Datasets:

harpreetmann

/

imdb_max_500_test2

like 0

Ernst Lubitsch's contribution to the American cinema is enormous. His legacy is an outstanding group of movies that will live forever, as is the case with "The Shop Around the Corner". This film has been remade into other less distinguished movies and a musical play, without the charm or elegance of Mr. Lubitsch's own, and definite version.<br /><br />Margaret Sullavan and James Stewart worked in several films together. Their characters in this movie stand out as an example of how to be in a movie without almost appearing to be acting at all. Both stars are delightful as the pen pals that don't know of one another, but who fate had them working together in the same shop in Budapest.<br /><br />The reason why these classic films worked so well is the amazing supporting casts the studios put together in picture after picture. In here, we have the wonderful Frank Morgan, playing the owner of the shop. Also, we see Joseph Schildkraut, Felix Bressart, William Tracy and Charles Smith, among others, doing impressive work in making us believe that yes, they are in Budapest.<br /><br />That is why these films will live forever!

This movie was dreadful. Biblically very inaccurate. Moses was 80 years old when he led the people out of Egypt, the movie has him about forty. Moses was about forty when he fled Egypt, was gone for forty years, and was with them wandering for forty years. Moses was 120 years old when he died, and was denied the privilege of crossing over to the promised land. I realize movies use a lot of "poetic license" as the biblical account isn't that long, but, if making a biblical movie they still need to reflect the facts known, and keep the general flavor of the main biblical character, this movie fails in this aspect, and in many others.Even though the 1956 version has its problems as well, theatrically it was much better.

I had two reasons for watching this swashbuckler when it aired on Danish television yesterday. First of all, I wanted to see Gina Lollobrigida - and here I wasn't disappointed. She looked gorgeous. Second of all, through reading about the film I had gotten the impression that it featured absurd humor not unlike that which can be found in Philippe de Broca's films. On this account, however, I was sadly disappointed. I found the jokes predictable (apart from a few witty remarks on the topic of war) and the characters completely one-dimensional. Also, the action scenes were done in a strangely mechanical and uninspired fashion, with no sense of drama at all. I kept watching until the end, but I got bored very quickly and just sat there, waiting for the scenes with Lollobrigida.

A sick man Carleton Hendricks (Dee Snider), cruises the Teen Chat lines as Captain Howdy. He poses as a teenage boy and invites other teens over his house to party. He instead knocks them out, strips them, sews their mouth closed and tortures them (mostly with needles). He captures the daughter of cop Mike Gage (Kevin Gage). He finds him, arrests him and he's institutionalized. Four years later he's released...totally cured. But a lynch mop (led, amusingly, by Robert Englund) attack him and hang him. He doesn't die but he snaps and Captain Howdy is back...<br /><br />A very sick, disturbing, twisted horror film. Captain Howdy enjoys pain and torture and is trying to show the kids he kidnaps how to enjoy it also. The torture scenes aren't that explicit (you hear more than you see), but what you do see is very very sick. There's no humor and the (muted) screams of his victims sound way too real. I was cringing away from the TV during most of the scenes. <br /><br />The acting varies. Kevin Gage isn't that good as the cop--he's not terrible but he could have been better. Dee Snider is very scary as Captain Howdy--his attack scenes are not pleasant.<br /><br />All in all, not your typical horror film. I'll probably never see it again (this film really gets under your skin) but I recommend it to all horror fans--at least those with strong stomaches. I give it a 7.

Ever wanted to eat worms? Here's a 'documentary' to show you how! Yeah...The kid eats live worms! And that's about the most interesting part of the movie.<br /><br />This movie has been pretty well summed up by previous reviewers as rather boring. I'm totally in agreement here. The movie just doesn't go anywhere....unless you're fond of worm eating! This is one movie it's almost impossible to write a spoiler for....because nothing much happens.<br /><br />Now on the technical side: They should have given that kid a haircut. Who's he trying to look like anyway...Bozo the Clown. It was almost comical...I almost expected him to turn into the shaggy dog or something.<br /><br />And on top of that; the kid was way too chunky to ever look hungry! Should have kept him off the junk food for a couple of weeks before filming.<br /><br />All in all, this movie nearly put me to sleep. And my kids could only handle about 15 minutes before they left the scene for something more interesting.<br /><br />I will admit that the scenery was very impressive. And had there been a decent story to go with it, it might have made a hit.<br /><br />It did seem safe enough for kids to watch: The bear scenes and the 'oddball' eyeball were too weak to frighten most kids, and the brief 'skinny-dipping' scene didn't show anything.<br /><br />I gave this one a very generous 3.

its not as good as the first movie,but its a good solid movie its has good car chase scenes,on the remake of this movie there a story for are hero to drive fast as his trying to rush to the side of his ailing wife,the ending is great just a good fair movie to watch in my opinion,<br /><br />

I like science-fiction movies and even, low-rated, made for TV, bargain bin, movies I may still find interesting. Well, I found this one in a bargain bin and brought it as a selection to a movie night with a group of friends.<br /><br />I was, literally, *emabrrassed* that I brought this movie.<br /><br />Right from the beginning, the acting is bad, the story is bland and the plot is almost non-existent. All this leads right to what the movie really was: A soft core porno graphical movie.<br /><br />The movie started with a woman prison where the prisoners are all sexy women working in some sort of mine. First clue that this movie is NOT serious: attractive women in a prison being forced to do physical labor. Yeah, right! Whatever. :P Once the "plot" continued, it was overshadowed by pointless scenes of people having sex. Halfway through the movie, my friends and I stopped watching, it was so stupid. The next day, I thought that I would give the movie another chance and watch the rest. I watched about another 15 minutes and gave up again.<br /><br />If you are looking for a decent, science-fiction or even a sci-fi monster movie DO NOT watch Lethal Target! If you want to see a low-budget, soft core porn that is light on plot, then see Lethal Target.

I have to agree with most of the other posts. Was it a comedy? a drama? to me it leaned a little to much towards the comedy side. I could have been a great movie without the comedy and it was horribly contrived. Jamie keeps running into the Julio and whats his name. In New York, how many times do you run into someone you know in downtown Cleveland.And just how could Robert Pastorelli dig up Yankee Stadium to hide the gold. Again, a comedy or drama? But it was still entertaining especially for a Sunday morning. I enjoyed Kimberly Elise's performance, she certainly a beautiful actress and seems to take her craft seriously. She is a younger actress that is going to be viable.

Years ago I was lucky enough to have seen this gem at a >Gypsy film festival in Santa Monica. You know the ending >is not going to be rosie and tragedy will strike but it's >really about the journey and characters and their dynamics and how they all fit into what was "Yugoslavia". >While I am not Yugonostalgic and tend to shy away from >the current crop of "Yugoslavian" films (give me Ademir >Kenovic over late 90s Kustarica) I'd be happy to have the >chance to stumble on this film again, as it shines in my >celluloid memories. Ever since seeing Who's Singing Over >There" 15 years ago I still hear the theme tune, sung by >the Gypsies, ruminating through my head… "I am miserable, >I was born that way…" with the accompanying jew's harp and accordian making the tune both funny and sad. The late, great actor Pavle Vujisic (Muzamer from When Father >was Away on Business) was memorable as the bus driver of >the ill-fated trip in his typical gruff yet loveable manner. Hi

My husband received DVD of OBWAT for Christmas and it was the best gift we received! We watch it every time we need to laugh and so far we have viewed it 12 times!The scenery in this movie is beautiful and the music is outstanding!We also purchased the soundtrack and we play it in our vehicles and at home when ever we need a pick me up and that too is daily!If anyone needs a suggestion for a good gift for movie lovers this movie is it!The characters are hilarious , charming , and their facial expressions are too funny to describe!I have always been a fan of George Clooney but now I am also a fan of Tim Blake Nelson(Delmar ) and John Turturro (Pete)and am now looking for them in other movies! You gotta see this movie!!!

Well-done ghost story that will give you the creeps and some pretty fair scares along the way. The story unfolds slowly, building atmosphere all the way until you're ready to see the woman in black. You won't forget her once you've seen her. No gore, no knives, no hockey masks--just a well-constructed story that is best viewed at night with the lights out.

Nu Image, UFO and others produce films for the SCI FI channel that come in with budgets of roughly $2 million. Some feature extensive effects work, others feature recognizable casts and still others feature both -- for $2 million.<br /><br />Mr. Hines initially claimed that this film was budgeted at $20 million dollars but it's painfully obvious that this was probably produced for $750,000 if not considerably less than that. Few sets are utilized, a number of scenes are shot against green screen and most effects seem incomplete and amateurish.<br /><br />It's painful to watch. Not so much because it is poorly directed, poorly executed and misguided but because many of us have been following the progress of this production for quite some time and had high hopes for this film despite its relatively modest budget.<br /><br />Those of us who believed in this movie when it was originally announced have joined the legions of those spoken of by P.T. Barnum.

This movie is so bad, it can only be compared to the all-time worst "comedy": Police Academy 7. No laughs throughout the movie. Do something worthwhile, anything really. Just don't waste your time on this garbage.

"Bruce Almighty" looks and sounds incredibly stupid, especially from the trailers. Nevertheless, I found in it a deeper message that actually made me like this film more. Bruce (Jim Carrey) is angry at God and is given divine powers by him to be God for a week to see if he can do a better job. Morgan Freeman plays a man symbolized here as God, and though it isn't his usual type of film or one of his best roles, he does excellent with what he is given to work with. Although crude at times, the film does have quite a few laughs, from Bruce parting his soup in half like the Red Sea and the customers' reactions to him, as well as Freeman's seemingly laid-back and wisecracking image of God. It is overly exaggerated at times, and there is some crude humor, but overall it manages to be somewhat funny. There is a decent supporting cast, such as Jennifer Aniston, Lisa Ann Walter, and Steve Carrell, which always helps. The end of the film proves to be very romantic and tear-jerking, and the message is clear, that we should do what God has called us to do and "be the miracle." The film is far from perfect, but still enjoyable, and far better than I and many people probably would have expected, especially if we see the deeper message of the film.<br /><br />*** out of ****

a mesmerizing film that certainly keeps your attention... Ben Daniels is fascinating (and courageous) to watch.

This movie kicks ass, bar none. Bam and his crue have out done themselves with this film. Since I got the DVD (4 days ago) I have watched it three times and it gets better every time I watch it. I can't wait for Grind to come out in theaters. If its anything like Haggard it will be worth the wait.<br /><br />Thanks, JTcellphone

Having never seen the original Dirty Harry, I judged this movie on a clean slate. And I must say, I quite enjoyed it. Sure, some of the acting by Sondre Locke made me a little squeemish - but hey, it was the 80's. But even if you can't get past her (and I almost couldn't) or her revenge killings (which seemed a little.. overdone ;P), it's worth it just for Dirty Harry. Or at the very least, the bull dog he affectionately names 'MeatHead' :P<br /><br />7/10.

Superb. I had initially thought that given Amrita Pritam's communist leanings and Dr Dwivedi's nationalist leanings film will be more frank than novel but when I read the novel I was surprised to find that it was reverse.<br /><br />Kudos to marita Pritam for not being pseudo-sec and to Dr Dwivedi to be objective. This movie touches a sensitive topic in a sensitive way. Casualty of any war are women as some poet said and this movie personifies it. It is also a sad commentary on Hindu psyche as they can't stand up against kidnappers of their girls or the Hindu Brother who can only burn the fields of his tormentor. On the other hand it also shows economic angles behind partition or in fact why girls were kidnapped in the first place. I think kidnappers thought that by kidnapping girls they Will become legal owners of the houses and thus new govt. will not be able to ask them to return the houses. This apart one has to salute the courage of characters of Puro and her Bhabhi they are two simple village girls unmindful of outside world and risk everytihng by trying to come back after being dishonored . Because there are many documented cases when such women were not accepted by their families in India.<br /><br />No wonder that it required a woman to understand the pains of other women.

I managed to obtain an original BBC broadcast of this film on video and loved it so much I had to try and locate the original video in its original box; thanks go to Ebay.<br /><br />Deleted on any format since 1990, this exceptional wildlife film is finely constructed and well acted. Directed by Stewart Raffil (MAC & Me), the scenes of leaping Tigers running through the Alaskan wilderness is nothing short of stunning and its timeless tale of a trapper trying to survive on his own in the frozen wastes with two young tiger cubs is moving on each viewing.<br /><br />Why no major company has picked up this movie to distribute on DVD is a big wonder; but makes it that extra special to know its also hard to locate.<br /><br />If you find this film by chance or eventually track it down to add to your collection, make sure never to let it vanish out of your grasp. Films of this calibre, as shown, don't come often.<br /><br />A true masterpiece in every sense of the word, and highly worthy of its praised comments, "WHEN THE NORTH WIND BLOWS" will sink deep into your heart as soon as you see it.

This film isn't just about a school shooting, in fact its never even seen. But that just adds to the power this film has. Its about people and how they deal with tragedy. I know it was shown to the students who survived the Columbine shooting and it provided a sense of closure for a lot of them. The acting is superb. All three main actors (Busy Phillips, Erika Christensen and Victor Garber) are excellent in their roles...I highly recommend this film to anyone. Its one of those films that makes you talk about it after you see it. It provokes discussion of not only school shootings but of human emotions and reactions to all forms of tragedy. It is a tear-jerker but it is well worth it and one i will watch time and time again

This film was so bad it became enjoyable. If you want to see a soap opera cast decide to do an action film, this is for you! Overacting, irrelevant incidents, implausible dialogue - it has it all. The main character has a split personality and can not make up his mind whether he is thief, a loving father or a hero who will risk his life for others. He is plausible in none of these roles. This sets the standard for many of the other characters. The boss of the company whose building is set ablaze displays the same unpredictability, and so does his wife. And the punch line - who has taken the "chip" - beggars belief. I found myself laughing heartily and for that reason, I recommend you watch it.

A big disappointment for what was touted as an incredible film. Incredibly bad. Very pretentious. It would be nice if just once someone would create a high profile role for a young woman that was not a prostitute. <br /><br />We don't really learn anything about this character, except that he seems to be a hopeless alcoholic. We don't know why. Nicholas Cage turns in an excellent performance as usual, but I feel that this role and this script let him down. And how, after not being able to perform for the whole film, can he have an erection on his deathbed? Really terrible and I felt like I needed a bath.

Considering that I felt like picking up a new Jet Li film to see some but kicking and brainless hand to hand fighting, I grabbed this title.<br /><br />Unfortunatly, this movie contains more gun battles (ala Chow Yun Fat but nowhere near as good), than Jet Li and company's acrobatic fighting. Thus it was a let down.<br /><br />The faucet fighting was interesting and even funny, considering this was something totaly unexpected in a Jet Li film for me, more on the line of say Jackie Chan.<br /><br />But alas I'd recommend Fist of Legend, Tai Chi Master, or even the Enforcer over this dissapointment.<br /><br />Rating 4 for martial arts Rating 3 for overall movie score

As an amateur historian of WW2/Nazi Germany, I couldn't wait for this to come out on DVD. I missed it when it was first on in 2003. I don't want to repeat what's already been said in the previous 8 pages of comments about the historical inaccuracies. A better job could've been done portraying the "charming" Hitler. I also had a small problem with some of the casting choices, not so much for their acting, but for their appearances. Peter Stormare doesn't look much like Rohm, why didn't they make Babson as Hess wear a wig? And my biggest complaint..so much has always been made of Hitler's striking blue eyes, why didn't they make Carlyle wear blue contacts? On the plus side, I thought the actors who played Goring and Drexler looked pretty good. Again, as long as people watching this understand that this is supposed to be entertainment 1st, history 2nd I don't think a lot of harm will be done.

I watched this short moments ago on the Sundance Film Festival website, and I must say it is absolutely astounding. I expected it to be entertaining - like all of the Sundance shorts - but I wasn't prepared for such deep sadness and yet also a sense of passion and beauty. <br /><br />If you haven't yet seen any of this years entries to the festival, I suggest you go onto the site and watch these mini-masterpieces - I have seen them all, and can honestly say 'The Youth In Us' is the one that has touched my heart the most. I'm not the weakest audience member when it comes to romance in films, but my eyes flooded up so much I'm surprised I could still see the screen.<br /><br />I agree with 'addicted2you', it truly is a masterful piece of directorial work, and the cinematography will just take your breath away. <br /><br />I can't think of a better way to spend a spare 12 minutes.

This movie plays out like an English version of an ABC after school special, with nudity. It makes you wonder who the target audience was supposed to be. It's not as though the writers were too preoccupied with selling a plausible plot either. While it does possess a certain watchability, Virtual Sexuality is fluffier than dandelion meringue. It's a good movie to watch if you're snowed in, the cable's out, and it's the only tape you've got.

If you read my review of SyFy's "Dinoshark", you know that I can appreciate the low-budget schlock that these made-for-television movies can provide. They're stupid...they're silly...but they're still pretty fun in a "so bad, it's good" kind of way. So, still smacking with guilt for liking (and recommending) the undeniably hokey "Dinoshark", I sat down to watch "Hammerhead: Shark Frenzy", a SyFy Original Movie about a half-man, half-hammerhead monster terrorizing people on an island. With the SyFy Channel's sure-fire recipe for creating B-movie creature features and a cast that includes William Forsythe and Hunter Tylo, how could it possibly go wrong? Well, to my surprise, it actually misses the mark...not by much, but enough to make me not recommend it. Why? Well, first of all, its titular monster, the dreaded hammerhead-human hybrid, takes a backseat to a bunch of faux-military thugs who really become the movie's primary villain. Though the hammerhead does rack up the body count, he (or it or whatever you call the thing) only arrives just before someone is going to be munched upon and leaves directly after. The rest of the movie is filler, pitting our heroes against the aforementioned soldiers. That, to me, is just not as compelling as watching a walking hammerhead eat people! <br /><br />Please Read The Full Review On My Blog: www.horrormoviejournal.blogspot.com

When you compare what Brian De Palma was doing in the 80's to what passes for entertainment today, his films keep looking better and better. "Dressed To Kill, "Blow Out", "Body Double", "Scarface" and "Carlito's Way" are all superb works of a cinematic craftsman at the peak of his powers. The guy had a long run of better than average films. This is pure Hitchcock with an 80's dash of lurid perversion, an affectionately told tale of lust and murder with plenty of twists, huge helpings of style, a stunning Pino Donaggio score, and a trashy, giallo-inspired plot. De Palma's love of complex camera-work and luscious, blood-smudged visuals helps overcome the logical holes while the terrific performances of Dennis Franz, Keith Gordon (a good director in his own right), Nancy Allen (De Palma's wife at the time) and Michael Caine make every scene special. Let the virtuoso take you on a surreal, scary, erotically charged odyssey and you'll enjoy every frame of "Dressed To Kill".

This 1939 film from director John Ford and writer Lamar Trotti tells a fictional tale of young lawyer Abraham Lincoln, his trials (literally) and his tribulations. It's a sentimental film, reasonably well made but hardly breathtaking. The casting of Henry Fonda as Lincoln seems a mistake, for while the actor had the right doleful qualities for the part, even with several inches of makeup and a false nose he's way too handsome for Honest Abe, who was famously homely. It's a good try from Fonda, who's nothing if not sincere, but his miscasting throws the entire film off. The supporting cast is excellent, though, and includes Alice Brady, Ward Bond and Donald Meek. But Ford is too reverential in his treatment of Lincoln, who is presented as just shy of a saint, and in the final scene the movie goes way over the top.

That Certain Thing is the story of a gold digger (Viola Dana) from a tenement house. Her mother uses her to take care of her two brothers, but they are a loving family. Although Dana's character has the opportunity to marry a streetcar conductor, she refuses and holds out for a millionaire. Everyone makes fun of her for her fantasy, but are surprised when one day she really does meet a millionaire, son of the owner of the popular ABC restaurant chain. The two marry hastily, but the girl's dreams of wealth are shattered when the rich father disowns his son for marrying a gold digger. However, she truly loves her new husband and the two are unexpectedly successful at making it on their own.<br /><br />A rare glimpse of movie star Viola Dana, this film is a lot of fun. Dana's role is accessible, natural, and entertaining. She displays a knack for comedy as well as an ability to do drama.<br /><br />The mechanics of the film are a lot of fun too. The camera displays sophisticated late silent techniques like mobility. The title cards are also incredibly clever.<br /><br />If you like films like My Best Girl, It, or The Patsy, you will enjoy this film.

Horses on Mars is an engaging animated short that takes a sometimes comical look at the process of evolution through the eyes of those yet to evolve. The story is personal, and at times sentimental, and is supported by strong digital animation and narration that involves the viewer in this science fiction story. I was fortunate enough to view this short in widescreen format at the 2002 Sundance Film Festival, and must suppose that when transferred to the small screen, it will lose some of its ability to draw the reader into the no less thoughtful story and stunning graphics.

If I watch a movie and don't once look at my watch or clock to see how much longer it will be running or when I hope that the last scene wasn't the end of the movie, it's got to be pretty good. I'm not an movie internalist or cinema dissectionist. I watch movies and if they keep me interested till the end, then they are pretty good because some of the most critically acclaimed films bore me to death (The English Patient, Shakespeare in Love, Atonement, Crash. This movie kept me interested and absorbed beginning to end. Acting is great, story is absolutely original, flash-back technique very affective. There was a bit of Citizen Kane thrown in tho when Hoffman trashes his apartment after Tomei leaves him, but I forgive that cause I see it as a homage to, rather than a rip-off of, Orson.

This film had some funny moments. Louie, the main character was well cast along with some other decent supporting characters. The opening shot of the movie set the tone but the direction and story went downhill from there. Aside from a twist at the end (interesting and funny also), I wish this film had better direction and a more developed story. Without giving any of the plot away, the whole idea is better good! I just wish it was executed better in this short film. The potential was there but it just didn't deliver the goods.

Goodnight, Mister Tom begins in an impossibly exquisite village in the south of England where the sun always seems to shine. Before we have much idea of the period we hear a radio announcement of the declaration of World War II. Soon a train blowing clouds of steam brings refugee children from London and when shy little William is billeted with reluctant, gruff old Tom (who you just know will turn out to have a heart of gold) our tale begins.<br /><br />And what a load of sentimental claptrap it is. In fact it's just the old odd-couple buddy formula. Aren't any new stories being written?<br /><br />As I suggested there's hardly any period feel in the village and not much more in London apart from the odd old ambulance rattling around. And certainly no hint of the horror of the Blitz as London's citizens file politely into air-raid shelters. Even when the local schoolteacher's husband is declared missing presumed killed, he is later restored to life.<br /><br />I found `Goodnight, Mister Tom' cliched and obvious and John Thaw's accent conjured up a picture of Ronnie Barker of the Two Ronnies with a straw in his mouth doing his `country bumpkin' accent.<br /><br />Incidentally my wife enjoyed this movie for all the reasons that I disliked it and looking at fellow-imdb reviewers I seem to be in a minority of one.<br /><br />

The only aspect of this film that saves it from being my least favorite piece of celluloid trash is a single line uttered by an agent attempting to infiltrate the man-eating tomatoes by dressing in a tomato costume: "Can somebody please pass the ketchup?" I highly urge anyone with a sleeping disorder to use this film as a sedative; it works better than an overdose of demarol.

This movie was total cheese. It stank. The only thing good about it was the acting. Other then that, nothing noteworthy at all.<br /><br />Big Time Spoilers Coming up! Don't Read Anymore If You Have Not Seen It!<br /><br />This movie is centered around a family whose happy and wonderful lives have been shattered as a result of their younger son and later as they find out older son have been molested by their daycare providers. Although, they are called liars in court and the defense attorney is a real prick the jury finds them guilty and convicts them.<br /><br />In the end all I can say to the director is: "The next time you wanna make a movie like this, do it differently".

This film would be particularly fun for anyone who has been in the film industry, especially in any indie capacity... those whose inheritance includes a film introduction may not appreciate it quite as much. I am hard to please in the documentary category. This doc is different though- its pleasure comes from an earthy realism of indie filmmaker punks who are a hoot to be around and watch. Whether you've ever wondered what it is like to be in films, in front of or behind the camera, or whether you have worked your way through the sometimes painful and hard but rewarding indie world, you'll certainly get a kick out of this film.

Of course, all this nonsense begs the question 'Does a genre as self-referential as the teen comedy really need another parody movie?' The woeful 'Scary Movie' (I and II) took the formula about as far as it could go - 'Not Another Teen Movie' really doesn't have anything either intelligent or shockingly excessive to add.<br /><br />The plot, essentially based on fairyfloss teenflic 'She's All That', walks a shaky line between parody and homage ('John Hughes High School'). Everything from 'American Beauty' to 'Varsity Blues' is mined for references. The result is ultimately an unfulfilling viewer experience. The downside of giving us a carbon copy plot of 'She's All That' is that we all know where its going anyway. And if we didn't then the jokes would be meaningless.<br /><br />There's extremely little to recommend here. The token gross-out scene (an erupting toilet) seems badly out of place here amongst all the 'feel-good' references. There are moments of humour - the song is funny enough and the odd good line is send the audiences way. It stinks, don't watch it.

As gently as I can, I sincerely believe this movie is a waste of time. I did not find it the 'warm, emotionally satisfying' film others did. I found it boring, with music that distracted from the film. The story was thin, the characters overdrawn, and the direction pedestrian.<br /><br />Fooey.<br /><br />Now I'm going to write some more about this movie, so I make the 10 line minimum. There really isn't more to be said and brevity is important, but IMDb has its minimums, so here goes.<br /><br />Young eager kid finds nascent talent, seeks time with aging, embittered mentor in spite of father's cartoonish homophobia. Aging, embittered mentor turns out to drink a lot and teach very little. conflict arises. While I don't think this is a spoiler, I've added the warning in case someone feels this much information is too much. <br /><br />Mostly, I just found the film boring and pretentious. A waste of my time. I honestly don't understand what little fuss there seems to be, mostly on this web site, about the transcendent quality of this movie. I think it's really worth avoiding. But, as Dennis Miller used to say, "Maybe I'm wrong."

The worst movie I have seen since Tera Jadoo Chal Gaya. There is no story, no humor, no nothing! The action sequences seem more like a series of haphazard Akshay Kumar Thumbs-Up advertisements stitched together. Heavily influenced from The Matrix and Kung-Fu Hustle but very poorly executed.<br /><br />I did not go a lot of expectations, but watching this movie is an exasperating experience which makes you wonder "What were these guys thinking??!!".<br /><br />The only thing you might remember after watching it is an anorexic Kareena in a bikini.<br /><br />The reason why I did not give a rating of '1' is that every time I think I have seen the worst, Bollywood proves me wrong.

Lame. Lame. Lame. Ultralame. Shall I go on? There is one, I repeat *one* funny scene in this entire, drawn-out, anti-amusing Amateur Hour Special of a film: Fares Fares' fat father knocking someone over with his beer gut. That's it. The rest of this shockingly mediocre pile of nothingness consists of the usual trademark bored-looking Swedish "actors" delivering dialogue which goes into one ear and out of the other, a banal story, sloppy direction and, well, little else worth mentioning. Nepotistically cast Fares Fares is as charismatic as a chartered accountant and his nose rivals even that of Adrien Brody in terms of sheer ridiculous hugeness. Torkel Petersson should only work with Lasse Spang Olsen. The rest of the cast is, luckily, easily forgettable, whereas Fares' humongous, titanic nose will forever haunt me in my dreams.<br /><br />Josef Fares helps ruin Swedish cinema. Don't support him and his nonsense. Jalla Jalla is to comedies what Arnold Schwarzenegger is to character acting, Kopps would have been much more respectable if it had been a no-budget Youtube video, and Zozo was simply the most pretentious, pseudo-touching garbage ever unleashed by a Swedish director. Wake up and smell the roses: Swedish movies can be so much better than this, so stop pretending Fares' flicks are worth watching simply because they're "good to be Swedish". Please.

my friend and i rented this one a few nights ago. and, i must say, this is the single best movie i have ever seen. i mean, woah! "dude, we better get some brew before this joint closes" and "dude, linda's not wearin' a bra again." what poetry! woah! and it's such a wonderfuly original movie, too. i mean, you don't usually find a slasher film where every single murder is exactly the same. i mean, exactly! now that's originality. and almost all the transitions between scenes are these great close-ups of the psycho in the ER scrubs. how cool! the acting is so wonderful to. the dad was just brilliant. must have studied REAL DADS before filming. and how many movies do you find that just don't make any sense? not many. but this is one of those gems. i mean, how cool is it that one guy waited outside for like six hours to pull a prank, while his friends were both inside? that's really cool. overall i'd say this is the single greatest film of the genre, nay, in the world! *****

Yes, people are racist. People are even racist in college. That's a good point, and the issue of racism has been dealt with many times before in countless films. What sets Higher Learning apart from the pack is that it deals with the issue of racism in the most ham-fisted and predictable way possible, oh yeah it's in college too.<br /><br />This film deals with this problem of racism the way Frankenstein deals with most problems, it bashes you over the head repeatedly in a brutal and sluggish manner. Most of the characters are cartoonish, one-dimensional, caricatures (lesbian feminist, angry black man), that react to situations as dramatically and predictably as possible. Instead of defying stereotypes this film is overpopulated with them. The angry black men feel cheated, feminists hate men, etc. (one feminist even holds a sign that reads "Dead Men Don't Rape." See what I mean?) I don't want to give anything away, but in this movie if someone seems like a shifty loner or a date rapist they'll probably behave exactly how you expect them to. The changes the characters go through seems obvious to everyone but the people in the movie. The big twist in the plot hinges on whether or not the violent neo-Nazis will act like violent neo-Nazis. I'll guess you'll just have to watch to find out what happens.<br /><br />Another problem I have with this movie is that it's supposed to be "gritty" and "hard-hitting," but they make Nazis the bad guys. I agree Nazis are evil, but that's my point. Everybody thinks Nazis are bad; we're not breaking any new ground here. Nazis have been portrayed as villains since the 1930's. The film doesn't challenge any viewpoints or make bold statements. It just deals with issues we all know about in a clumsy, after-school-special like, manner. Being anti-rape, anti-racist, and anti-Nazi isn't exactly taking a hard stance on a controversial issue.<br /><br />Higher Learning is predictable, cartoonish, and in a word stupid. Avoid at all costs.

The films of UPA are surprisingly well rated on IMDb despite the fact that the animation quality is light-years behind that of Looney Toons, Disney and MGM at their prime. Sadly, due to rising costs in making pretty cartoons with high frame-rates and lovely backgrounds, the UPA style (which debuted about 1950) began to dominate in the late 50s and 60s. After all, the films were dirt cheap to make and they'd received several Oscars to "prove" that the cartoons were now mainstream. So as a result, lousy animation was becoming the norm and this trend wasn't reversed until the 1980s.<br /><br />This UPA film is one of the early ones. The characters are very simply drawn (any simpler and they would have used stick figures) and the backgrounds were ugly--simple line drawings with colors added in a very slap-dash manner (often with a sponge and rarely completely filling the items).<br /><br />As for the story, it's a jive story with a strong jazz style attitude. Some will love this, others will just find it very, very loud. It's the traditional "Frankie and Johnny" story and because of the shootings and all, it's probably not a great film for the kids. Heck, because of the animation and jazz, it's not a particularly good film for me, either! Some will read my review and no doubt think I am a crank (which I am, to a degree). However, I love animated films and a little of this minimalistic UPA style goes a very, very long way and you can't seriously consider them great works of art--just very, very quickly made cartoons. Ignore the Oscars and try watching some classic cartoons or something--anything else!

This movie was amazingly bad. I don't think I've ever seen a movie where every attempt at humor failed as miserably. Let's see...the acting was pathetic, the "special effects" where horrible, the plot non-existant...that pretty much sums up this movie.<br /><br />

Four or five episodes of Johnnie Socko and his Flying Robot edited together. Amusing giant robot battling giant monsters tale aimed squarely at kids. Parents of course will go crazy since the action is violent with the robot/monster battles resembling professional wrestling and the human on human violence the sort of stuff you'd find in the Al Capone St. Valentine's Day School and Gangster Training Academy. I liked it, but then again I grew up on the series. If there is any problems, other than the "men in suits" effects variety is that the movie plays like a series of episodes stitched together, with a climax coming every 20 minutes. Recommended for those who've run out of Ultraman or Godzilla

I found 'Shuttle' an incredibly frustrating film to watch. It starts quite well and moves along briskly until the first 'injury' (which is a doozy). After that it becomes very lazy and underwritten as a story. It was the case of the plot driving the characters and not the characters driving the plot. If you hate film where you can't understand why characters do what they do, you will loathe 'Shuttle'. Particularly, the last act is odd and seems to occur in a world without common sense. Also at the end one of the characters confessed a past misdemeanor to her friend, rather than generating sympathy from the audience, most people started to giggle. This was probably because the 'heroines' of the story was a complete idiots. Finally there is an ending which just seems tacked on to be 'shocking' and comes from the horror cop-out school of 'people are bad, audience, so just accept it without any explanation'.<br /><br />'Shuttle' is neither good or bad, but mediocre. And annoying.

Rosenstrasse is more an intimate film than one of epic proportions, which could have kept away many film goers looking for a Pianist similar plot. Fortunately, Von Trotta, a good screenwriter, opts for a feminist peep to an era too much illustrated on its colorful exterior, but too little analyzed in terms of intimacy and from the point of view of ordinary Aryan German rather from a Jewish standpoint. Rosentrasse finds its strength in these unsung burdens of people trapped within historical circumstances of which they emerge as victims. The pace of the film is introspective, poignantly slow, meditative. Besides, the characters are so vivid while transitions between generations and the passing of time has been deftly crafted. Rosenstrasse is not a masterpiece, and some narrative flaws are well discerned. Another fault lies on a trivial cinematography unable to capture the intensity of the internal drama lived by the characters. Nevertheless, this film is worth seeing. Finally, Rosenstrasse is part of the last trend in German films dealing with the ghosts of a nightmarish past,trend that includes such excellent films as Nowhere in Africa, and recently, the controversial Downfall. I would recommend this film to those who know how to read beyond the images.

I have yet to watch the first entry in this series, however, fortunately, I was still able to follow the complex and intricate plot, with all its unexpected twists and turns, and I applaud them for the utter originality of the concepts herein. In case there is any confusion, let me leave no doubt as to the fact that everything I've just said is coated in pure, carefully nurtured sarcasm, the kind that flourishes and grows exponentially when exposed to crap like this flick. A clear sign that this is unimpressive is that it was directed by a visual effects creator, whose only other credit in that field is a Henry Rooker film that wasn't well received. The acting is average at best, and I defy anyone to not find... Scottish computer-woman(come on, seriously, what is with that last name?)'s Russian accent laughable and/or irritating. There is an attempt or two at stylization in this, and they are reasonable. The action isn't terrible. Cinematography and editing are fine. The music is cool enough. Language is infrequent, if even that. Violence is fairly bloody. I recommend this solely to fans of B-movies, and I will say that you can do worse than this. 1/10

The film is a pathetic attempt to remake Ingmar Bergman's "Autumn Sonata"(1978) starring Ingrid Bergman,Liv Ullman and Erland Josephson.It did not take me more than 5 minutes to figure that out.<br /><br />It is time Film journalists like Khalid Mohammad took out time to do some creative thinking. It makes me sad when potentially good film-makers waste their talents by making substandard remakes of Hollywood and European films.<br /><br />You've got to give the film-maker something though. The film he picked for copying is one of Bergman's classics, and easily one of the finest instances of the portrayal of a strained human relationship in European cinema.

Before seeing this movie, I was expecting a fictional drama based loosely on ideas from the book; instead, it's the book, interrupted with dramatic scenes illustrating the different "illnesses." That didn't bother me much, but it hindered my enjoyment of the film. One story or even two or three long stories with excerpts from the book interspersed through the movie would have been preferable, in my opinion. If you're going to base a movie on a psychology text, you've got to find a more interesting (and preferably accurate) text than this one. The film drags during parts where it's little more than a video encyclopedia of 19th century sexual psychology and would be utterly intolerable if it weren't sexual in nature (because "sex = interesting" for most of us, even me). Luckily, there are several stories with actual character development that pull us in.<br /><br />But, disappointingly, Krafft-Ebing's theories of sexuality went unchallenged, for the most part. I was hoping it would use stories to show how the imperfections of his archaic view of psychology which is still held by many to this day.<br /><br />So, in the end, what do you have? A detailed catalog of a few fetishes and orientations, with some mildly interesting stories showing the trials and tribulations of a few "sexual deviants" before they are cured. For most of the film, the film moves with the crawling speed (and mood) of a wake. And, as an obviously low budget film, the cinematography and acting are not exactly top tier. Although I *was* pleased with the music, costume and interior design.<br /><br />I felt this film's subject was right up my alley, and I still feel it's a below average film. It deserves a 3/10; a 4/10 if I were feeling extremely generous. I can't imagine anyone enjoying this if they didn't already have an interest in sexual fetishism.

I saw this film yesterday.. I rented the DVD from Blockbuster.. In fact, I know one of the actresses from the film.. I won't say who..! (That's kept under wraps..) But I must admit, it wasn't as good as I thought it would be.. Tom Savini? Hats down to this guy.. But it's a shame he wasn't in the film for long.. What lacks the film is the idea, the script, sound, etc.. It may look like a good movie.. but it wasn't that entertaining..<br /><br />Well, I'm glad my Sister paid £10 for renting 3 DVD's from Blockbuster.. I chose this one.. and I was disappointed. Anyway, thumbs down for me..! Not my cup of tea! 0 out of 10!

Overlong drama that isn't capable of making any real point. So she became an actress - so what? She learned to love - big deal. There is a certain eccentricity among the characters and in the dialog and situations, but the kind which is bad for the movie, causing it to often seem absurd.<br /><br />Summer Phoenix, playing the lead, talks and behaves like a semi-retarded person, so there is no choice but to watch the movie as about a retarded girl that makes it in the world of theater - which was clearly not the intended point. We are told early on (in that "Barry Lyndon"-like narration) that she learned to hide her emotions, which certainly explains her autistic stone-face, but the movie suffers for it. She basically walks around like a zombie, and her success as an actress isn't quite credible given her lack of emotions. Occasionally, the movie had that dull, sleepy feel of a Dogma 95 movie. Is it one? I wouldn't be at all surprised.<br /><br />Summer Phoenix is sister of Joaquim Phoenix and the late River Phoenix. Nepotism rarely works.<br /><br />If you'd like to see my Hollywood Nepotism List, with over 350 pictures/entries, contact me by e-mail.

I looked over the other comments and was thoroughly amused to find that clearly only people who actually worked on the movie had commented. I mean, I hate to say bad things about an amateur production, but if you make a bad movie and want to comment on it, tone it down a little. "Groundbreaking" is a little over the top. This is a Boston based college production that doesn't even achieve the level of most amateur college film. It's what you would expect a bunch of kids to do. A silly action film without much creativity. It's pretty funny if you're willing to poke fun at it. Not something you will ever see unless you are a student at Emerson college.

The bevy of box office big league stars is phenomenal in this movie!! William Baldwin, Kiefer Sutherland, Kevin Bacon and Julia Roberts!! This movie was made in one of my favorite years too, 1990!! I am a Chicagoan, and the setting in Chicago was very identifiable and artistically expedited as well!!I liked this movie, and the agitation which motivated the climax in this picture was a powerful element to the plot which was utterly sensational!!<br /><br />"Flatliners" centers around a group of disgruntled pre-med students who want to be flat lined as a way of attaining some sort of societal vindication!! When life does not make sense, it would appear very illogical to get curious about apocalyptic nightmares!! At the same time, once their desultory curiosity has gotten the better of them, there is no turning back!! The king of the hill, (so to speak) is the one who vehemently shouts: I WILL DO TWO MINUTES!! WHO ELSE IS GOING TO DO THAT!! ANYONE WANT TO TRY FOR TWO AND A HALF!! Ultimately, all of these newly arrived and very unwelcome recriminations now have an extremely ubiquitous disposition in these re pro-bate's lives!! The consummation to their justified or unjustified pathos required a full 360 degree perspective on the issues they were agonizing over!! Whatever purpose all of this reckless and academic chicanery serves, it is definitely an original approach for asserting your personality!! I liked this movie, 1990 was a good year for me too, things seemed to fall into place that year!! When I saw this movie some night in November during the year 1990, I was very glad that I did!!

as a fan of robocop, i always loved this movie. i seen it when it first came out, and finally i bought it on DVD from Brazil, it was never released in the us on DVD. i like the film, but like everything else in this world, everyone has their opinion, love it or hate it. no matter what a movie does, someone will always say "why didn't they do it another way?" in other words you cant please everyone. if you love robocop, you will love this film. to me, its so unique thats its not cheesy, or silly like a lot of lower budget movies. this film always kept me interested. i can see a few scenes that robocop borrowed from here, but tell me what movies don't do that? a lot of films use other ideas from other movies, and sometimes change them around. fun film!

You know you're in trouble when the film your watching has numerous alternate titles. Generally it means that they tried and retried to hide the turkey in various markets. Such a turkey is The Brain Machine which has seven different titles.<br /><br />Its about some super secret government project that is suppose to be able to use a computer to read people but instead it drives people to kill each other or themselves, or something like that. Its filled with B level TV actors sitting in paneled room with lawn chairs trying to act a script that makes almost no sense.<br /><br />Its a turkey of the untastey kind. Avoid it.

About as hilarious as 50s British comedy can get, THE BELLES OF ST TRINIAN'S has almost a gag a minute... and at 91 minutes makes for a terrific time. Other films I equally recommend of the same period are THE TITFIELD THUNDERBOLT and THE GREEN MAN. In fact any film with Alistair Sim or Terry Thomas, George Cole, Richard Wattis or Joyce Grenfell or any combination is a delight. in ST TRINIAN'S we get a double dose of Sims playing two roles with that hilarious disdain he constantly lets ripple across his face. Joyce Grenfell as Ruby Gates (oh dear! that name!) plays her 'jolly hockey sticks' constable-incognito to hilarious perfection. Possibly the best laughs come from George Cole as Flash Harry (who comes out of a bush when whistled at) and various visits to classrooms by Ms Fritton (Sims) reacting to explosions ('Oh poor Betty!") or science lab gin production ("just send a few bottles of that up to my room"'). Every part of the film is funny from the characters, their costumes the antics and the setting. There were sequels but the first three are the best: including this one, BLUE MURDER AT ST TRINIAN'S and later in color THE GREAT ST TRINIAN'S TRAIN ROBBERY.

This Columbo episode is one of the better and perhaps one of my personal favorites. The cast includes Rosemary's Baby John Cassavetes as the maestro, his wife played by Blythe Danner (Gwyneth Paltrow's mom) and his mother-in-law played by Myrna Loy (one of America's greatest leading actresses in film of our time). Anyway I disagree with anybody who criticizes against this film. This episode is one of my favorites because you have an excellent cast who do a superb job in performing. I love watching Columbo with his beloved dog who he never names in the series. This time, the episode focuses in on classical music at the Hollywood Bowl, one of L.A.'s attractions. Of course, Columbo becomes as interested in classical music as he does anything else involving a crime.

This movie was just so utterly horrible that I couldn't get through the entire thing without turning it off, it was just that bad! When I was watching it I kept thinking it looked like some really cheap film made back in the 60's or something with those terrible looking special effects, but then I realized that this was just made in 2001. <br /><br />The dialog and the acting were really very horrible and the plot was almost non-existent. I didn't think anyone would go back to making films that look so cheap and old, I'm not sure if they did that on purpose or if they really didn't have any budget for this movie at all. It really looks like it was shot on someone's camcorder at a local person's house or something. Maybe they thought they were being retro or something but it just comes off looking really cheesy.<br /><br />I really don't know how anyone could ever actually enjoy watching this.<br /><br />0 out of 5 *'s.

I consider this a breathtaking but deceptive film because it seems so simple and straightforward: a Vietnam survivor tells his harrowing tale and some of the story is reenacted on location. Reviewers sometimes even claim that Herzog's presence in the film is minimal, but how wrong they are. We know that all documentaries are "mediated" to some extent and this one has Herzog's subtle hand all over it, most notably in the stunning music, the unbelievably expert selection of archival footage, and the management of cascading images. The evocative power of this film is astounding, starting with its title, the opening title card from the book of "Revelation," and the initial voice-over. This is a movie that one can watch repeatedly with increasing wonder, not a simple commodity that is gulped down with one's favorite beverage on the way to the evening news. This is one of those movies that can resonate with you for a lifetime.

JESSICA: A GHOST STORY is as the name implies a ghost story. The theme is meant to be horror but comes across closer to comedy!<br /><br />A woman comes who was brutally murdered comes back from the dead. This constitutes what this movie attempts to pass off as a plot. There is really nothing more to it. The movie comprises of a series of loosely connected scenes involving a guy who had an affair with this woman prior to her death.<br /><br />Immediately from the opening scenes, this movie has the appearance of a "straight-to-DVD" effort. Unlike gems such as VACANCY 2, the movie has no sense of direction or creativity and certainly gives "straight-to-DVD" movies a bad name! The direction is as poor as can be with a complete lack of suspense, scares or tension. Even the drama elements are hopelessly handled and represent something more boring than even the worst soap opera you may have had the misfortune of enduring.<br /><br />The acting across the board is absolutely abysmal with no one actor involved managing to show even the slightest potential of a successful acting career.<br /><br />Many of the individual scenes are incredibly long, with very long pauses between dialogue exchanges. I'm not exaggerating!<br /><br />The only reason I give this movie a rating of 2 rather than 1 is because some of the poor acting combined with even worse dialogue made for a few unintentional laughs. I stress the word "few" in that sentence. This is not overall one of the "so-bad-it's-good" movies like CAMP BLOOD or THE NAIL GUN MASSACRE. If you want to laugh hysterically, watch those movies. If you want to see a proper horror movie about ghosts watch THE LEGEND OF HELL HOUSE, THE CHANGELING, RINGU, THE EYE (original Korean version), THE GRUDGE, ONE MISSED CALL or PHONE.<br /><br />I advise anyone who has had the good fortune of avoiding seeing JESSICA: A GHOST STORY to keep up the good work! Just forget this movie exists. Don't spare a thought for it!

I wouldn't call myself a big fan of the genre inventive silliness, so i might not be the best audience for this show. Although, being a critic i do have a sense for what i personally like and dislike, this being the later.<br /><br />Lack of humor is a big turnoff when it comes to comedy, things can be catchy, cool and perky for about 4 minutes and after that you start getting bored unless its the badger animation from a couple of years ago (?) This is the exact opposite, with a stiff script and all overacted voice-overs its just plain silly and very very boring to be subjected to. Unfortunately, since it did have a big market ahead of itself, and a lot of potential.<br /><br />A waste of time.

This was a pretty good movie. I love fighter jet movies, and this was the best one I've seen lately. It was made using real planes, so that made it an even better movie. If you like watching U.S. F-16s blow the living daylights out of their enemies, this is a great movie for you.

I kind of like Bam Margera, so I was curious. <br /><br />But watching a home production with somebody elses friends and family, with a decent camera and a sound guy, just isn't good film-making. <br /><br />Writing, direction, acting and editing is abysmal at best. But I sat through half of it. And why?<br /><br />This film gives perfect examples of what not to do, it is a film student's dream of what to avoid at every stage of the process. Cram it into film school curiculums all over the joint!<br /><br />So thanx Bam! Now I know Jackass is for real - cause you ain't looking to win an Oscar, dude:)

I saw the MST3K version of "Deathstalker III" and loved the movie so much -- even "unmystied" -- that I decided to watch the entire series of "Deathstalker" films. I bought I and II and settled down for a laugh.<br /><br />Nothing about "Deathstalker I" was funny on any level and when the credits rolled I was embarrassed and regretful that I had bought it! Too much ugliness and nudity. I guess either "DS 3" was a much cleaner production or MST3K really edited a lot because I expected something similar, i.e. stupid and carefree and simple. I was wrong. Even at $6.99 it seemed a waste of money. I didn't even open "DS 2" as I will return it tomorrow. Now I'll probably just throw away this DVD as I can't return it and no one wants it -- including myself! So really, don't bother with this one. Even the nudity (lots of it, btw) is uninspiring and icky.

The John Van Druten Broadway hit is brought to the screen with a maximum of star power in this romantic fantasy about a modern-day witch who beguiles a successful Manhattan publisher. James Stewart may get top billing, but it is Kim Novak who steals the show as one of the most alluring witches ever to cast a spell on the movie screen. The lead pairing is, in fact, one of the movie's few weaknesses: the gray-haired Stewart seems a bit old for the role, and while it is easy to see why he falls hard for Novak, it's a little harder to understand what she finds attractive about him, as they seem mismatched in temperment and outlook. (It is one of the story's amusing conceits that witches and warlocks are portrayed as Greenwich Village beatniks and bohemians.) Curiously, the Stewart-Novak pairing would generate a lot more heat in "Vertigo", released the same year as this film, but then "Vertigo" had a compelling suspense story, and the benefit of Alfred Hitchcock's direction.<br /><br />The film's comic moments are mostly provided by the stellar supporting cast, including a young Jack Lemmon (as Kim's warlock brother), Elsa Lanchester (their ditzy aunt), and Ernie Kovacs (!) as a befuddled writer. Hermione Gingold even shows up in a hilarious cameo as a sort of Grand Witch. There's lots to like in this movie--wit, romance, and a great cast--that is, if you can possibly take your eyes off the enchanting Miss Novak. I have seen the movie a half a dozen times, and I never can.

What a good movie! At last a picture revealing a unknown side of rock: illusions of fame. Well-known Rockers are getting old and forgotten, not the music. And with a good sense of humour. Have you ever danced on Bill Haley's Rock Around the Clock?<br /><br />Anyway, Still Crazy is probably the best movie about rock n'roll I have ever seen. Far much better than Spinal Tap for instance. Why? Because in Still Crazy, people are mature. They have a different point of view about rock, about love and about life. They want to catch up with their crazy youth they miss so much. Beyond the story itself, we see characters with their own personality, weaknesses and dreams. Like anyone of us.<br /><br />Spend a good time watching this (listen to the awesome soundtrack! )and finally thinking of your own future.<br /><br />Bye!

I not only consider this to be the best film that Jon Voight (Midnight Cowboy, Coming Home) has ever done, but a real tribute to teachers.<br /><br />Despite incredible odds, Pat Conroy (Voight) managed to reach a group of students and bring them from nowhere to a basic literacy and awareness of the world. His methods made be criticized by bureaucratic dinosaurs like Mr. Skeffington (Hume Cronyn), but teachers like Conroy will always be winners.<br /><br />Voight really showed that he had a love for teaching and that it was a natural high for him. he didn't overplay the role, and I found him to be totally believable. Voight is Conrack.<br /><br />Besides a love of teaching, we also see another important point in this film. No matter how good you are at your job, if you rock the boat, the bureaucrats will get you.

This was touted as a sequel to Crash Dive, which was a very good film in the low budget category. I assumed this movie would be good also, but boy was I wrong. First, this movie has nothing to do with Crash Dive other than they both take place on submarines. Secondly, the plot can be slow, tedious, and in some cases, totally preposterous.<br /><br />This movie will not hold most people's attention. (I remember reading a book during the slow, boring scenes.) There will be scenes that are supposed to be used for dramatic effect that will make the viewer laugh out loud. The corkscrew scene is definitely one. After I got over my initial shock that anyone would slip this in and not know people would not only disbelieve it but laugh at the sheer silliness of it, I was able to find humor in it.<br /><br />If you want to see MD in a good sub flick, watch Crash Dive and leave this lame film on the shelf.

I remember when this film was up for the Academy Awards and did not win in any category. For the life of me, I cannot remember what it was up against, but one thing I can say: It was one of the best movies I have ever seen. And the fact that Steven Spielberg directed the film did not persuade me one bit.<br /><br />Essentially, it is about a black woman's trials and tribulations as she is growing up from a girl to a woman. There are a lot of insinuations that are disturbing and horrifying, but all of them are needed to see how much this woman has put up with. Along the way, we see other women who have had to put up with their hardships and walk with them to redemption. Whoopi Goldberg gives her best performance ever in this movie. Danny Glover should have also gotten at least nominated for his role in this film. <br /><br />And the best part of this movie is that it treats its subjects humanely, not like some sideshow freak shows like the more recent "Beloved" did. I encourage anyone of any race to see this film. 9/10

My friends and I have watched this so many time I have lost count. This is worth seeing for those in the right frame of mind, meaning that this is not so much a good horror film as a film to lampoon for its funny quotes and bad effects. This film is best watched with other like minded individuals so you have someone to laugh with.<br /><br />You'll laugh as Greg leaps and shuffles around the lab, petting his pet rabbit, while his hunchback shifts from right to left on his back. "Greg, stop clowning!", scolds Dr. Brandon. You'll laugh as J.G. Patterson gives hand signals to direct Greg to the other side of the operating table, while his hand is in the shot. And you'll probably chuckle when you realize that the final woman has none of the features he used to construct her with.

In the Realm of the Senses is a beautifully filmed, well-written, and splendidly acted film. It tells the haunting story of a woman who kills her husband after falling in love with another man. The ghost of her husband continues to haunt her lond after his murder. This film is really good, anyone interested should definitely check it out.

Two Hands is a highly enjoyable Aussie crime caper, which ultimately succeeds by the way the film easily combines tense dramatic moments, with very funny characters and situations, to give the film the right balance and feel. The comedy of the film occurs naturally, and the laughs haven't been set up too elaborately & haven't been too worked at. It really is very funny, thanks to the fact that each character in the movie is excellently cast, and that each actor/actress recognises and can relate to the Aussie humor. They portray it very well and very realistically. Of course, they're helped out immensely by a fantastic script by writer/director Gregor Jordan. I was reading another review of this film by an American who had seen it, and he heavily criticised it, basically passing it off as a Pulp Fiction clone. I think that that's just rubbish. This film isn't trying to be Pulp Fiction, the feel and style of each of this excellent films are totally opposite. Without wanting to sound superior or arrogant, I think to fully understand this film; the humor, the sincerity, the characters, etc....you have to be Australian, or at least understand the culture, which the other guy obviously didn't have the faintest clue about. Some Americans, whose reviews of certain non-American films, seem ignorant to (and have trouble comprehending) anything that isn't an American product. It's a real shame, because this is a really great film. The love story featured between the main character and the girl is also portrayed in a very real, sincere and sweet way. I'm very proud to have this film in my collection. 4.5 out of 5.

Wenders was great with Million $ Hotel.I don't know how he came up with this film! The idea of giving the situation after spt11 and the view of American Society is hopeful,that makes it 2 out of ten.But this is not a movie.Is that the best someone can do with a great idea(the west-east clash).There are important things going on in middle east and it is just issued on the screen of a MAC* with the fingers of an Amerian girl who is actually at the level of stupidity(because she is just ignorant about the facts).The characters are not well shaped.And the most important thing is the idea that is given with religion is somehow funny to me.At the ending scene Lana says lets just be quiet and try to listen.And the background music says "...I will pray".The thing is not about religion actually.But it ends up with this.How you are gonna see the truth if you just close your eyes and pray.The lights are already shining on the truth.Its just that nobody wants to see it. ps: "My home is not a place.It is people"The only thing that gets 10 out of 10 is that sentence.But it is wasted behind this film making. (by the way; as "someone" mentioned below ,Americas finest young man are not finest,they are just the "poor" and the "hopeless" ones who sign up for the army in need of good paychecks which is not provided by the government ! )

"Heartland" is a wonderful depiction of what it was really like to live on the frontier. The hard work and individual strength that were needed to survive the hardships of the climate and the lack of medical care are blended with the camaraderie and the interdependence of the settlers. The drama was especially meaningful because the story is based on the diaries of real people whose descendants still live there. It was also nice to see the west inhabited by real people. No one was glamorous or looked as if they had just spent a session with the makeup or costume department. Conchatta Ferrell is just wonderful. She is an example of the strong, persevering people who came to Wyoming in the early 20th century and let no hardship stand in their way of a new life in a new land.

OK. I'm biased. I live near Shrewsbury in England, where this wonderful movie was filmed. It still looks the same now. I remember them filming here quite vividly, and the fake snow on the streets for days on end. Often, when I'm walking through Shrewsbury I see a street or a house and it will remind me of this film.<br /><br />George C. Scott's Scrooge is a more realistic character than many of the other screen versions. His physical appearance isn't the typical miser. Scott's is big and imposing. A man who finds those smaller than himself to be inferior.<br /><br />We all know the story and the quotes. The book is one of the most cherished works in the English language. And I don't believe there are many cynics who would say that people aren't capable of change and redemption. This film version portrays all of that quite beautifully. George C. Scott may be American but he plays the part of the English miser with wonderful skill.<br /><br />I love this movie. If you haven't seen this version I would strongly urge that you do. It's usually available for a very small amount of money... or are you too mean?

I first saw this film when I was about seven years old and was completely enchanted by it then but for years was unable to find out what the film was called. now i am twenty one and stumbled upon the film by accident about two weeks ago and bought a copy. although my memory of the film was a little hazy I was in no way disappointed by what I saw. the animation in this film is superb conjuring up an entire world that is so believable and so well animated that you are drawn in to the film by that alone. But this film also has a plot that will enchant and entertain adults and children alike. with a floating island, a mad general, a friendly pirate granny and a well constructed love story this film will not let you down I would recommend this film to any one.

Just to correct something in a previous review here, I don't believe this film is only for people who know London, it's a case of a very specific situation being used to make universal comments. Jack Rosenthal says in an introduction to the published script that it was meant to be about characters who, by going though this gruelling Knowledge test, gain some measure of self-knowledge.<br /><br />I think it's one of the most perfectly-written dramas I've seen: technically it's supremely adept at conveying quite complex details but it's also joyous in how it involves you. At the start you know no more about this London Knowledge test than the main characters but you get scooped up right along with them until it's vitally important to you. You become tremendously proud of those characters who succeed, and you are crushed for those who don't. Especially one whose downfall, without giving anything anyway, will make your hands fly to your face.<br /><br />Also just as a point of fact, Nigel Hawthorne's character, Mr Burgess, is called the Vampire, not Dracula. You don't need to know this, I'm not saying it's crucial, but it's a measure of the drama: once you've seen this, you will want everyone to and you will evangelise about its every detail.<br /><br />I hope you get to see it.<br /><br />William

On first watching this film it is hard to know quite what has happened, but on a subsequent viewing it become more clear. I enjoyed this movie. Dean Cain was excellent in the role of Bob. Lexa Doig's character was confusing to understand, at first, she was out to trap Bob but i really believe she landed up loving him although by then she had broken his heart. Dean Cain's performance was an usual excellent. He gets better with every film he does. My only question at the end of the film was what happened to Bob, Camilla and the baby. It was left for the viewer to decide

Lotsa action, cheesy love story, unexpected actors and overall great fun. The special effect are acceptable/decent, some of the fighting is kinda neat with some interesting acrobatic moves. The overall story moves along, and is cheesy enough to keep you wondering when the inevitable is going to happen, although there is a bit of a twist (just a small one). The overall naivety of the movie make it quite whimsical at times. Cute enough chicks too what more could you want. PS. if you're gonna review a movie like this, try to review it in terms of the category the movie would fall (not necessarily where it was intended to fall). ie don't bomb out good cheesy movies!

This is a really stupid movie in that typical 80s genre: action comedy. Conceptwise it resembles Rush Hour but completely lacks the action, the laughs and the chemistry between the main characters of that movie. Let it be known that I enjoy Jay Leno as a stand-up and as a talk show host, but he just cannot act. He is awful when he tries to act tough - he barely manages to keep that trademark smirk off his face while saying his one-liners which, by the way, aren't very funny. And seeing him run (even back then) is not a pleasant sight. In addition, I have a feeling that Pat Morita - at least by today's standards - doesn't give a very politically correct impression of the Japanese. Don't even get me started about the story. I give it a 2 out of 10.

This lasted several years despite the late hour it was on.<br /><br />Like a lot of 80's crime dramas, it looked cold. Both physically and figuratively. This isn't a bad thing though. And the (obviously) low budget actually worked in it's favor. Gritty during a time when 'slick' was in.<br /><br />Allan Royal's wraparound segments as the news writer gave it a slight edge.<br /><br />The only actors I remembered were Scott Nylands (Earthquake) and Tony Rosato (SCTV). The cast of barely knowns was a good thing because one could see the group as a whole and not as a bunch of people supporting a 'star.' And yes, that's a young Clark Johnson (Homicide) in a recurring spot.<br /><br />I hope a DVD release is in the future. Someone out there wanna get on that?

Billy Crystal is Larry, a writer who hasn't written and is suspected of murder in "Throw Momma from the Train," costarring Danny Devito and Anne Ramsey. The phrase "black comedy" was invented for this insanity, which is a take-off on Hitchcock's "Strangers on a Train." In fact, Owen (Devito) gets the idea of having Larry kill his mother in exchange for Owen killing Larry's ex from watching that famous film. "I saw the movie. Criss-cross," Owen tells Larry. Not that Larry knows what he's talking about until it appears it's too late - just like "Strangers." Larry, a writing teacher, claims that his ex-wife, played by Kate Mulgrew, stole his book and put her name on it. She has become a big celebrity, appearing on "Oprah," where she refers to Larry as "a beast." Owen is in Larry's class. He lives with an abusive Neanderthal mother (Ramsey) and has visions of poisoning her, sticking a scissors in her head - you name it. It's not long after seeing "Strangers on a Train" that he's in Honolulu, stalking Larry's wife. While she's leaning over a boat railing trying to get an earring, Owen stands behind her and creeps up...Soon the police are looking for Larry to question him, but he's at Owen's where he's being encouraged to live up to his end of a bargain he had no idea he made. You know, "criss-cross." There are several scenes copied from "Strangers," which are hilarious. I especially loved Larry's confession to the sleeping Mrs. Lift, Owen's mother, similar to when Guy thinks he's talking to Bruno's stepfather.<br /><br />Crystal and DeVito are complete masters of comic dialogue and timing and will leave you laughing, often out loud. Ramsey is repulsively funny - a totally "out there" performance. Kim Griest and Rob Reiner also have roles - Griest is Crystal's girlfriend, and Reiner has what amounts to a cameo.<br /><br />The ending is very clever, and the whole film will leave you laughing.

I feel totally ripped off. Someone needs to refund the $4.95 I spent at Blockbuster to rent this homemade mess. This is NOT a musical it is a complete waste of time and my evening. What I don't get is why did this get distributed in the first place???...somebody MUST have been doing some heavy drugs the night that deal was made. I've seen better films come out of film schools and I have been to film school so I can say that as a fact. The quality of this work is also just SO VERY bad to view...shot on DV??? Nuff said. The songs are not songs but just banter that sounds the same in every section. Want to see a good musical? THEN DON'T RENT THIS MOVIE.

Following the release of Cube 2: Hypercube (2003), and playing off the alleged success of the original Cube (1998), Director Ernie Barbarash takes the liberty of bringing us the third installment in the trilogy, the prequel Cube Zero.<br /><br />Deep in the bowels of a giant and faceless institution, time and place unknown, two low-ranking operators, Wynn (Zachary Bennett) and Dodd (David Huband) sit and observe on monitors the behavior of people that have been placed in a giant network of cubic chambers, some of which are rigged with death traps. Told that the people they are observing are convicted felons who chose this horrific and deadly ordeal over a lethal injection, these observers have had no problem with their jobs until Wynn, a mathematical genius, discovers that one of the prisoners, a woman named Cassandra (Stephanie Moore) never agreed to be put inside the Cube. Suddenly it's realized that perhaps their "jobs" are not what they seem, and that they may be part of something deeply sick and twisted...<br /><br />For people that have seen and enjoyed the original Cube, this prequel will probably not be to your liking. It's not that the story does not have potential; it's simply that the first Cube film never needed to be expanded on. Standing alone, it is a neat little psychological thriller with very interesting concepts and a certainty about its own message. It was also nicely self-contained. The problem with Cube Zero is that it destroys some of the mystique of the original, attempting to answer questions with more questions but only really resulting in making a mess of what never needed fixing.<br /><br />What this new film has to offer, which is questions about the psychological nature of authoritarianism and the banality of evil, certainly are good questions to be raised, but probably should have been done so on their own merits, rather than as a continuation of a film that had no such aspirations.<br /><br />Having said this, the other traits of the film, such as acting and direction and writing, are not awful. There is a bleak, dark look to the film akin to such film noir as 'The Matrix' and 'Dark City', and they have certainly managed to recapture the claustrophobic feeling of the first Cube. Unfortunately for Barbarash, these are not enough positive qualities to save it.

Crash is supposed to be a film about racism in Los Angeles. But in fact, it's just a bunch of coincidences between several characters that connect each other during one day in one of the biggest cities of the world. Who the hell is going to believe that? There are unrealistic situations, one after the other. On the other hand, this film pretends to show racism between Asians, Iranians, Latinos, Blacks, and Whites. But the big error relies on a pre-establish racism coming from the writer. Mainly because the White characters in this movie are usually portrait as people with a better social-economical status than the rest of the other races. Iranians are poor, just like the Asians. And Latinos, as always, are portrait as Housekeepers, police officers, or with a very low profile job like a locksmith. Jesus!!! Don't you guys think it's about time to change these stereotypes? Same with blacks, portrait as gang members, with the exception of a Black TV Director, who was the only fresh character for me. This movie sucks so hard, that makes me so disappointed about the kind of cinema coming out from Hollywood these days. Always with stereotype characters. No realism whatsoever. Nothing to identify with. It's simply a big waste because this could have been a great opportunity to show Latinos, Koreans, Iranians, and blacks, from a different perspective.

It's amazing what you can do with little money. DEAD SILENT being a low budget movie delivers its promises. <br /><br />Too bad we don't see Rob Lowe more often on the silver screen. Lowe is at its best in this riveting thriller . No wonder he went from DEAD SILENT straight to the TV mega hit The West Wing . <br /><br />DEAD SILENT 8 out of 10 <br /><br />Sputtosi Toronto.

As you can tell from the other comments, this movie is just about the WORST film ever made. Let me see how many different words I can use to describe it: Boring, Unbearable, Laughable, Lousy, Stupid, Horrible.....<br /><br />I could go on with such descriptions but you probably get the point.<br /><br />I would have given this a 0, if possible--bad acting, bad directing, bad production, bad plot.<br /><br />This was made in 2001 and it looks more like 1965. Very low budget, boring plot, horrible acting, really bad special effects, etc...<br /><br />I rarely ever see a Sci-Fi film I absolutely think is this bad. I mean this is pure garbage. It has nothing going for it either. As far as a "B-movie" this is the very bottom of the lot.<br /><br />I think I would be more entertained by staring at a blank piece of paper for 90 minutes. Junk like this gives good low-budget "B" movies a bad name. This makes Ed Wood movies look good.<br /><br />The thing about watching direct-to-video movies is, just when you think you've seen the worst, you see something even worse!<br /><br />DJ Perry is a horrible actor and has no individual characteristics that make him stand out.<br /><br />Avoid this waste at all costs! Oh the humanity!

Slipknot is a hardcore rock band from Des Moines, Iowa. Nine band members who all wear customized boilersuits, and personalized, homemade masks (eg. #6's clown mask, #0's various gasmasks, #8's tattered + torn crashtest dummie mask with dreadlocks). The music itself seems to walk the finelines between sane and otherwise, yet is performed so brilliantly and psychotic.<br /><br />"Welcome To Our Neighborhood" sounds rather a generic title, but the footage itself is something else. Interviews with the band, soundbites from their latest, selftitled album, 2 live performances, and one banned-by-MTV music video (a brilliant homage to the classic Kubrick film "The Shining"), the movie clocks in at not even half-an-hour, but is certainly worth it. It is perfect for introducing any metal/hardcore fan to Slipknot.

It's rare that I sit down in front of the TV specifically to watch a particular programme. It's even rarer when I actually enjoy the programme in the end, but Last of the Blonde Bombshells was one of the best movies I think I've seen.<br /><br />A remarkable cast, led by Dame Judi Dench and Ian Holm, and an excellent, witty and poignant script combined to make it a truly rewarding experience. I can't really express how good I thought it was, so I won't try, I'll just say, if you get the opportunity, PLEASE SEE IT!!!! I only hope it comes out on video.

The slasher sub-genre has been pretty much exhausted - in fact, even by 1979, just one year after the supposed 'first slasher', Halloween (which was released seven years after Bay of Blood), was released; the sub-genre wasn't far from being exhausted; but Tourist Trap represents one of the more original outings. The film follows the same basic formula as most slashers - i.e. madman murders a load of kids, but draws its originality from the fact that madman is shown from the beginning (as opposed to an unseen assailant or a man in a mask) and we actually get some insight into his character. The fact that this killer also has telekinetic abilities, including being able to control the wax dummies that fill his house, adds to the originality. We kick off with a great opening sequence, which sees a young man fall foul of having a flat tire after finding himself in a gas station of terror. The scene is amazingly creepy, as the wax dummies taunt him and things fly from the shelves - and it gives the audience a great insight into what is to come; namely, a very creepy horror film! <br /><br />The acting credibility is as non-existent as you would expect from a seventies slasher, but to be honest; it's not all that bad. The girls look hot, the boys don't really matter; and Chuck Connors is more than adequately creepy in the role of the psycho. He's not exactly Anthony Perkins; but still, good enough. It's not the acting that's the star of the show, however, and as you might expect - the creepy atmosphere takes that prize. Wax models, as proved by the likes of House of Wax (Vincent Price version...) are very creepy; and the film makes best use of that fact. There are very few things in cinema that can be frightening by simply being there - but wax statues are definitely one of those things. The killer's special ability could easy have gotten in the way of the atmosphere, but the film makes best use of this fact, even, by having various things fly off shelves and it goes well with the rest of the movie. On the whole, this is a very good film. While Tourist Trap might not be absolutely essential viewing; it's well worth seeing and I can recommend it.

There's an inexhaustible hunger for "basic training" movies, so it's surprising that this one got so little notice when first released. Looks likely to have a well-deserved second life on DVD/VHS.<br /><br />Tigerland isn't uniformly great by any means, there are some terribly cliched characters (especially the portrayal of the NCO's, makes you long for the return of Lee 'Full Metal Jacket' Ermey) but the lead performance of Colin Farrell is the stuff of instant stardom. Charisma to burn and a role any actor would kill to get.

I chose "Dead Creatures" because I thought it was a zombies movie just like "28 days" or so... but not at all. It isn't even a horror movie. Nothing happens, except for a group of women that seem to have been infected by a strange virus that make her to eat human flesh in order to survive. <br /><br />That plot gives rise to a series of disgusting scenes of cannibalism...<br /><br />Very VERY BAD MOVIE.<br /><br />*My rate: 2/10<br /><br />------------------<br /><br />------------------

Okay. You saw the film and I saw the film. True? If not, there are plenty of plot summaries out there, and there is absolutely no reason for us to waste time on any feeble attempts of mine to create another.<br /><br />The most stunning aspect of the film is unquestionably the performances by the two young men and the young lady in the leads. Their emotional honesty was as compelling, if not more so, than any performances I've seen in recent months. I found I laughed, cried and cringed right along with them, and that's saying a great deal because I'm often called a jaded and cynical jerk.<br /><br />As one would expect, the story is rife with clichés and I suppose that's the Achilles heel of the picture. It's a story we've all seen many times before; we all know how it will end from the moment they introduce Rory. Though you may not know exact mechanics, you know there will be a transformative friendship, a bittersweet romance and a gut-wrenching conclusion. If it weren't for the strong cast and directing, this film would be nothing more than the soporific swill that comprises eighty percent of the Hallmark Channel's program schedule.

Funny, yes. A Freleng classic! To watch Sylvester turn green is always a treat, and it brings us back to the days when cartoon slapstick was brave and geared for the adult mind.<br /><br />Loved it!

This is one of the funniest movies I have seen. I watched it on DVD, and the disc does not have any special features, or even a menu, but that is not necessarily what I care about. <br /><br />I tend to judge movies on a case by case basis, depending on, among other things, if it is a big studio production or a smaller film. This is a smaller film and I am willing to forgive minor things. That said, I believe it has one of the most imaginative and original title sequences that I have seen.<br /><br />I enjoyed the acting of all of the major players. I especially enjoyed Til Schweiger and Alan Arkin. Alan Arkin has most of the funniest lines. The character portrayed by Claire Forlani might come across as unrealistic to some people, but I have personally known real people with emotional problems that very readily look at life's decisions as her character does. That helped me pick up the nuances where her hurts could come out through the veneer of her humor.<br /><br />This is not a movie for children, obviously, but it does NOT engage in gratuitous sex and nudity. There is quite a bit of adult language, though, but it can sometimes be very funny. (In particular, Alan Arkin's character, who can't even swear correctly.)<br /><br />Also watch for the cameos from known character actors.

I originally saw this several years ago while I was sitting on the couch and got stuck watching it on HBO. With the remote out of my reach I decided to go with it and was awaiting a miserable movie that I had been avoiding for a year. So it started off and I wasn't very optimistic about it, but after about ten minutes I found myself laughing. The complete opposite as I was expecting. The comedy was smart, the acting pretty good considering, the cast worked very well together, and the story (though slightly awkward and fake) was actually quite entertaining.<br /><br />Three convict brothers manage to escape their sentence and eventually go in search of their fortune. The movie is set in the 1930's. So along the way, they encounter a number of funny and interesting charatcers. All have a different story or achievement they are striving for. Really the majority of the movie may seem random. Some may say it was pointless and boring, but if you look for the smart comedy (and occasionally stupid) that is integrated into the movie, I'm sure you'll enjoy this one.<br /><br />I liked the performances given by George Clooney, John Turturro, and Tim Blake Nelson. All of them did very well in their roles, an they worked great together. But to finish this off, "O Brother, Where Art Thou?" is a smart, funny, and a movie adventure that I wouldn't let pass up.

This is just one of those movies that continually make you groan and that I wished was over. The problems are many and the good points are few. I feel the main problem with this movie is that it has what amounts to a cheesy plot and they try to make it out to be a epic movie, which a movie about super evil monkeys and smart ones that sign just is not epic, it is cheese. When you have cheese you make the movie more fun. Granted, the final scene with the monkeys and that laser was very nice to watch and more of things of that nature was needed. Instead the actors are doing such a serious job that you feel the movie just has a corny plot amid all the serious tension the movie is trying to set up. The plot revolves around a woman trying to find what happened to her missing ex-husband while also searching for some sort of legendary diamonds. She uses these two guys who trained an ape to do sign language and now wish to return her to the wild as cover to get into the country and begin the mediocre adventure of a lifetime. The only things that make this movie somewhat tolerable is Ernie Hudson's character and the laser attack at the end.

I don't know if I'm just weird, but I thoroughly enjoyed this film. <br /><br />Return to Cabin by the Lake is of course the sequel to another one of my favorite films Cabin by the Lake. In fact, I think that I enjoyed this movie even more than the first one. I also thought that the cast in this movie was great, Judd Nelson is always the best! I also enjoyed the plot as a whole. I liked the fact that this second movie focused on the filming of Stanley's screenplay Cabin by the Lake- it wasn't a completely redundant film of Stanley grabbing other girls and drowning them. - If you're looking for some deep meaning, then this film is probably not the one for you. However, if you're looking for a fun way to spend two hours, then go ahead and watch it. I've probably already killed at least ten hours watching this film. :)