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Dr. Patil was a 3 time MLA, representing the Sedam constituency in Gulbarga District. He is a doctor by profession and holds a master's degree in dermatology.

= = = Joe Kyong-fan = = =

Joe Kyong-fan (also "Jo Gyeong-Hwan", ; born May 11, 1982) is a South Korean former swimmer, who specialized in breaststroke events. Joe competed in a breaststroke double at the 2000 Summer Olympics in Sydney. He achieved FINA B-standards of 1:05.00 (100 m breaststroke) and 2:20.20 (200 m breaststroke) from the Dong-A Swimming Tournament in Ulsan. In the 100 m breaststroke, held on the first day of the Games, Joe challenged seven other swimmers in heat four, including two-time Olympians Valērijs Kalmikovs of Latvia and Arsenio López of Puerto Rico. He earned a fifth spot and forty-fifth overall by almost seven-tenths of a second (0.70) behind joint winners Kalmikovs and Lopez in 1:04.71, worthy enough for a personal best. Three days later, in the 200 m breaststroke, Joe placed twenty-ninth on the morning prelims. He set a new South Korean record of 2:19.16 to overhaul a 2:20 barrier and to touch the wall first in heat three.

= = = Valley India Times = = =

Valley India Times is an Indian American newspaper based in Arizona, mailed out to readers on a monthly basis. The newspaper delivers to all major counties within the state, as well as to out of state subscribers. It was created in 2000; the original name for the Indian newspaper, which was used during the first year of publishing, was "AZ India". Due to the purchasing agreement when business ownership changed in 2000, the name was changed. "Valley India Times" is the only Indian American newspaper in Arizona. The paper, a complimentary mailing, has a website and social media networks. Local businesses, holy establishments, and restaurants receive copies of the newspaper.

This newspaper was sold in the summer of 2016 and the last issue published as Valley India Times was the June 2016 issue.

The owners tout the newspaper as "an artifact of the Indo-American society's presence within Arizona". It also links religious establishments with worshipers and those interested in cultural activities hosted at temples and community centers.

= = = 2013 FINA Men's Water Polo World League = = =

The 2013 FINA Men's Water Polo World League was played between November 2012 and June 2013, and was open to all men's water polo national teams.

The Super Final was playing from 11–16 June 2013 in Chelyabinsk, Russia.

= = = Viktor Rosenzweig = = =

Viktor Rosenzweig (1914–1941) was a Croatian Jewish communist, poet and writer.

Rosenzweig was born in Ruma in 1914. During high school education he became a member of the Young Communist League of Yugoslavia - SKOJ (from Serbo-Croatian: "Savez komunističke omladine Jugoslavije"). Rosenzweig studied and graduated from the Faculty of Agriculture at University of Zagreb. At the university he was one of the most observed and noticed Marxist around. In 1934, he became a member of the Communist Party of Yugoslavia. In 1935, as a communist, he was sentenced to six months in prison. Rosenweig was a poet who wrote number of poems. Some of his poets were later published in a revolutionary writers collection "Riječi i Djela" ("Words and Acts"). In April 1941, after Independent State of Croatia establishment, Rosenzweig was arrested and imprisoned at Savska cesta prison. On July 9, 1941 Rosenzweig was killed by Ustaše together with Božidar Adžija, Otokar Keršovani, Ognjen Prica and Zvonimir Richtmann.

= = = John D. Kimmey = = =

John D. Kimmey (born May 21, 1828) was Warden of the Borough of Norwalk, Connecticut from 1892 to 1893.

He born May 21, 1828 in Coeymans, New York, the son of David I. Kimmey and Maria Niver. He married Adeline Hoyt on October 14, 1849.

In 1880, he was first vice president of the Republican Party for New York's 23rd assembly district.

In 1881, he was elected an alternate to the New York Republican Convention.

In 1886, he moved to Norwalk.

In 1888, he was a member of the board of directors of the American Loan and Trust Company of 113 Broadway, New York City.

He was an investor and director of the Roton Point Improvement Company.

In 1901, he was an original incorporator of the South Norwalk Trust Company.

He was chairman of the Norwalk Sewers Committee.

= = = Richard Buckner (artist) = = =

Richard Buckner (born Woolwich, London, 25 October 1812; died 12 August 1883), was an English portrait painter. He did not marry.

He was the son of Lieutenant-Colonel Richard Buckner (1772-1837), of Whyke House, Rumboldswhyke, Chichester, Royal Regiment of Artillery and a Deputy Lieutenant of Sussex, (a son of Admiral Charles Buckner), by his wife Mary Marsh Pierce.

Buckner first worked in a studio in Whyke House, his family home. After serving in the army in 1832 and 1833 as a Second Lieutenant in The King's Royal Rifle Corps he studied painting under Giovanni Battista Cassevari in Rome. While in Rome Buckner gave advice to Frederick (Lord) Leighton, later PRA, when he was starting his career. Buckner lived in and had his studio in Cleveland Row, opposite St James's Palace, in London.

He first painted miniatures but then changed to painting larger portraits. He painted Italian genre subjects and later elegant and fashionable Victorian ladies. He first sent work to galleries for sale in 1840. He exhibited at the Royal Academy of Arts in 1842 and then every year from 1846 to 1877; 77 paintings in all of which only 7 were of Italian subjects and was nominated as a candidate for the academy. He also exhibited 22 paintings at The British Institution, 44 at The Royal Society of British Artists, 3 at The Grosvenor Gallery and 3 at The Royal Scottish Gallery.

Buckner's commission book has entries from 1840-1 to 1877. It lists 989 commissions, a few of which were not executed. It also includes a financial summary from 1842-3 to 1874-5 with fees totalling £67249. The financial summary indicates that he was in Rome full-time in 1842-3 and 1843-4 and then partly in Rome and partly in London each year from 1844-5 until 1847-8 and again partly in Rome and London 1849-50, 1850-1, 1853-4, 1854-5 and 1856-7 and then partly in Dieppe 1861-2 and Boulogne 1862-3. In 1875, he was commissioned to execute a painting at a price of 500 guineas.

Many engravings based on his works are in the National Portrait Gallery, London. His oil paintings "Portrait of a boy" and "Portrait of a Boy Chorister of the Chapel Royal" are in the Victoria and Albert Museum. Eight National Trust properties have Buckner paintings; images for most of them can be seen on the NT website. There are also works by Buckner at the British Museum, the National Army Museum, Windsor Castle, Osborne House, Woburn Abbey, the Birmingham Art Gallery, Harewood House, the Foundling Hospital, County Hall, Maidstone and Castle Leslie in Ireland. Queen Adelaide, Queen Victoria and Prince Albert commissioned some of his paintings.

= = = Ari-Pekka Selin = = =

Ari-Pekka Selin (born May 17, 1963) is a former professional ice hockey player and coach. During the 2013–2014 season, he coached both Barys Astana of the Kontinental Hockey League (KHL) and the Kazakhstan men's national ice hockey team.

He was hired to be the Barys' head coach on June 4, 2013, replacing Vladimir Krikunov. On June 11, 2014, he was relieved as coach of the Kazakh National Team. It was reported a week later that he had been replaced as coach of Barys by Andrei Nazarov.

He previously served as the head coach of SaPKo Savonlinna, Ilves Tampere, SaiPa Lappeenranta and HPK Hämeenlinna.

= = = Nimavar school = = =

Nimavar school () is a historical school in Isfahan, Iran. It's located in Nimavar Bazaar and belongs to Safavid era. This school was built in 1691 in the era of Suleiman I.

= = = Richard Buckner = = =

Richard Buckner may refer to:

= = = P. A. McHugh = = =

Patrick Aloysius "P.A." McHugh (1858 – 30 May 1909), also spelt M’Hugh, was an Irish Nationalist politician. He sat in the House of Commons of the United Kingdom as the Member of Parliament for North Leitrim, from 1892 to 1906, and for North Sligo from 1906 until his death in 1909.

McHugh was born at Annagh, Glenfarne, County Leitrim. He was the son of a tenant farmer, Peter M’Hugh of Leitrim, and of Anne McDermott. He entered a Catholic seminary, but left without taking orders. He went to Paris and engaged in journalism, and taught science and classics in the Athlone and Sligo Intermediate schools. In 1882 he married Mary Harte, daughter of a J. Harte of Sligo. She died in 1894. He became owner of "The Sligo Champion" in 1885. He was Mayor of Sligo in 1888, and again in 1895-98 and 1900. He was elected to Sligo County Council on its establishment in 1899 and became its first chairman.

He was elected MP for North Leitrim as an Anti-Parnellite Nationalist in 1892, winning comfortably over the Unionist candidate with 87% of the vote. He retained the seat unopposed in 1895. At this election he also challenged the Parnellite Willie Redmond in East Clare, losing by only 57 votes in a poll of over 6,500. In 1900, standing for the reunited Irish Parliamentary Party, he was again challenged in North Leitrim by a Unionist, but again won comfortably, with 91% of the vote. In April 1901 he was imprisoned for six months following conviction for ‘seditious libel’ on account of an article on Jury Packing in Sligo published in his newspaper. The article had attacked jurymen who had convicted two men of intimidating persons who rented farms from which the former owners had been evicted. On his release he was given a celebratory lunch by the Lord Mayor of Dublin. In September the following year, he stood before the Irish Court of Bankruptcy after a petition from the Crown Solicitor for Sligo, but this apparently did not affect his political standing. In 1906 he was returned unopposed both for North Leitrim and for North Sligo, and chose to sit for the latter constituency, which he represented until his death in 1909.

A monument erected to him outside the main post office was moved to the town hall in the 1970s; 2007 plans to move it again during roadworks were opposed by the council.

= = = Garance Doré = = =

Garance Doré née Mariline Fiori (born May 1, 1975 in Corsica, France) is a French photographer, illustrator and author, best known for her fashion blog.

Doré, born Mariline Fiori, was working as a freelance illustrator in France before beginning her blog, garancedore.com in 2006. Her original illustrations have been featured by Louis Vuitton, Dior, Kate Spade, and Gap. Shortly after beginning her blog, Doré began incorporating writing into her posts.

In 2007, Doré began to feature photography of people around Paris on her blog, a format now known as "streetstyle". Since this time, she has worked with Chloé, Chopard, David Yurman, Tiffany & Co., and J. Crew on photography collaborations. She was named in a "New York Times" article as the "guardian of all style".

In 2009, Doré began creating video content for her blog. Within a few months she was collaborating on video content with major brands, such as Dior, Chopard, Tiffany & Co., Petit Bateau, J. Crew, Max Mara and Kering, and, in 2012, had developed her own YouTube series "Pardon My French". Previous "Pardon My French" episodes have focused on Fashion Week and interviews with Stella McCartney, Jenna Lyons, Dries van Noten and Anna Dello Russo. In 2012, Doré and then-boyfriend Scott Schuman won the Council of Fashion Designers of America Media Award.

In 2014 Doré and long time boyfriend Scott Schuman, of "The Sartorialist," announced the end of their relationship.

Garance’s first book Love Style Life Spiegel & Grau was published October 27th, 2015. Poised as a visual memoir, the book layered personal stories about subjects from style to love along with original photos and illustrations.

In 2016, Doré became engaged to jazz musician, Chris Norton. They separated in 2018.

She currently resides in Venice, Los Angeles.

Doré's work has been featured in "Harper’s Bazaar", "GQ", "Vogue", "Self Service" and "French Elle (magazine)". Her work as a photographer, illustrator and author has appeared in a variety of publications, including "The New York Times", "", "New York Magazine", "Vogue", "British Vogue", "The Guardian", and "Elle (magazine)".

She was graced the cover of Domino Magazine’s Spring 2019 issue.

In 2012, Doré and Schuman won the CFDA’s Eugenia Sheppard Media Award, and were the first bloggers to receive this award.

= = = Coucher de soleil no. 1 = = =

Coucher de soleil no. 1 (also called Landscape, Paysage, Landschap, or Sunset No. 1) is an oil painting created circa 1906 by the French artist and theorist Jean Metzinger (1883–1956). "Coucher de soleil no. 1" is a work executed in a mosaic-like Divisionist style with a Fauve palette. The reverberating image of the sun in Metzinger's painting is an homage to the decomposition of spectral light at the core of Neo-Impressionist color theory.

"Coucher de soleil" was exhibited in Paris during the spring of 1907 at the Salon des Indépendants (n. 3457), along with "Bacchante" and four other works by Metzinger.

The painting had been in the collection of Helene Kröller-Müller since 1921 or prior, now in the collection of the Kröller-Müller Museum, Otterlo, Netherlands.

"Coucher de soleil no. 1" is an oil painting on canvas in a horizontal format with dimensions 72.5 x 100 cm (28.5 by 39.25 in), signed "J.Metzinger" (lower right), and titled on the verso "Coucher de soleil no. 1". Also on the verso is another painting by Metzinger representing a river scene with ships.

The work represents two nude women relaxing in a lush Mediterranean landscape with semi-tropical vegetation, hills, trees, a body of water and a radiating setting sun beyond. The plants to the lower left resemble the agave, a species found in the south of France, Spain and Greece. "Agave" is also the name of three characters in Greek mythology:

The two nudes appear to play a secondary role in the overall composition due to their small size. But their prominent location in the foreground and the provocative nature of public nudity propels them to a position that cannot be ignored.

In this luscious setting—as in "Luxe, Calme et Volupté" by Henri Matisse—Metzinger makes use all the colors in the spectrum of visible light. Unlike Matisse's work, Metzinger's brushstrokes are large, forming a mosaic-like lattice of squares or cubes of similar size and shape throughout, juxtaposed in a wide variety of angles relative to one another, creating an overall rhythm that would otherwise not be present.

Evidence suggests that this work was completed prior to Metzinger's paintings entitled "La danse (Bacchante)" or "Two Nudes in an Exotic Landscape": (1) there exists an oil on canvas study of the latter dated circa 1905-1906, located at the University of Iowa with the title "Two Nudes in a garden", 91.4 x 63.8 cm with a similar radiating sun above the bathers. (2) The brushstrokes are smaller in size consistent with Metzinger's style of late 1905. (3) In 1906 and 1907 Metzinger's brushstrokes became larger and more organized, structured within a highly geometrized framework already proto-Cubist in appearance. (4) As its name implies, "Coucher de soleil no. 1" might have been the first in a series of sunsets. Though no other works by Metzinger are known by the titles "Coucher de soleil no. 2" or "No. 3", the artist did produce other works with sunsets during the same period: "Landscape with Fountain", for example, an oil on canvas measuring 53.3 x 73.6 cm; "Paysage pointilliste", 1906-07, an oil on canvas measuring 54.5 x 73 cm; "Matin au Parc Montsouris", ca. 1906, oil on canvas, 49.9 x 67.7 cm; or even "La tour de Batz au coucher de soleil", 54 x 73 cm, an oil on canvas ca. 1905.

Indeed, these clues would seem to suggest "Coucher de soleil no. 1" was painted during the later months of 1905, or early 1906, just before Metzinger and Robert Delaunay began painting portraits of one another, rather than circa 1908 as indicated by the Kröller-Müller Museum.

The Fauves (many of whom would become Cubists), were heavily influenced by Neo-Impressionism, calling upon rational and scientific thought and creating highly abstract visions with the goal of producing the effects of real color-light. Mechanical brushwork suppressed the personality of the artist in an act of conspicuous defiance against the Impressionists. The Symbolists too would strip away the casual and accidental features of reality, revealing the true 'essence of form.' Whether such a revelation could be backed up by a scientific theory or not, there were still examples that could be codified. The problem was that pigments "reflect" light, they are not a light source themselves. Colors in the spectra of light did not respond in the same way as color pigments painted on canvas. For example, red and blue light rays result in white light, but the same colors in pigments make violet.

Metzinger's response in "Coucher de soleil no. 1", in addition to illustrating actual radiation emanating in concentric circles from the sun, was to separate colors in such a way as to avoid mixtures, leading to inert tones. Contrary to the Impressionists related hues, often placed on top of one another while still wet—leading to a result the Divisionists found dull—contrasting hues placed side by side for the effect or creating optical vibrations were essential to Divisionists.

The basic elements of art—the line, particle of color—like words could be treated autonomously, each possessing an abstract value independent of one another, if so chose the artist. The line, independent of its topographical role, possesses an calculable abstract value, in addition to the particles of color and the relation of both to the observer's emotion. The underlying theory behind Neo-Impressionsim, something Divisionists like the Metzinger would push to the extreme, would have a lasting effect on the works produced in the coming years by Albert Gleizes, Robert Delaunay and Gino Severini.

The impulse toward abstraction was a primary quality of the time, even prior to Metzinger's "Sunset No. 1". "Neo-Impressionism" wrote Paul Adam, "wants to reproduce the pure phenomenon, the subjective appearance of things. It is a school of abstraction."

By "abstract," writes Robert Herbert, "writers and painters of the period did not mean "devoid of reference to the real world", as we now use the term. They meant to draw away from nature, in the sense of disdaining imitation in order to concentrate upon the distillation of essential shapes and movements. These distilled forms were superior to nature because they partook of "idea", and represented the dominance of the artist over the mere stuff of nature. In embryo, the Symbolists and Neo-Impressionists did establish the philosophical defense of pure abstraction, but nature still formed part of the basic dialogue."

By 1905 Metzinger began to favor the abstract qualities of larger brushstrokes and luminous colors. Following the lead of Georges Seurat, Henri-Edmond Cross and Paul Cézanne, Metzinger began incorporating a new geometry into his works that signified a further departure still from naturalism.

Robert Herbert writes of Metzinger's "Coucher de soleil" and its importance during the Neo-Impressionist period and thereafter:

The vibrating image of the sun in Metzinger's painting, and of Delaunay's "Paysage au disque" (1906-1907), writes Herbert, "is an homage to the decomposition of spectral light that lay at the heart of Neo-Impressionist color theory..."

"The Neo-Impressionists" according to Maurice Denis, "inaugurated a vision, a technique, and esthetic based on the recent discoveries of physics, on a scientific conception of the world and of life."

In 1904-05 Henri Poincaré discovered a graphical tool for visualizing different types of polarized light (known as Poincaré sphere). The Poincaré homology sphere, also called Poincaré dodecahedral space, is a particular example of a homology sphere. Being a spherical 3-manifold, it is the only homology 3-sphere, besides the 3-sphere itself, with a finite fundamental group. While it is not known the extent to which such discoveries influenced Metzinger's representation of the radiating sun in "Coucher de soleil no. 1", his interest and prowess in mathematics is well documented.