that I am the Queen of Finding Strange Movies in Thrift and Dollar Stores. That said, you can't possibly imagine how happy I was when I found this one. <br /><br />I can even remember that Saturday morning when *every* station simulcast it, so you were stuck if you wanted to watch something else (then again, I guess that was the idea). As a kid, I didn't know if I liked the way all the different characters were stuck together (there are some crossovers that just do *not* work). But I guess the special had it's intended effect. Don't do drugs because you will have nightmares about the Muppets.<br /><br />Now, if you watch this as an adult, on the other hand, you will be treated to the *strangest* anti-drug movie this side of "Reefer Madness". I think I'll just leave it at that before I get into trouble.

I didn't really expect much from "The Night Listener" and I actually never heard of it until I saw the cover in the videostore. However, the movie is very effective when it comes to building up suspension and tension. On occasion it drags a little, but it actually helps to keep you wondering what's going to happen and more importantly: when. As the movie progresses, the character played by Robin Williams gets dragged into some kind of "cat and mouse" spiel to the point where he becomes obsessed with finding out the truth and existence about a 14 year old abused kid that no-one seemed to have ever seen in person. The Night Listener is an interesting story, which is great in building up the suspense throughout the movie and you're pretty much kept in the dark of who is lying and what's real. However, in the end it kind of disappoints and doesn't live up to the potential it could have had. It doesn't really give you a detailed or plausible explanation about the other main character, which would have been helpful and interesting.

I quote below words from my favor writer, Paulo Coelho, as the comment for this movie.<br /><br />" When you really want something, all the universe conspires in helping you to achieve it"<br /><br />It is too easy to forget who we really are and what we desire to do in life. Because there are always too many comments and advice surrounding us to tell safety. I had almost forgot what the passion feel like. Despite of the adventure will take me out of safety zone, I truely believe the fear is just the price that I need to pay for the coming brand new journey in life.<br /><br />Thanks for inspiring me with this lovely story. It is the blessing for me to realize what unconditional love is. That is the most treasurable love from the light of soul.

This movie is full of pseudo deep thoughtfulness and it's cloying in its writerly-ness, that includes a canned ham voice-over and some unbelievable dialogue. Dialogue that is tinny and tone deaf the way Spike sometimes (not always) is when writing "certain" characters. For those that like nonsense films like Pieces of April and One Hour Photo, this is another one for you.<br /><br />That said, this comment is nothing against Ryan Gosling who has shown his awesome chops in The Believer. A film that proves that movies are a director's medium, and when a movie is rotten it's fair to say the fault lies there and not in the actors.